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Ubu Rock

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Audiences screamed with laughter at this outrageous satire, a hilarious commentary on everything from unbridled political ambition and political correctness to the war in Bosnia and Newt Gingrich’s “contract with America.”

When vulgar low-life Pa Ubu plots to kill everyone and take over the world, no hallowed cause is safe! Together with his wife Ma Ubu (who’s one part Lady Macbeth, one part Roseanne and several parts we don’t dare mention here), the new dick-dick-dicktator of the land first de-brains the special interests and then begins the real exploitation!

Ubu is laughter! Ubu is rock and roll! Ubu is terror! And critics and audiences agree, Ubu is not to be missed!

Credits

Creative team

Music and Lyrics by

Rusty Magee

Music and Lyrics by

Rusty Magee

Rusty Magee is a composer, pianist, and performer who has composed the music and lyrics for The Imaginary Invalid, Ubu Rock, and The Servant of Two Masters at the American Repertory Theater. He won the 1993 Outer Critics Circle Award for Most Promising Composer for his music and lyrics for the production of Andrei Belgrader and Shelley Berc's adaptation of Molière's Scapin at the Classic Stage Company, also produced at Yale Repertory Theatre and A.C.T. He wrote the music and lyrics for The Green Heart, book by Charles Busch, produced by the Manhattan Theatre Club. He co-wrote the musical The Czar of Rock & Roll, produced at the Alley Theatre, Houston, and was the musical conductor for Harold Prince's Grandchild of Kings Off-Broadway. He also wrote music for John Patrick Shanley's The Fool and Her Fortune. Mr. Magee recently appeared at the Wilbur Theatre in Boston, singing and playing the piano in Frank McCourt's The Irish … And How They Got That Way.

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Directed by

Andrei Belgrader

Directed by

Andrei Belgrader

Andrei Belgrader is well known to American Repertory Theater audiences for his productions of Loot, We Won't Pay! We Won't Pay!, Ubu Rock, The Servant of Two Masters, Rameau's Nephew, The Bald Soprano and the Chairs, Waiting for Godot (for which he received the Boston Circle Critics Awards for Best Play and Best Director for 1982/1983), Measure for Measure, and As You Like It. Since arriving from his native Romania in 1978, Mr. Belgrader has directed several off-Broadway productions, including Waiting for Godot, Scapin, Woyzeck, and Troilus and Cressida. At Yale Repertory Theatre he directed Molière's Scapin, which he adapted with Shelly Berc and Rusty Magee and was subsequently performed at Classic Stage Company in New York and American Conservatory Theater in San Francisco. His other credits at Yale Repertory Theatre include John Guare's Moon Over Miami, The Miser, As You Like It, Alfred Jarry's Ubu Rex, the American premiere of Dario Fo's About Face, Joe Orton's What the Butler Saw, and Gogol's Marriage. At the Goodman Theatre in Chicago he directed Beckett's Happy Days. Mr. Belgrader also worked at the West Bank Cafe, where he directed Qunicy Long's Korea and Tom Eyen's The White Whore and The Bit Player, which was subsequently performed at the Edinburgh Festival and then moved to two London theaters. For the Double Image Theatre, he directed Ondine and Brendan Cole's Tenth Avenue Tales. With Shelley Berc, Mr. Belgrader also adapted Rameau's Nephew and directed the original production for the Classic Stage Company in New York. For the Norwegian State Theatre, he directed Nikolai Erdman's Suicide. Mr. Belgrader also directed several episodes of Coach for MCA Universal.

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Set design by

Andrei Both

Costume design by

Catherine Zuber

Costume design by

Catherine Zuber

Catherine Zuber has created the costumes for Richard II, The Doctor's Dilemma, and over forty other A.R.T. productions including Three Farces and a Funeral, Antigone, Loot, The Idiots Karamazov, Ivanov, Phaedra, The Merchant of Venice, Valparaiso, The Imaginary Invalid, The Taming of the Shrew, Peter Pan and Wendy, The Bacchae, Man and Superman, The Cabinet of Doctor Caligari, Woyzeck, The Wild Duck, The Naked Eye, Long Day's Journey Into Night, Tartuffe, Ubu Rock, Waiting for Godot, The Oresteia, Shlemiel the First, Picasso at the Lapin Agile, A Touch of the Poet, What the Butler Saw, The Cherry Orchard, and Orphée. Ms. Zuber's credits include work at Lincoln Center, The Joseph Papp Public Theater, Goodman Theatre, The Guthrie Theater, Mark Taper Forum, Seattle Repertory Theatre, Hartford Stage Company, La Jolla Playhouse, Berkeley Repertory Theatre, Houston Grand Opera, and Glimmerglass Opera, among others. Her Broadway credits include The Triumph of Love (Connecticut Critics Circle Award and Drama Desk nomination), Ivanov (Drama Desk nomination), The Sound of Music, Twelfth Night, The Red Shoes, London Assurance, The Rose Tattoo, and Philadelphia Here I Come. Ms. Zuber was the recipient of the 1997 Obie Award for sustained achievement in design. She is the costume designer for La Fête des Vignerons de 1999, the massive Festival of the Winegrowers in Vevey, Switzerland.

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Lighting design by

John Ambrosone

Lighting design by

John Ambrosone

Lighting Designer John Ambrosone has designed over thirty productions for the American Repertory Theater, including Lysistrata, Absolution, Marat/Sade, Othello, Animals and Plants, Mother Courage (2001 Elliot Norton Design Award), The Doctor's Dilemma, Three Farces and a Funeral, Nocturne, IvanovThe Cripple of Inishmaan, The King Stag, Boston Marriage, Charlie in the House of Rue, Valparaiso, The Marriage of Bette and Boo, How I Learned to Drive, Nobody Dies on Friday, Man and Superman, The Old Neighborhood, When the World Was Green (A Chef's Fable), Alice in Bed, Slaughter City, and Buried Child. On Broadway he designed The Old Neighborhood. Work in resident theaters includes the Alley Theatre, Long Wharf Theatre, the Coconut Grove Playhouse, Brooklyn Academy of Music (BAM), Walnut Street Theatre, Trinity Repertory Company, and Arena Stage. Mr. Ambrosone also has designed in Singapore, Moscow, Japan, Brazil, Taiwan, Mexico, Germany, and France.

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Sound design by

Christopher Walker

Sound design by

Christopher Walker

Christopher Walker has composed music and designed sound for We Won't Pay! We Won't Pay!, Phaedra, Beckett Trio: Eh Joe, Ghost Trio, and Nacht und Traüme, and An Evening of Beckett, and designed sound for The King Stag, Loot, The Idiots Karamazov, Ivanov, The Cripple of Inishmaan, Charlie in the House of Rue, The Merchant of Venice, Valparaiso, The Taming of the Shrew, The Bacchae, The Wild Duck, Woyzeck, The Cabinet of Dr. Caligari, The Wild Duck, Alice in Bed, Slaughter City, Buried Child, Ubu Rock, The Threepenny Opera, The Accident, Demons, Waiting for Godot, The Oresteia, Hot 'n' Throbbing, The America Play, A Touch of the Poet, The Cherry Orchard, What the Butler Saw, and Those the River Keeps at the A.R.T. Previously he composed music and designed sound for productions at the Intiman Theatre, the Bathhouse Theatre, and the Alice B. Theatre. He also scores for dance and has composed for the Allegro Dance Festival, the Bumbershoot Festival, and On The Boards.

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Music Directed by

Rusty Magee

Music Directed by

Rusty Magee

Rusty Magee is a composer, pianist, and performer who has composed the music and lyrics for The Imaginary Invalid, Ubu Rock, and The Servant of Two Masters at the American Repertory Theater. He won the 1993 Outer Critics Circle Award for Most Promising Composer for his music and lyrics for the production of Andrei Belgrader and Shelley Berc's adaptation of Molière's Scapin at the Classic Stage Company, also produced at Yale Repertory Theatre and A.C.T. He wrote the music and lyrics for The Green Heart, book by Charles Busch, produced by the Manhattan Theatre Club. He co-wrote the musical The Czar of Rock & Roll, produced at the Alley Theatre, Houston, and was the musical conductor for Harold Prince's Grandchild of Kings Off-Broadway. He also wrote music for John Patrick Shanley's The Fool and Her Fortune. Mr. Magee recently appeared at the Wilbur Theatre in Boston, singing and playing the piano in Frank McCourt's The Irish … And How They Got That Way.

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Cast

Pa Ubu

Charles Levin

Pa Ubu

Charles Levin

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Ma Ubu

Francine Torres

Francine Torres returns to the A.R.T. to play Toinette in The Imaginary Invalid. Previously she appeared as Katrin Dowling in The Naked Eye, Ma Ubu in Ubu Rock, Dorine in Tartuffe, and Smeraldina in the summer 1995 The King Stag at the A.R.T. Previously she appeared in The Good Person of Setzuan at the La Jolla Playhouse, where she was also seen in Arms and the Man. Ms. Torres performed in the premiere U.S. tour of Real Women Have Curves with El Teatro de la Esperanza and was seen in Dallas Theatre Center's production of Real Women Have Curves. Interested in multi-cultural theater, Ms. Torres appeared in Dog Lady at the Asian American Theatre and has worked extensively with Luis Valdez' El Teatro Campesino. Productions include Simply Maria, La Pastorela, Food for the Dead, Greater Tuna, as well as the PBS film version of La Pastorela. Ms. Torres received her M.F.A. in acting from the University of California/San Diego Professional Acting Program.

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Captain Trash/General Lasky

Thomas Derrah

Captain Trash/General Lasky

Thomas Derrah

A.R.T.: 119 productions, including R. Buckminster Fuller: THE HISTORY (and Myster) OF THE UNIVERSE (R. Buckminster Fuller), Cabaret (Fraulein Schneider), Endgame (Clov), The Seagull (Dorn), Oliver Twist (also at Theatre for a New Audience and Berkeley Repertory Theatre), The Birthday Party (Stanley), Highway Ulysses (Ulysses), Uncle Vanya (Vanya), Marat/Sade (Marquis de Sade), Richard II (Richard). Broadway: Jackie: An American Life (23 roles). Off-Broadway: Johan Padan (Johan), Big Time (Ted).  Tours with the Company across the U.S., with residencies in New York, Chicago, San Francisco and Los Angeles, and throughout Europe, Canada, Israel, Taiwan, Japan and Moscow, and has recently been performing Julius Caesar in France. Other: I Am My Own Wife, Boston TheatreWorks; Approaching Moomtaj, New Repertory Theatre; Twelfth Night and The Tempest, Commonwealth Shakespeare Co.; London’s Battersea Arts Center; five productions at Houston’s Alley Theatre, including Our Town (Dr. Gibbs, directed by José Quintero); and many theatres throughout the U.S. Awards: 1994 Elliot Norton Prize for Sustained Excellence, 2000 and 2004 IRNE Awards for Best Actor, 1997 Los Angeles DramaLogue Award (for title role of Shlemiel the First). Television: Julie Taymor’s film Fool’s Fire (PBS American Playhouse), "Unsolved Mysteries," "Del and Alex" (Alex, A&E Network). Film: Mystic River (directed by Clint Eastwood), The Pink Panther II. He is on the faculty of the A.R.T. Institute, teaches acting at Harvard University and Emerson College, and is a graduate of the Yale School of Drama.

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King's Messenger/Ladislas/Dregadier McShovit

Kevin Waldron

King's Messenger/Ladislas/Dregadier McShovit

Kevin Waldron

King Wenceslas/Dregadier McGreedy

Will LeBow

King Wenceslas/Dregadier McGreedy

Will LeBow

Vlad Tepes/the Functionary in The Communist Dracula Pageant. A.R.T.: Fifty-four productions, including Alfed in Cardenio, Conspirator in Julius Caesar, Niels Bohr in Copenhagen, Eddie Darko in Donnie Darko, A Marvelous Party!, Mr. Brownlow in Oliver Twist (also at Theatre for a New Audience and Berkeley Repertory Theatre), Capulet in Romeo and Juliet, Garcin in No Exit, Kulygin in Three Sisters, Uncle Jacob, Innkeeperess, Head Waiter in Amerika, Jupiter in Dido, Queen of Carthage, Valère in The Miser, Goldberg in The Birthday Party, Egeus and Peter Quince in A Midsummer Night's Dream, several roles in Highway Ulysses, the President of the Senate in Lysistrata, Marat in Marat/Sade, Brabantio and Lodovico in Othello, Dantly in Animals and Plants, the Father in Nocturne, Sir Ralph Bloomfield Bonington in The Doctor's Dilemma, Gregory Smirnov and Gonov in Three Farces and a Funeral, Heiner Müller in Full Circle, Borkin in Ivanov, the State Trooper, Policeman, Grave Digger, and Grandfather in We Won't Pay! We Won't Pay!, Dr. McSharry in The Cripple of Inishmaan, Karl Hudlocke in The Marriage of Bette and Boo, Shylock in The Merchant of Venice, Argan in The Imaginary Invalid, Gremio in The Taming of the Shrew, Tiresias in The Bacchae, the title role and other parts in Shlemiel the First, the Doctor in Woyzeck, Hjalmar in The Wild Duck, Brighella in The King Stag, Will in Six Characters in Search of an Author, Mother/Father in Alice in Bed, King Wenceslas/McGreedy in Ubu Rock, Cléante in Tartuffe, Sebastian in The Tempest, Murray in Demons, Exeter in Henry V, Aegisthus and Chorus in The Oresteia, Sagot in Picasso at the Lapin Agile, the Earl of Westmoreland in Henry IV, Parts 1 and 2, and Lord Chief Justice in Part 2. Other credits include The Rivals and Melinda Lopez's Sonia Flew (Huntington Theatre), Twelfth Night (Feste, Commonwealth Shakespeare Company), Brian Friel's Faith Healer (Gloucester Stage Company), Shear Madness (all male roles), the Boston Pops premiere of How the Grinch Stole Christmas (narrator). Film: Next Stop Wonderland. Television: the Cable Ace Award–winning animated series Dr. Katz, Professional Therapist (voice of Stanley).

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Queen Rosamond

Adrianne Krstansky

Queen Rosamond

Adrianne Krstansky

A.R.T.: Britannicus (Albina), Ubu Rock (Queen Rosamund). Other: 2.5 Minute Ride, New Repertory Theatre; November, Lyric Stage Company; Gary, Boston Playwrights Theater; Well, New Century Theater; Laundry and Bourbon, Young Vic, London; Luck, Pluck and Virtue, Atlantic Theater and La Jolla Playhouse; A Clockwork Orange and Twelfth Night, Steppenwolf Theatre; Closer, Wellfleet Harbor Actors Theatre; Frozen, New Repertory Theatre; Bug, Boston Theatre Works; Danny and the Deep Blue Sea, Vineyard Playhouse; among others. Film: The Company Men. She teaches acting at Brandeis University.

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Bouggerslas

Ajay Naidu

Bouggerslas

Ajay Naidu

Ballseslas/Dregadier McBalls/Lord de Konigsburg/Stanislas Leczinski/Tsar

Scott Ripley

Ballseslas/Dregadier McBalls/Lord de Konigsburg/Stanislas Leczinski/Tsar

Scott Ripley

Scott Ripley appeared as Andres in Woyzeck; Mr. Twiddle (The Banker) in The Cabinet of Dr. Caligari; Truffaldino in The King Stag; and the Stage Manager in Six Characters in Search of an Author in the 1996-97 Loeb Stage Season, and as Chaim Rascal in Shlemiel the First on tour in San Francisco. Mr. Ripley's previous A.R.T. roles have included The Tsar, Dregadier McBalls and other roles in Ubu Rock; Valère in Tartuffe; and Ferdinand in The Tempest. He graduated from the U.S. Naval Academy and flew the Navy's A-6 Intruder for six years before entering the Professional Acting Program at the University of California/San Diego, where he received an M.F.A. He was seen in the world premiere of The Who's Tommy and in Much Ado About Nothing, both directed by Des McAnuff at La Jolla Playhouse, Alchemy of Desire at the Cincinnati Playhouse in the Park and Game of Love and Chance at the Washington Stage Guild. At U.C.S.D. he performed the title role in Henry V and Argante in Andrei Belgrader's production of Scapin, among others.

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Florenslas

Kerri Aldrich

Florenslas

Kerri Aldrich

Ralpheslas/Trash's Messenger/ Tax Collector

J.C. Murad

Ralpheslas/Trash's Messenger/ Tax Collector

J.C. Murad

Maria Leczinski

Maria Ratner

Maria Leczinski

Maria Ratner

Eva Leczinski

Monique Wegele

Eva Leczinski

Monique Wegele

Tax Collector/Jan Sobieski

John-Andrew Morrison

Tax Collector/Jan Sobieski

John-Andrew Morrison