In the News

Misner’s athletic dancing is stunning for its shameless libidinousness. Her choreography and what the rest of the troupe does with it is a pleasure to behold.
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Make some calculations and find a way to get to the OBERON before this show closes on April 27.  This is one of those rare "NOT TO BE MISSED" works of art.
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“The Shape She Makes” proffers an eloquent fusion of language and movement that pushes the boundaries of dance and theater without embracing the opaqueness that marks so many experimental productions.
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... a complex and rewarding theater-dance piece that asks the question “Who determines who we are?”
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The A.R.T does it again with WITNESS UGANDA a vibrant, moving world premiere production, that tells a modern true story of the power and the dark side of philanthropy(!) and stars the actual gay, black, Christian man who lived it.
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Uganda threatens to join Oklahoma and Brigadoon as a favored musical-theater destination.
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Fasten your seat belts, readers of The White Rhino Report, for this show evoked in me a great deal of thought and emotion, and I want to share these things in depth with you as I review the show that had last evening's audience weeping in catharsis and shouting and clapping in joy.
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Stirring, deeply felt musical having its world premiere at the American Repertory Theater through March 16, 2014. For once, good intentions are transformed into powerful theater.
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Here presented in its world premiere and masterfully directed by Diane Paulus, it tells the story of an African-American actor, tired of pounding the pavement in New York, who volunteers to go to Uganda to help build a village school just outside the capital city of Kampala. 
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It's hard to imagine a more achingly personal musical than “Witness Uganda.” And that's what helps to make this world premiere at American Repertory Theater so involving – and, in many ways, so remarkable.
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