In the News

Plummer’s is by far the best performance here, and by any actress on a local stage this year.
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Bill Heck stars in an all-star Night of the Iguana at ART.
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Wilson knows well how to cast and pace a Williams play so that not a word is lost, nor a nuance missed.
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Michael Wilson’s starry revival... ends in triumph thanks largely to some of Williams’ best all-time writing, a superb turn by Amanda Plummer and a cameo-to-end-all-cameos from the great James Earl Jones.
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This is a very solid, well-executed production of a lesser work by a great playwright, and well worth a look.
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On a personal level, Iguana provides an added dimension of meaning by mirroring our current national circumstances of chaos, rage and incoherence.
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Director Michael Wilson has made the rehabilitation of Tennessee Williams one of his missions.
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The one raw, disruptive performance is Ashley’s as Judith Fellowes, the leader of the Texas ladies. It’s the production’s glimpse of the real Tennessee Williams.
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Dana Delany chatted with Improper Bostonian about her long and varied career.
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A beautifully produced version of the Tennessee Williams classic about despair and unexpected love set in a seaside town in Mexico.
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