In the News

“It acknowledges the murky space of how I understand gender,” Markey says. “It dismisses a binary, because a pontoon boat is not the opposite of a horse, and a girl is not the opposite of a boy. Being both is just being both—or all of it.”
Read more
Dane Terry’s musical theater piece, ‘Bird in the House’ is a genre defying, musical spell he casts on the audience, taking us effortlessly through a week of his imaginative childhood in Ohio.
Read more
Though I’ve just begun writing this review, I am already at a loss for superlatives. NATASHA, PIERRE & THE GREAT COMET OF 1812 has to be one of the most fantastically alive and rapturous theatrical productions I’ve ever seen. 
Read more
Ever get punch-drunk from a musical? A heady, intoxicating feeling that leaves you joyfully disoriented, giddy even? It's a rare occurrence, like seeing a meteor in the night sky, but it is happily happening now at the Loeb Drama Center...
Read more
From the moment Natasha receives an illicit love letter until Pierre’s concluding aria over a celestial wonder, “Natasha, Pierre & the Great Comet of 1812” is a captivating experience...
Read more
Alchemy is afoot in ART's current production, the much-acclaimed “Natasha, Pierre and the Great Comet of 1812”. 
Read more
In "Natasha, Pierre and the Great Comet of 1812," the writer/composer/lyricist — also the musical force behind “Three Pianos” and “Beowulf — A Thousand Years of Baggage” — has turned less than a hundred pages from the middle of Tolstoy’s opus into a romantic and driving swirl of music and storytelling that is beyond exhilarating.
Read more
Lucas Steele cuts quite a dashing profile in "Natasha, Pierre and the Great Comet of 1812," the adventurous musical at the American Repertory Theater. EDGE spoke to him about playing the caddish Anatole for the third time.
Read more
Patrons strolling through the doors of the American Repertory Theater’s Loeb Drama Center may feel they’ve somehow been transported into a sumptuous 19th-century Russian supper club. 
Read more
The smart and smart aleck antics completely change the specifics of the play and in doing so honor its spirit better than any production I've seen.
Read more

Pages