Shows & events intro
- A.R.T. 2016/17 Season
- OBERON Presents
- A.R.T. Institute
- Special events
- A.R.T. in the World
- Support Us
OBERON is the second stage of the A.R.T., a destination for theater
and nightlife on the fringe of Harvard Square.Stay
A.R.T. Institute maximenu
A two-year, five-semester graduate training program that includes
a three-month residency at the Moscow Art Theater School in Russia.Stay
In the News
Take a classically trained English actor who has played Hamlet in over 400 performances throughout his life and is currently up for an Oscar for Best Supporting Actor and put him in the role of a childlike 50-year-old.
A work of ART can be a prose poem, as illustrated by their current production, “Nice Fish”, a collaborative work of Louis Jenkins (whose conversational poems are acted out) and actor Mark Rylance (who twice delivered them in Tony-winning acceptance speeches).
A collaboration between actor/director Mark Rylance and Minnesota poet Louis Jenkins, Nice Fish has just one stage set: out on the ice.
WBUR The ARTery: Mark Rylance Adds A Dash Of Shakespearean Pathos To The Folksy ‘Nice Fish’ (January 25, 2016)
“Nice Fish,” the unassumingly charming play now onstage at the American Repertory Theater, is tastefully hewn from the folksy prose poetry of Minnesota writer Louis Jenkins, whose kitchen-table ruminations about life in the upper Midwest must fit in just perfectly when he makes his periodic appearances on “A Prairie Home Companion.”
Snow-swept vistas often have unreal, even surreal feelings. This is enriched by the wonderful words, acting and stagecraft of Nice Fish by Mark Rylance and Louis Jenkins now at the American Repertory Theatre (A.R.T.) in Cambridge.
A wonderful, comedic reverie set at an ice-fishing camp on a frozen lake in Minnesota, making use of Louis Jenkins’ delightful prose poetry, with existential overtones lurking around every hilarious corner.
The musical, featuring a first-rate band led by Emily Bate, belongs to Erin Markey: her hair is chic as well, a beauty queen’s half up cascading curls.
For Rylance, 55, much of the task as adapter has been figuring out how to link the poetry together to tell a story, set on a Minnesota lake on the last day of ice-fishing season. Connections between one poem and the next might be as small as a single word, or far more substantial. That crossed-out block of text was meant as a transition.
One of the world’s great Shakespearean actors reconnects with his youth on a frozen ice lake in his new play.
If physical rigor is the measure of mettle in a relationship, then actor/performance artists Becca Blackwell and Erin Markey have put themselves through the paces.