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Endlings

World Premiere Play

Endlings

A.R.T. Subscription Season
  • Feb 26, 2019 - Mar 17, 2019

  • Loeb Drama Center

  • Run Time: Two hours including one fifteen-minute intermission

Recommended for ages 15+.

Tickets

From $25

Recommended for ages 15+.

  • Run Time

    Two hours including one fifteen-minute intermission

  • Tickets

    From $25

Learn more:

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Fascinating. Audacious. Deftly satirical and utterly on-target.

The Boston Globe

Powerful, refreshingly direct, and honest. A sight to behold.

Cape Cod Times

On the Korean island of Man-Jae, three elderly haenyeos—sea women—spend their dying days diving into the ocean to harvest seafood. They have no heirs to their millennia-old way of life. Across the globe on the island of Manhattan, a Korean-Canadian playwright, twice an immigrant, spends her days wrestling with the expectation that she write “authentic” stories about her identity. But what, exactly, is her identity? And how can she write about it without selling her own skin?

This daring new play by Celine Song (Amazon’s “The Wheel of Time,” Public Theater’s 2016/17 Emerging Writers Group) journeys beneath the waves under the direction of Sammi Cannold (Violet at A.R.T., Forbes 30 Under 30) and features Wai Ching Ho (Madame Gao from the Marvel TV universe), Emily Kuroda (“Gilmore Girls”), Jiehae Park (the author of peerless, recently produced at Boston’s Company One Theatre), and Jo Yang (“The Affair”).

This production contains strobe and haze.

 

By Celine Song
Directed by Sammi Cannold

Notable dates

Opening Night: 3/1
ASL Interpreted: 3/13 at 7:30PM & 3/17 at 2PM
Audio Described: 3/15 at 7:30PM & 3/16 at 2PM
Open Captioned: 3/14 at 7:30PM & 3/16 at 2PM
Talkbacks: 3/2 at 2PM with Celine Song, Jiehae Park, and Harvard Professor Ju Yon Kim, in partnership with the Korea Institute, Harvard University; 3/6 at 2PM with Celine Song, Sammi Cannold, and Jo Yang; 3/9 at 2PM with Celine Song, Jiehae Park, Diana Oh, and Sara Porkalob; 3/13 at 11AM with Celine Song and Sammi Cannold; & 3/16 at 2PM with Celine Song and Sammi Cannold

Production Sponsor
Allison Johnson
Corporate Education Sponsor
Bank of America
Additional Production Support
Amy Brakeman
Hee-Jung and John Moon
The ocean in this production of Endlings is supported by The Bob and Alison Murchison New Work Development Fund.
This production is supported, in part, by The Robert Brustein Endowment for New Work.
Endlings was developed during a residency at the Eugene O’Neill Theater Center’s National Playwrights Conference in 2018.
Preston Whiteway, Executive Director
Wendy C. Goldberg, Artistic Director

 

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Jo Yang in Endlings.

Learn about the development of this new play, its contemporary and historical contexts, and the important ways it displays, explores, and questions the representation of Asian identity through art.

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Credits

Creative Team

Playwright

Celine Song

Celine Song

Playwright

Celine Song

A.R.T.: Endlings. Member of the Public Theater’s Emerging Writers Group (2016-2017), Ars Nova’s Play Group (2014-2015), Playwrights Realm Writing fellow (2017-2018), and The Orchard Project’s inaugural NYC Greenhouse (2018). Residencies/Fellowships/Commissions: MTC/Sloan, Sundance, the Millay Colony for the Arts, the MacDowell Colony, Yaddo, Edward F. Albee Foundation, IATI Theater Cimientos Playwright (2015), Great Plains Theatre Conference Playlab Playwright (2014/2016). Productions: The Feast, MAP Theater, New Court Theatre, Shelterbelt Theatre, Red Theater Chicago; Family, Signature (Columbia MFA Program Workshop/Presentation); Tom & Eliza, JACK; Endlings, Eugene O’Neill Theater Center’s National Playwrights Conference (Workshop). TV: “The Wheel of Time,” Amazon (Staff Writer); project in development with Diablo Cody and Beth Behrs. Honors/Awards: Tom & Eliza, Semifinalist for the American Playwriting Foundation’s Relentless Award (2016); Kilroys List (2017). Education/Training: MFA, Columbia University.

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Director

Sammi Cannold

Sammi Cannold

Director

Sammi Cannold

A.R.T. (Director): Endlings, Violet. Sammi Cannold is one of Forbes Magazine’s 30 Under 30 in Hollywood & Entertainment and has worked on and off Broadway as well as for CBS, ABC, Nickelodeon, Apple TV, and Cirque du Soleil. Credits: Sunset Boulevard, Kennedy Center; Evita, New York City Center; Carmen, Rose Hall, Lincoln Center; Endlings, New York Theatre Workshop; How to Dance in Ohio, Syracuse Stage; Ragtime on Ellis Island. Additional: A.R.T. Artistic Fellow, member of Cirque du Soleil’s Creative Cognoscenti, Sundance Institute Fellow. Education/Training: BA, Stanford University; MA, Harvard University. @sammi.cannold, sammicannold.com

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Scenic Designer

Jason Sherwood

Scenic Designer

Jason Sherwood

A.R.T.: EndlingsExtraOrdinary.  Off-Broadway: Endlings, SojournersHer Portmanteau, NYTW; This Ain’t No Disco, Atlantic; Sojourners, Playwrights Realm; Songbird, 59E59, The View UpStairs, Culture ProjectRegional: Old Globe, Signature, Denver Center, Shakespeare Theatre, Goodspeed Musicals, Alliance Theatre, Guthrie Theatre. Music: Tours for Sam Smith, the Spice Girls, and Sara Bareilles, performances for Camila Cabello, Elton John, Eminem, Cynthia Erivo, Janelle Monae. TV: “The Oscars” 2020, ABC; “Rent! Live,” Fox. Two Emmy Awards. Drama Desk, Lucille Lortel, and Henry Hewes Design Award nominations. Education/Training: NYU. @JasonSherwoodDesign

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Costume Designer

Linda Cho

Costume Designer

Linda Cho

A.R.T.: Endlings. Broadway: Doubt; Harmony; Summer, 1976; Take Me Out; Grand Horizons; Anastasia (Tony nomination); The Great Society; A Gentlemen’s Guide to Love and Murder (Tony & Henry Hewes Awards, OCC nomination); The Lifespan of a Fact; Velocity of Autumn. New York Theatre Workshop: Kristina Wong, Sweatshop Overlord; Endlings. Her extensive body of work includes productions at acclaimed theaters and opera companies across the country and around the world. Advisory Committee, American Theatre Wing. Education: MFA, Yale School of Drama.

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Lighting Designer

Bradley King

Lighting Designer

Bradley King

A.R.T.: Moby-Dick, We Live in Cairo, Endlings, Burn All Night, Natasha, Pierre & The Great Comet of 1812, O.P.C. Broadway: Fat Ham, Hadestown (Tony, Drama Desk, OCC Awards), Flying Over Sunset (Drama Desk Award, Tony Nomination), The Great Comet(Tony, Drama Desk, OCC awards), Bernhardt/Hamlet. Numerous shows Off-Broadway, regionally, and around the world. Upcoming musicals: Water For Elephants, Alliance; Buena Vista Social Club, Atlantic; Lempicka; Goddess; How to Dance in Ohio. bradleykingld.com

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Sound Designer

Elisheba Ittoop

Sound Designer

Elisheba Ittoop

A.R.T.: Endlings. New York: The Public Theater, MTC, MCC, Signature Theatre, NYTW, 59E59, Soho Rep, Women’s Project. Regional: The Kennedy Center, Guthrie Theater, Steppenwolf, OSF, Huntington Theatre Company, Woolly Mammoth, Arena Stage, National Gallery of Art, Alliance Theatre, Cincinnati Playhouse, Cleveland Playhouse, La MaMa, Denver Center, Two River Theater, Shakespeare Theatre Company, Triad Stage, Children’s Theatre of Charlotte, Bonnaroo Music Festival, Okeechobee Music Festival, Center for Puppetry Arts. Honors/Awards: Resident Sound Designer, Eugene O’Neill Theater Center’s National Playwrights Conference (2010/2011); Kenan Fellowship, John F. Kennedy Center for the Performing Arts; USITT Rising Star Award (2008). Education: BFA, NYU; MFA, North Carolina School of the Arts.

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Production Stage Manager

Alfredo Macias

Alfredo Macias Headshot

Production Stage Manager

Alfredo Macias

(he/him) A.R.T.: Evita1776, SIX, Endlings, Arrabal. Broadway: Bad Cinderella, 1776, Trouble in Mind, The Play That Goes Wrong. Off-Broadway: On Sugarland, Endlings, An Ordinary Muslim, NYTW; The Winter’s Tale, The Odyssey, Twelfth Night, Public Theater; F*cking A, Fires in the Mirror, Signature Theatre; The Way She Spoke, Audible Theatre; Nice Fish, St. Ann’s Warehouse. Regional: Born For This, ArtsEmerson; Miss You Like Hell, La Jolla Playhouse, Evita (STC).

Actors’ Equity Association member

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Cast

Matt DaSilva

White Stage Manager

Matt DaSilva

Matt DaSilva

White Stage Manager

Matt DaSilva

A.R.T.: Endlings. National Tour: Beauty and the Beast (Lefou). New York: The Melting Pot, Everyday Inferno. Regional: Endlings, Eugene O’Neill Theater Center’s National Playwrights Conference (Workshop); How to Succeed…, Flat Rock Playhouse; Laughter on the 23rd Floor, Miracle on 34th Street, Ocean State Theater Company. Concert: Ragtime on Ellis Island. Education/Training: BA, Harvard University.

Actors’ Equity Association member

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Wai Ching Ho

Han Sol

Wai Ching Ho

Wai Ching Ho

Han Sol

Wai Ching Ho

A.R.T.: Endlings. Off-Broadway: Henry VI (Winchester/Old Clifford), Ah, Wilderness! (Essie Miller), NAATCO; No Foreigners Beyond This Point, The Square, Ma-Yi Theater Company; The Joy Luck Club, Carry the Tiger to the Mountain, The Legacy Codes, Pan Asian Rep. Regional: The Denver Center for the Performing Arts, Long Wharf, Pittsburgh Public Theatre, TheatreWorks Palo Alto. Film: The Sorcerer’s Apprentice, Premium Rush, Robot Stories (Best Actress awards at the Indie Film Festivals of Puchon, Korea and Madrid). TV: “Law and Order”; “Orange Is The New Black”; “Fresh Off The Boat”; “New Amsterdam”; Marvel’s “Daredevil,” “Iron Fist,” and “The Defenders” (Madame Gao).

Actors’ Equity Association member

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Miles G. Jackson

White Husband

Miles G. Jackson

Miles G. Jackson

White Husband

Miles G. Jackson

A.R.T.: Endlings. Off-Broadway: Red Emma and the Mad Monk, Ars Nova; Harry and the Thief, The Habitat. Regional: Hand to God, TheaterWorks Hartford; Miss Bennet: Christmas at Pemberley, Repertory Theatre of St. Louis; Tribes, Barrington Stage Company; My Name is Asher Lev, George Street Playhouse; Good Men Wanted, Arena Stage; 4000 Miles, Capital Rep; Mad Forest, Williamstown Theatre Festival. Film: In Reality, Lumanova Pictures; Flora, Pulp Pictures. TV: “The Last O.G.” (recurring), TBS. /Training: NYU Tisch.

Actors’ Equity Association member

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Emily Kuroda

Go Min

Emily Kuroda

Emily Kuroda

Go Min

Emily Kuroda

A.R.T.: Endlings. New York: Page 73, Public Theater. Regional: Actors Theatre of Louisville, Huntington Theatre Company, TheatreWorks Palo Alto, L.A. Theatre Works, Alliance Theatre, South Coast Repertory, East West Players, Kirk Douglas Theatre, Mark Taper Forum, La Jolla Playhouse, Seattle Rep, Singapore Repertory, Berkeley Rep, The Doolittle, LATC, Zephyr Theatre, Los Angeles Women’s Shakespeare Company, Los Angeles Shakespeare Festival. Awards: Five Drama-Logue Awards, Garland Award, LA Ovation (nomination), Playwrights’ Arena Award, EWP Award for Outstanding Contribution to LA Theater.

Actors’ Equity Association member

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Mark Mauriello

White Stage Manager/​Turtle

Mark Mauriello

Mark Mauriello

White Stage Manager/​Turtle

Mark Mauriello

A.R.T.: Endlings, The Lily’s Revenge, The Donkey Show. Off-Broadway: OSCAR at The Crown (Oscar Wilde/Creator), The Neon Coven. New York: The Blast, You Are Here; Little Murders (Marjorie Newquist); performances at Ars Nova, Joe’s Pub, and The McKittrick Hotel. Regional: The Rocky Horror Show (Dr. Frank-N-Furter); Clubland. Workshops: Ragtime on Ellis Island. Education/Training: BA, Theater Arts & Performance, Harvard University. Co-Founder of queer performance/production company The Neon Coven.

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Jiehae Park

Ha Young

Jiehae Park

Jiehae Park

Ha Young

Jiehae Park

A.R.T.: Endlings. Acting: Haruki Murakami’s Sleep, BAM Next Wave, Yale Rep; Every Angel is Brutal, Clubbed Thumb; Ghost Stories, Tiny Little Band; Endlings, Eugene O’Neill Theater Center’s National Playwrights Conference (Workshop). Playwriting: peerless, Yale Rep, Company One Theatre, Primary Stages (upcoming); Hannah and the Dread Gazebo, OSF; Wondrous Strange, Actors Theatre of Louisville; commissions from Playwrights Horizons, McCarter Theatre, Yale Rep, Geffen Playhouse, OSF, Williamstown Theatre Festival, MTC. TV: Marvel’s “Runaways” (Staff Writer). Honors/Awards: Leah Ryan Prize, Princess Grace Award, Weissberger Award, ANPF Women’s Invitational, Lincoln Center New Writer in Residence, NYTW Usual Suspect, New Dramatists Resident Playwright.

Actors’ Equity Association member

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Andy Paterson

White Stage Manager

Andy Paterson

Andy Paterson

White Stage Manager

Andy Paterson

A.R.T.: Endlings. Regional: Yale Rep, McCarter Theatre, La MaMa ETC, Cincinnati Playhouse in the Park, Repertory Theater of St. Louis, Milwaukee Repertory Theater, Indiana Repertory Theatre, Pig Iron Theatre Company, Portland Center Stage, Baltimore Center Stage, San Francisco Mime Troupe, Paper Mill Playhouse, North Shore Music Theatre, Great Lakes Theater, Geva Theatre Center, Virginia Stage Company, Arizona Theatre Company, Pioneer Theatre Company, Florida Studio Theatre, Shakespeare Theatre of New Jersey, Shakespeare Festival St. Louis.

Actors’ Equity Association member

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Keith Michael Pinault

White Stage Manager/​​Fight Captain

Keith Michael Pinault

Keith Michael Pinault

White Stage Manager/​​Fight Captain

Keith Michael Pinault

A.R.T.: Endlings. Off-Broadway: A Midsummer Night’s Dream, Classic Stage Company. New York: Endlings, Paywrights Realm (Workshop). Light/Fen, E. 13th St. Theatre. Regional: All’s Well That Ends Well, Commonwealth Shakespeare Company; Mojo, Theatre on Fire; Rosencrantz y Guildenstern han muerto, Apollinaire Theatre Company. International: Color Blue, Festival de Teatro Alternativo, Bogotá. Webseries: “Tales of Toverud,” “The New Neighborhood.” Education: MFA, Columbia University; BFA, Hofstra University.

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Jo Yang

Sook Ja

Jo Yang

Jo Yang

Sook Ja

Jo Yang

A.R.T.: Endlings. Off-Broadway: Comfort Women (Bohki Lee), Urban Stages; Ah, Wilderness! (Lily), NAATCO; The Joy Luck Club (Suyuan), Pan Asian Rep. Regional: Endlings (Sook Ja), Eugene O’Neill Theater Center’s National Playwrights Conference (Workshop); Heartsong (Tina), Florida Repertory Theatre; M. Butterfly (Chin/Suzuki), Seattle Rep; The Boys Next Door (Sheila), Seattle Group Theatre; Love Suicide at Schofield Barracks (Miss Nomura), Odyssey Theatre Ensemble. Film: Virginia (Shin Lee), Brooklyn Lobster (Jen Lau), Alfie (Mrs. Wing). TV: “The Affair” (recurring); “You”; “What Would You Do”; “Law & Order”; “Far East,” PBS. Training: American Conservatory Theatre’s PATP.

Actors’ Equity Association member

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Kate Pak

Understudy for Go Min, Han Sol, and Sook Ja

Kate Pak

Kate Pak

Understudy for Go Min, Han Sol, and Sook Ja

Kate Pak

A.R.T.: Endlings. New York: Rashomon, Sanford Meisner Theatre; A Surprise Visit, American Theatre of Actors; The Apollo of Bellac, 29th St. Playhouse; 1:42 A.M., Madison Avenue Theatre. International: The Mikado, The King and I, South Africa. Film: A Woman, A Part; Split; The Dictator; Jack, Jules, Esther and Me; The Homecoming Queen; Rollerball; A Killing on Brighton Beach; Charm City (upcoming). TV: “Pose,” “Falling Water,” “Broad City,” “The Mysteries of Laura,” “Walkie Buddies.”

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Additional Staff

Assistant Director

Brian Ge

Assistant Director

Brian Ge

A.R.T.: Endlings, The Black Clown (Rehearsal Accompanist), Jagged Little Pill (Music Intern), Burn All Night (Assistant Music Director), Violet (Assistant Music Director/Assistant Stage Manager), The Pirate Princess (Music Director). Broadway: Tootsie (upcoming). Off-Broadway: Rags Parkland Sings Songs Of The Future, Ars Nova; The Cleopatra Experience, Chelsea Music Hall. Opera: La Bohème, La Gioconda, The Damnation of Faust, Othello, Hansel and Gretel, The Metropolitan Opera. Education: BA, Computer Science, Harvard University; Piano Performance, The Juilliard School Pre-College Division.

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Assistant Director

Rebecca Aparicio

Rebecca Aparicio

Assistant Director

Rebecca Aparicio

(she/ella) A.R.T.: Jack and The Beanstalk (Director), Gloria: A Life (Assistant Director), Endlings (Assistant Director). Rebecca Aparicio is a New York-based bilingual director and writer. Recent: Karen Zacarias’ Jardin Salvaje, GALA Hispanic Theatre (world premiere adaptation, Helen Hayes recommended), Beastgirl (based on the chapbook by Elizabeth Acevedo, book by C. Quintana and music by Janelle Lawrence), Kennedy Center (world premiere, Helen Hayes nominated); Caridad Svich’s The House on the Lagoon, GALA Hispanic Theatre (world premiere; Best Direction, DC Broadway World), Maria Irene Fornes’ Sarita, Roundabout Refocus Series. Rebecca is a member of the Latinx Playwrights Circle, Latinx Theatre Commons, Board Member of The Flea Theatre, and a founding member of Magic Forest Theatre, dedicated to creating new musicals for young audiences. RebeccaAparicio.com.

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Assistant Stage Manager

Zachary Jenkins

Assistant Stage Manager

Zachary Jenkins

A.R.T.: Endlings. Off-Broadway: Twelfth Night, The Odyssey, Under the Radar; King Lear, Public Theater; A Funny Thing…, MCC; ¡Figaro! (90210), The Duke on 42nd Street; Nice Fish, St. Ann’s Warehouse. Regional: The Odyssey, Seattle Rep; The Tempest, Dallas Theater Center; West Side Story, Houston Grand Opera; Lend Me a Tenor, Resident Theatre Company. Opera: Götterdämmerung, La Traviata, The Barber of Seville, Houston Grand Opera; Madama Butterfly, The Princeton Festival. Education/Training: BFA, Baylor University.

Actors’ Equity Association member

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Original Music

Elisheba Ittoop

Original Music

Elisheba Ittoop

A.R.T.: Endlings. New York: The Public Theater, MTC, MCC, Signature Theatre, NYTW, 59E59, Soho Rep, Women’s Project. Regional: The Kennedy Center, Guthrie Theater, Steppenwolf, OSF, Huntington Theatre Company, Woolly Mammoth, Arena Stage, National Gallery of Art, Alliance Theatre, Cincinnati Playhouse, Cleveland Playhouse, La MaMa, Denver Center, Two River Theater, Shakespeare Theatre Company, Triad Stage, Children’s Theatre of Charlotte, Bonnaroo Music Festival, Okeechobee Music Festival, Center for Puppetry Arts. Honors/Awards: Resident Sound Designer, Eugene O’Neill Theater Center’s National Playwrights Conference (2010/2011); Kenan Fellowship, John F. Kennedy Center for the Performing Arts; USITT Rising Star Award (2008). Education: BFA, NYU; MFA, North Carolina School of the Arts.

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A.R.T. Voice and Text

Erika Bailey

A.R.T. Voice and Text

Erika Bailey

A.R.T.: Life of Pi; 1776; WILD: A Musical Becoming; Jack and the Beanstalk; Gloria: A Life; Moby-Dick; We Live in Cairo; Endlings; Othello; ExtraOrdinary; The Black Clown; Jagged Little Pill; WARHOLCAPOTE; Burn All Night; The Night of the Iguana; Trans Scripts, Part I: The Women; Fingersmith; In the Body of the World; Waitress; O.P.C. Broadway: Mary Stuart. Regional: Vanity Fair, Central Square Theater; New Electric Ballroom, Gloucester Stage Company; Arms and the Man, Guthrie Theatre; The Foreigner, Cabaret, To Kill a Mockingbird, Kansas City Repertory Theatre. As Head of Voice and Speech at A.R.T., Erika also teaches in the Theater, Dance & Media concentration at Harvard as well as coaching public speaking skills across the university. Education: MA, Voice Studies, the Royal Central School of Speech and Drama; MFA, Acting, Brandeis University.

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Associate Scenic Designer

Connor Munion

Associate Lighting Designer

Justin Paice

Associate Lighting Designer

Justin Paice

A.R.T.: Alice in Rainbowland, The Conjurors’ Club (Digital Systems Programming), The Triad (Video Projections), Black Light, Greater Good, Clairvoyance, Endlings (Associate Lighting Designer), and Wig Out!.

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Sound Studio Assistant/​Draftsperson

Justin Propper

A.R.T. Production Dramaturgy

Robert Duffley

A.R.T. Production Dramaturgy

Robert Duffley

(he/him) A.R.T.: We Live in Cairo, Endlings, O.P.C. Recent credits: Claudia Rankine’s HELP (dir. Taibi Magar), The Shed; We Hear You: A Climate Archive (National Theatre of Sweden/Georgetown University/Swedish Embassy DC); Miranda Rose Hall’s A Play for the Living in a Time of Extinction (currently touring Europe with original direction by Katie Mitchell); The Uncle Geoff Magic Show, Target Margin Theatre Labs. Publications: works for Howlround, Routledge’s Contemporary Theatre Review, and Six by Eight Press. Editor & Associate Dramaturg, A.R.T.; Dramaturg, LubDub Theatre Co; Affiliated Faculty, Emerson College. 

 

 

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Fight Coach

Angie Jepson

Production Assistants

Bradley Costa

Tessa Johnson

Swimming Instruction

Brian Ge

Zachary Jenkins

Swimming Instruction

Brian Ge

A.R.T.: Endlings, The Black Clown (Rehearsal Accompanist), Jagged Little Pill (Music Intern), Burn All Night (Assistant Music Director), Violet (Assistant Music Director/Assistant Stage Manager), The Pirate Princess (Music Director). Broadway: Tootsie (upcoming). Off-Broadway: Rags Parkland Sings Songs Of The Future, Ars Nova; The Cleopatra Experience, Chelsea Music Hall. Opera: La Bohème, La Gioconda, The Damnation of Faust, Othello, Hansel and Gretel, The Metropolitan Opera. Education: BA, Computer Science, Harvard University; Piano Performance, The Juilliard School Pre-College Division.

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Swimming Instruction

Zachary Jenkins

A.R.T.: Endlings. Off-Broadway: Twelfth Night, The Odyssey, Under the Radar; King Lear, Public Theater; A Funny Thing…, MCC; ¡Figaro! (90210), The Duke on 42nd Street; Nice Fish, St. Ann’s Warehouse. Regional: The Odyssey, Seattle Rep; The Tempest, Dallas Theater Center; West Side Story, Houston Grand Opera; Lend Me a Tenor, Resident Theatre Company. Opera: Götterdämmerung, La Traviata, The Barber of Seville, Houston Grand Opera; Madama Butterfly, The Princeton Festival. Education/Training: BFA, Baylor University.

Actors’ Equity Association member

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Wetsuits constructed by 7TILL8.
Additional equipment provided by Sound Associates.

Special Thanks

양순옥 Yang Soon-Ok, 강정선 Kang Jung-Sun, 김영자 Kim Young-Ja, and 문지원 Moon Jiwon for their generosity and hospitality on Jeju Island

Jesse Alick, Jack Moore, and The Public Theater Emerging Writers Group

Harvard Aquatics/Blodgett Pool, Wellbridge Athletic Club, Jim Estabrook/United Divers Inc
Victor Dong, Sulan Yang, Changan Dong, Jun Ge, and William Ge
Ignacia Delgado, 장세라 Cera Jeng, Andy Talen