Imogen Knight

A.R.T.: Debut. For Kiln: The Son, West End; The Half God of Rainfall, Birmingham Rep. Imogen is a movement director and multidisciplinary artist. Theater: Future Frequencies, Luxembourg 2022; The Body Remembers, The Place, BAC, UK Tour; Under Milk Wood, Macbeth, Amadeus, The Threepenny Opera, Les Blancs, I Want My Hat Back, Edward II, Dido, Queen Of Carthage, The Welkin, National Theatre; Walden, Uncle Vanya, Rosmersholm, The Birthday Party, Who’s Afraid of Virginia Woolf, West End; Is God Is, The Song Project, Nuclear War (Director), Linda, The Low Road, A Time To Reap, Royal Court Theatre; The Nico Project, The Skriker, Manchester International Festival; Blood Wedding, Jesus Hopped the ‘A’ Train, Measure for Measure, Young Vic Theatre; Richard II, Carmen Disruption, King Lear, Measure for Measure, Almeida Theatre; Avalanche, Barbican; The Last Testament of Lillian Bilocca, (Co-Director & Choreographer), Hull City of Culture 2017; Europe, Belleville, Knives in Hens, The Lady From the Sea, Donmar Warehouse; Our Ladies of Perpetual Succour, In Time O’Strife, The Missing, National Theatre of Scotland; The Seagull, Lyric Hammersmith; All the Angels, Shakespeare’s Globe; Hamlet, Blindsided, Royal Exchange Theatre; The Crucible, The Old Vic; Pests, Clean Break, Arden of Faversham, Royal Shakespeare Company; Of Mice and Men, West Yorkshire Playhouse. TV/Film: Firebrand, Gabrielle Tana; Embers, Mini Productions; “Chernobyl,” HBO; On Chesil Beach, Golan Films, OCB Limited; “MotherFatherSon,” “Call the Midwife,” “The Hollow Crown,” BBC; “The Rook,” Starz/Lionsgate; “The Innocents,” Netflix; “Patrick Melrose,” Sky Atlantic; “Harlots,” ITV. Music and opera: The Handmaid’s Tale, The Winter’s Tale, ENO; The Knife of Dawn, Royal Opera House; Flux, Southbank Sinfonia; Gazelle Twin & NYX: Deep England, Southbank Centre; NYX, Southbank Centre/Supersonic Festival 2022; The Little Sweep, Malmö Opera.