Explore

In many ways, the collaborative creation reflects the themes that composer/playwright Julia Riew ’21 instilled in the book, music, and lyrics. “I wanted to write a show that was very, very uplifting and positive and happy. Not only because it’s a children’s show, but also because that’s the kind of show that people need right now,” said Riew, speaking from her family home in Connecticut.

Read full article

“It’s all 100 percent true. The Dragon Cycle was never meant to be my memoir alone,” says Porkalob. “I’m literally trying on my family’s different perspectives around a series of events.”

Read full article

Kaovanny said, “The show will be so dope because you’ll get a little taste of everything. You can’t get bored.”

Read full article

“I had this theory that if I could talk about the show, I could share the research I’ve been doing, I could do a table read, go over the music—if we could plant all these seeds, then once the workshop was over, we could continue to grow the seed,” Paulus said. “That was my practical idea. But what happened was this extraordinary emotional bonding, which I never would have anticipated happening.”

Read full article

Read full article

Read full article

Every day is a struggle so normalized we just deal with the scrapes, scratches, and big, blue bruises. We keep smiling, keep thriving, keep moving along. Until something stops us and forces us to catch our breath. Thursday night at Hibernian Hall in Roxbury, a little less than 100 people gathered for a play, The Movement Theatre Company’s production of “What to Send Up When It Goes Down” by Aleshea Harris.

Read full article