Media Archive

“Trans Scripts” intends to highlight the similarities shared between all people, regardless of their differences.

The stories in “Trans Scripts” deal at times with bullying, family acceptance (or lack thereof) of gender, problems in the workplace, and the difficulty of getting appropriate medical care related to transition. But the examples of tribulation are balanced with examples of victory.

Bianca Leigh’s character in Trans Scripts puts it, “We have hundreds and thousands and tens of thousands and hundreds of thousands of stories.” And those stories, in all of their complexity and authenticity, deserve to be onstage.

In a Fringe where gender has been one theatre’s vital talking points, this is a show that matters, not just to those already aware of the trans communities, but for those who have no knowledge of them.

Simply by staging a show that seeks to provide the most sincere, accurate portrayal of lives rarely documented in art, Trans Scripts throws up interesting questions about how best to respect these stories before they even grace the stage.

“I am hoping to show a nice breadth of the trans community. And asked myself, what things are essential that I definitely need to have in the script?”

Culled from interviews with trans women, these personal accounts read out on stage highlight the diversity of their experiences.

When it comes to making theater, it’s a good sign if you can get people to cry.

Paul Lucas, a successful, gay New York-based stage producer, knew there were thousands of untold stories from within trans communities all over the world. He set out to find some of them.

Award-winning journalist & transgender superstar preps for Trans Scripts at A.R.T.

The American Repertory Theater’s “Trans Scripts, Part I: The Women,” playing through Feb. 5, should be mandatory viewing for anyone who identifies as human. 

Paul Lucas has crafted a script with an exquisite sense of balance; Trans Scripts, Part I is thoughtful, informative, honest, and playful, all at once.