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Institute graduates return to the Loeb stage in The Seagull
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Szász eliminates the divide between the actors and the audience
A second-year dramaturgy student longs for Moscow
Is The Seagull tragedy or farce?
Diane Paulus and Gideon Lester introduce the shows
Fifty years of apocalyptic ambience.
A compilation of thoughts on Beckett’s work
Ryan McKittrick interviews János Szász, director of The Seagull
A comic quartet with the energy of farce
A look through history
A timeline of Chekhov’s life, compiled by Brendan Shea