Accident

Associate Director of the American Repertory Theater and the A.R.T./ MXAT Institute for Advanced Theater Training, and Head Of Directing for Theater, Dance and Media at Harvard University.  His directorial work with the A.R.T. has included The Onion Cellar with The Dresden Dolls, Donnie Darko (adaptor/director/sound designer), Beckett’s Endgame, Adam Rapp's Nocturne, Suzan Lori Parks' The America Play, Adrienne Kennedy's The Ohio State Murders, Büchner's Woyzeck, Sam Shepard's Buried Child, and Christopher Durang’s Marriage of Bette and Boo (also at NYU and Harvard University). A.R.T. Institute: A Bright New Boise, The Flu Season, The 4th Graders Present An Unnamed Love-Suicide, Beckett Shorts: (Not I, Footfalls, Play, Rough For Radio II, Breath, Come and Go), Donnie Darko. Other: Hang Ong's The Chang Fragments and Martin Crimp's The Treatment at The Joseph Papp Public Theater; Fellini's Juliet of the Spirits at Theater Neumarkt in Zurich; Jose Rivera's Marisol at the Actors Theatre of Louisville, Humana Festival; Mac Wellman's Hyacinth Macaw at Primary Stages in New York; Instant Girl's On the Run at Dance Theater Workshop; Mac Wellman's The Land of Fog and Whistles at the Whitney Museum Biennial; Neena Beber's The Living Goddess at The Magic Theater; Erin Cressida Wilson's Cross Dressing in the Depression at Soho Rep; and Quincy Long's Whole Hearted at the Mark Taper Forum's Taper Too in Los Angeles. His adaptations include Fellini's Juliet of the Spirits (Zurich), Phoebe's Got Three Sisters (Cucaracha Theater in New York) and O'Neill's The Great God Brown at NYU and Harvard University.  He's currently working with ArtsEmerson on his adaptation of Don Delillo's short story, "Hammer & Sickle" for the stage. Mr. Stern has taught at the Yale School of Drama, New York University, and Columbia University. He currently teaches at Harvard University, Harvard's Extension School, and A.R.T./MXAT Institute for Advanced Theater Training.

Allison Koturbash, the set designer for Woyzeck, previously created the sets for the American Repertory Theater productions of Buried Child, The Accident, Demons, and The America Play. Her work includes Juliet of the Spirits at Theater Neumarkt, Zurich; Life Is a Dream at the Los Angeles Theatre Center; Largo Desolato at the Yale Repertory Theatre; Phoebe Got Three Sisters at La Cucaracha Theater; Hamletmachine at the Yale School of Drama; Rough for Radio II and Catastrophe at Home for Contemporary Theatre.

Lighting Designer John Ambrosone has designed over thirty productions for the American Repertory Theater, including Lysistrata, Absolution, Marat/Sade, Othello, Animals and Plants, Mother Courage (2001 Elliot Norton Design Award), The Doctor's Dilemma, Three Farces and a Funeral, Nocturne, Ivanov, The Cripple of Inishmaan, The King Stag, Boston Marriage, Charlie in the House of Rue, Valparaiso, The Marriage of Bette and Boo, How I Learned to Drive, Nobody Dies on Friday, Man and Superman, The Old Neighborhood, When the World Was Green (A Chef's Fable), Alice in Bed, Slaughter City, and Buried Child. On Broadway he designed The Old Neighborhood. Work in resident theaters includes the Alley Theatre, Long Wharf Theatre, the Coconut Grove Playhouse, Brooklyn Academy of Music (BAM), Walnut Street Theatre, Trinity Repertory Company, and Arena Stage. Mr. Ambrosone also has designed in Singapore, Moscow, Japan, Brazil, Taiwan, Mexico, Germany, and France.

Associate Director of the American Repertory Theater and the A.R.T./ MXAT Institute for Advanced Theater Training, and Head Of Directing for Theater, Dance and Media at Harvard University.  His directorial work with the A.R.T. has included The Onion Cellar with The Dresden Dolls, Donnie Darko (adaptor/director/sound designer), Beckett’s Endgame, Adam Rapp's Nocturne, Suzan Lori Parks' The America Play, Adrienne Kennedy's The Ohio State Murders, Büchner's Woyzeck, Sam Shepard's Buried Child, and Christopher Durang’s Marriage of Bette and Boo (also at NYU and Harvard University). A.R.T. Institute: A Bright New Boise, The Flu Season, The 4th Graders Present An Unnamed Love-Suicide, Beckett Shorts: (Not I, Footfalls, Play, Rough For Radio II, Breath, Come and Go), Donnie Darko. Other: Hang Ong's The Chang Fragments and Martin Crimp's The Treatment at The Joseph Papp Public Theater; Fellini's Juliet of the Spirits at Theater Neumarkt in Zurich; Jose Rivera's Marisol at the Actors Theatre of Louisville, Humana Festival; Mac Wellman's Hyacinth Macaw at Primary Stages in New York; Instant Girl's On the Run at Dance Theater Workshop; Mac Wellman's The Land of Fog and Whistles at the Whitney Museum Biennial; Neena Beber's The Living Goddess at The Magic Theater; Erin Cressida Wilson's Cross Dressing in the Depression at Soho Rep; and Quincy Long's Whole Hearted at the Mark Taper Forum's Taper Too in Los Angeles. His adaptations include Fellini's Juliet of the Spirits (Zurich), Phoebe's Got Three Sisters (Cucaracha Theater in New York) and O'Neill's The Great God Brown at NYU and Harvard University.  He's currently working with ArtsEmerson on his adaptation of Don Delillo's short story, "Hammer & Sickle" for the stage. Mr. Stern has taught at the Yale School of Drama, New York University, and Columbia University. He currently teaches at Harvard University, Harvard's Extension School, and A.R.T./MXAT Institute for Advanced Theater Training.

Christopher Walker has composed music and designed sound for We Won't Pay! We Won't Pay!, Phaedra, Beckett Trio: Eh Joe, Ghost Trio, and Nacht und Traüme, and An Evening of Beckett, and designed sound for The King Stag, Loot, The Idiots Karamazov, Ivanov, The Cripple of Inishmaan, Charlie in the House of Rue, The Merchant of Venice, Valparaiso, The Taming of the Shrew, The Bacchae, The Wild Duck, Woyzeck, The Cabinet of Dr. Caligari, The Wild Duck, Alice in Bed, Slaughter City, Buried Child, Ubu Rock, The Threepenny Opera, The Accident, Demons, Waiting for Godot, The Oresteia, Hot 'n' Throbbing, The America Play, A Touch of the Poet, The Cherry Orchard, What the Butler Saw, and Those the River Keeps at the A.R.T. Previously he composed music and designed sound for productions at the Intiman Theatre, the Bathhouse Theatre, and the Alice B. Theatre. He also scores for dance and has composed for the Allegro Dance Festival, the Bumbershoot Festival, and On The Boards.