Arts & Cultural Organization Management

afrikah selah (they/them) is a Boston-based cultural worker specializing in dramaturgy, new work development, and arts journalism. With a passion for dialogue and a desire to explore new ideas in innovative ways, they value creative collaboration that strives to build community towards a more equitable world. Currently they are the NNPN New Work Producer in Residence at Company One Theatre and 2023-24 TCG Rising Leader of Color, where they are striving to make change.

itsafrikah.com

Celina Fernando (she/hers) is a youth worker and educator based in Boston, MA. Her work with young people in Malden and Boston’s Chinatown has been grounded in long-term spatial justice and youth-led, creative place-keeping efforts. She is passionate about building immigrant and working-class power, designing for social change, and celebrating the power and capability of youth.

Desiré Graham is an Artist In-Practice. She is a performer, director, and arts administrator. She sings to connect to a past that is hers and a history of many. She writes to reconcile the shade and the sun. She collaborates, in a constant search for those who also feel the tug to be elsewhere. From 2019 to 2022, she was based in Tuscany, Italy, as a company member at the Workcenter of Jerzy Grotowski and Thomas Richards. Currently based in the US, Graham commits to the cultivation of artistic spaces that foster transparency, active listening, and anti-oppressive practices as a requirement. In alignment with these values, she curates residency spaces such as The Black Residency and On the Table. Additionally, Desiré works with Double Edge Theatre, VLA Dance, and Wender Collective as a recurring artistic collaborator. Graham also hosts a workshop series entitled Somewhere in Between, an invitation for BIPOC and ALAANA peoples to discover the use of communal singing, give weight to their vibrational soul, activate, and call on others to join in. She is freely in-process; if you have any questions about what she’s done or where she’s been, please ask about it to be about it.

Dorian Block (he/him/his) is a trans-masculine performing arts leader of Hispanic and Native American heritage. He grew up attending, performing in, and eventually marketing for The Santa Fe Opera, contributing to multiple publications including the 2017 Season program book and the Grammy Award-winning The Revolution of Steve Jobs CD booklet. Dorian defined the role of Digital Marketing and Social Media Manager at The Dallas Opera, serving two seasons and strategically planning content through 2023. He sits on the Alumni Board of Directors for McMurry University, where he holds a BA in English and Arts Administration. Dorian is a member of the fifth SphinxLEAD cohort for Black and Latinx Arts Administrators, the 2022‒2023 OPERA America Mentorship Program for Opera Leaders of Color, and serves on the Opera Canada Board of Directors. He recently co-founded a directory of gender-diverse operatic professionals at OperaMODO. Dorian is dedicated to increasing representation of intersectional diversity on both sides of the operatic stage.

Jaime Sharp (she/they) is a Black queer nonprofit leader, social impact strategist, and arts and culture innovator residing on the stolen territory of the Three Fires People and members of the Kickapoo, Peoria, and Myaamia tribes. She is the Program Manager for Grantmakers in the Arts, a national association for arts and culture funders. Jaime is on the steering committee for the LGBTQ+ Network (OPERA America) and the Chicago Chapter of Emerging Practitioners in Philanthropy. They also serve on associate boards for Chicago’s Young Nonprofit Professional Network, Lyric Opera of Chicago, Chicago Symphony, and Chicago Philharmonic.

Jeremy Whitehead was born in Roxbury, MA. Jeremy found an interest in drawing at an early age and eventually got a scholarship to Mass College of Art at age 11. He started his first job at Boston University at 19 years of age, where he became a cook. During that time, Jeremy was interested in fine dining at first, but eventually lost interest. Now, he works in a retirement home and focuses on taking that same skill to create a great dining experience for the elderly residents. His experience working with the elderly has changed the way he sees life and death, it’s also had an impact in how he looks at art and culture. Now, Jeremy is pursuing learning the arts and hopes to discover something new.

Jessica Wong Camhi is a Boston-based arts administrator with a focus on public art and collections management. Jess is currently the Interim Program Manager for Public Art at the New England Foundation for the Arts (NEFA) and has previously worked at the City of Boston’s Mayor’s Office of Arts and Culture and the Chinese Historical Society of New England (CHSNE).

Kandyce Whittingham (she/they) is a queer first-generation Jamaican-American actor, director, teaching artist, and arts administrator. A recent graduate of Emerson College’s Acting program, she currently works at Lyric Stage Boston as the Marketing and Development Associate and has freelanced as an actor with Central Square Theater, The Theater Offensive, Front Porch Arts Collective, Actors’ Shakespeare Project, and Apollinaire Theatre Company. With a passion for collaborative and community-centered work, Kandyce believes that artistic storytelling, expression, and development is the cornerstone of equity and liberation for all.

kandycewhittingham.com

Katiana Rodriguez is a queer, Afro-Latinx artist born and raised in New York City. She currently works as a content administrator at American Public Television. Katiana received a BFA from the Massachusetts College of Art and Design in Illustration, and her artistic influence can be seen throughout the city of Boston. Most notably, she was the featured artist for the Boston Celtic’s Noche Latina poster. Additionally, she was a member of The Fenway’s inaugural cohort, where she oversaw the planning of Violet Neighborhood, an art event centered around queer BIPOC creators. She has facilitated multiple workshops focused on art, identity, and portraiture with various groups, including students at Beaver Country Day School and Youth on Fire. As an artist of color, Katiana is focused on bringing diversity and awareness to visual art spaces through mural work, equity and inclusion initiatives, gallery curation, and event planning.

Kelsey Fonise (she/her) is a first-generation Haitian American actress, director, producer and writer. She is the founder of The Nou Collective, a digital community centered around amplifying the voices and stories of Haitians in theater, television, and film. As an actress and director she has won multiple Elliot Norton Awards for BLKS with Speakeasy Stage and K-I-S-S-I-N-G with The Huntington. She has produced across Boston and New York and recently had a debut of her pilot script at The Tank theater in Manhattan. Her next show will be at Feinstein’s 54 Below this June in New York.

kelseyfonise.com

Kenny Mascary (he/him), originally from Haiti, first arrived in Boston for college in 2004. Kenny then cut his teeth at mission-driven organizations like the West End House, Boys and Girls Club, Cambridge Youth Programs, the Cambridge Public Library, and more recently Now + There, before joining the Mayor’s Office of Arts and Culture as Chief of Staff. As a DJ, therapeutic mentor, film photographer, board-certified basketball referee, and plant dad, Kenny is passionate about connecting with communities and individuals that share a passion and excitement around conversations and experiences that open minds and help co-create spaces to celebrate the creative diversity of Boston’s dynamic and ever-changing cultural fabric.

Kira Troilo (she/her) is a Boston-based creative, the CEO and founder of Art & Soul Consulting, and the creator and founder of Inclusive Stages®. A BFA graduate of Emerson College, Kira also holds an HR Essentials certificate. She was also recently awarded the distinguished Community Impact Award at SpeakEasy Stage Company’s 2024 Gala. Kira’s groundbreaking EDI work was recently featured in American Theatre magazine. Kira’s consulting work to dozens of organizations has taken her across the country and abroad. In the summer of 2023, she provided tailored support for the world premiere of Summer Stock: The Musical at Goodspeed Opera House, starring Corbin Bleu. In the winter of 2024, she provided tailored support for Something Rotten! at Stratford Festival in Canada.

Letta Neely, originally from Indianapolis, IN, is Black lesbian parent, playwright, performer, poet, teacher, and activist. She is the story-weaver-in-residence at the Elma Lewis Center in the Social Justice Collaborative at Emerson College, a co-artistic director for Fort Point Theatre Channel, and co-director (along with Greg Allen) of the Revolution of Values Theatre Project. She is the Executive Director of Apprentice Learning. No matter where she’s planted or is planting, all of her work is rooted in love and focused on liberation.

Malia‘Kekia Nicolini (‘o ia) is a Kanaka Maoli (Native Hawaiian) teaching artist, internationally touring performer, choreographer, artistic director, speaker, and a gratitude enthusiast. Malia’Kekia is the Co-Founder of B4 The Other Creations, which travels throughout the US and internationally offering Pedagogy of Play. Malia’Kekia is the Northeast Lead Trainer for Narrative 4, teaching empathy through storytelling. ‘O ia co-facilitated the Black and Indigenous Futures Convening with Howlround Theatre Commons and ArtsEmerson. As an interdisciplinary artist, ‘o ia weaves all their experience together to empower dreams and create beauty. BFA in Music Theater, MBA in Mindfulness in Business Practices, BIPOC Leadership at ArtEquity.

b4theother.com

Olga Khvan is the Senior Manager of Public Relations and Content Marketing at the Museum of Fine Arts, Boston. Prior to joining the MFA in 2016, she worked as an assistant editor and photographer covering arts and culture for Boston magazine. She graduated from Boston University, where she studied journalism and the history of art and architecture.

Rene Dongo is a Roslindale native who works as a media maker and teaching artist and has spent the past ten years in youth arts education. He strives to better understand the issues within his communities by facilitating and creating meaningful media. Currently, he works at ZUMIX as the Radio Station Manager where he supports community and youth-produced radio programming.

Robert Davis Awkward (he/him) is an arts worker who is relentlessly dedicated to creating space for artists to do their best work. He is a bilingual Black leader who has a deep investment in seeing individuals and teams succeed. Robert is currently Company Manager at ArtsEmerson, where he collaborates to produce mainstage shows, film series, residencies, and other special projects. As Project Manager for ArtsEmerson’s Black & Indigenous Initiative, Robert serves as program lead for the rollout of a multi-year leadership risk capital grant from the Barr Foundation. He also collaborated with peers from HowlRound Theatre Commons to put on a first-ever, in-person convening for Black and Indigenous leaders from around the country, and supported the commissioning of seven internationally recognized artists. Outside of the arts, Robert also leads media initiatives as a member of the Stewardship Circle of Black Men Run, Boston. With the support of his family and the BMR community, he ran his first Boston Marathon in 2024.

Victoria Lynn Awkward is a multi-hyphenate creator, administrator, educator, and the Director of VLA DANCE. Through her work she aims to inspire people to pause and reflect on their actions towards themselves, their community, and their environment. She pursued her multiple interests at Goucher College and graduated with high honors in Dance, Visual Art, and Secondary Education. Alongside directing VLA DANCE, Victoria is a freelance artist, who most recently choreographed for Huntington Theatre, Company One Theatre, Boston Lyric Opera, and Commonwealth Shakespeare. Victoria is also an educator, having worked at Salem State University, Brown University, West End House, Middlesex School, and Urbanity Dance. She continues to deepen her teaching practices as a mentee with Midday Movement Series. Victoria is currently a Brother Thomas Fellow and recipient of the Next Steps for Boston Grant Program, as well as a recipient of the Queer (Re)public Theater Offensive Residency.

Yuko Okabe is an illustrator and community artist. Select clients include: Big Cartel, Hester Street, City of Boston, Isabella Stewart Gardner Museum, The New York Times, Agncy Design, The Experience Alchemists, Utile Architecture & Planning, American Ancestors by the New England Genealogical Society, Ciampa Creative, Mass MoCA, Punto Urban Art Museum, and Urbano Project. Select exhibits include: Call and Response: Illustration in Uncertain Times, Pao Arts Center; Illustrators 64 (2022), Illustrators 65 (2023), Society of Illustrators; The End is Nigh (2021), Light Grey Art Lab; Pinpoint Boston (2022), Institute of Contemporary Art; Thirst 2021 (2021), Artists for Humanitarian Aid. Education: BFA in Illustration from Rhode Island School of Design.