Media Archive

An excerpt from In the Body of the World by Eve Ensler.

Playwright James Graham follows Americans’ right to privacy—and its demise—through Cambridge and beyond.

Robert Icke and Duncan Macmillan on their adaptation of 1984.

Tony Award-winning actor Mark Rylance discusses Midwestern winters and the creation of Nice Fish.

You don’t have to read far into the script of Louis Jenkins and Mark Rylance’s Nice Fish to encounter (inner and outer) space writ large.

Louis Jenkins on how Nice Fish came to be.

The great experiment was to put a novel on stage; to not just tell the story, but to embrace the formal structure and language of the novel, melodicizing Tolstoy’s incredible narrative voice and rhetorical style.

On helming her fourth family theater production at A.R.T.

An Interview with Natasha, Pierre & The Great Comet of 1812 Director Rachel Chavkin.

Mimi Lien, set designer for Natasha, Pierre & The Great Comet of 1812, is a winner of the 2015 MacArthur Genius Grant for her work designing innovative and immersive theatrical spaces.