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On Crossing
Language, when it reaches us through music, no longer seems an abstract, bodiless means of signification, as it so often seems in our daily use or misuse of it: rather, it becomes a sensual presence, a graspable form.
Language, when it reaches us through music, no longer seems an abstract, bodiless means of signification, as it so often seems in our daily use or misuse of it: rather, it becomes a sensual presence, a graspable form.