1984

A.R.T.: Debut. Robert is the associate director of the Almeida Theatre. Robert was associate director of Headlong from 2010–2013, artistic director of the Arden Theatre Company in Stockton-on-Tees from 2003–2007 and of the Swan Theatre Company in Cambridge from 2005–2008, where he was awarded the Susie Gautier-Smith Prize for his contribution to theater. His production of 1984 (which he co-adapted and directed with Duncan Macmillan) won Best Director at the UK Theatre Awards and was nominated for an Olivier Award for Best New Play. Robert was selected as one of the Hospital Club’s 100 most influential people working across Britain’s creative industries in 2014. Other theater includes: Uncle Vanya, The Fever, Mr Burns, Almeida; Oresteia, Almeida, West End; Boys, Romeo & Juliet, Headlong; The Alchemist, Liverpool Playhouse.

A.R.T.: Debut. Duncan Macmillan is an award-winning playwright and director. Plays include: People, Places and Things, National Theatre, Headlong, West End; 1984, Headlong, Nottingham Playhouse, Almeida, West End, International Tours; Every Brilliant Thing, Paines Plough, Pentabus, Barrow Street, HBO, International Tours; Lungs, Studio Theatre, Paines Plough, Sheffield Theatre, Various Productions Worldwide; 2071 co-written with Chris Rapley, Royal Court, Hamburg Schauspielhaus; Atmen, Schaubühne Berlin; The Forbidden Zone, Salzburg Fesitval, Schaubühne Berlin; Reise durch die Nacht adapt. Friederike Mayröcker created with Katie Mitchell and Lyndsey Turner, Schauspielhaus Köln, Theatertreffen Berlin, Festival d’Avignon; Wunschloses Unglück adapt. Peter Handke, Burgtheater Vienna; Monster, Royal Enchange/Manchester International Festival. Awards include: Best New Play at the Off West End Awards 2013 for Lungs; the Nestroy Preis for Best German Language Production, 2013. His work with director Katie Mitchell has been selected for Theatertreffen and Festival d’Avignon. Duncan was also the recipient of two awards in the inaugural Bruntwood Playwriting Competition, 2006. 1984 was nominated as Best New Play at the Olivier Awards, 2014 and won the UK Theatre Award for Best Director (Duncan Macmillan and Robert Icke).

A.R.T.: Debut. Other theater includes: Boys, Headlong; Cannibals, Royal Exchange in Manchester; Praxis Makes Perfect, National Theatre Wales; The Events, ATC/Young Vic; The History Boys, Crucible; Circle Mirror Transformation, Royal Court; Donmar; Trafalgar 2; Young Vic; National Theatre Scotland; National Theatre Wales, Edinburgh Festival; Manchester Royal Exchange; Sky Arts Live Drama; Wilton’s Music Hall; Crucible; Sheffield/Bush; Gate; Linbury Studio, Royal Opera House and Tour; Clean Break; Soho; Birmingham Rep; Salisbury Playhouse; Sherman, Cardiff; Tricycle/Mercury, Colchester. Opera includes: Malmo Opera House, English Touring Opera, Scottish Opera/RCS. She received the Arts Foundation Fellowship for Design for Performance 2013. Winner of the 2007 Theatre Design Award from the TMA for Small Miracle (Mercury Theatre, Colchester). Training: Wimbledon School of Art.

A.R.T.: Debut. Broadway: Macbeth, National Theatre of Scotland, Broadway, Lincoln Center, Japan Tour. West End: Oresteia, Almeida, West End; 1984, Headlong, Almeida, West End, UK & International Tours; That Face, Royal Court, West End. Other theater includes: Who Cares, Fireworks, Adler & Gibb, The Mistress Contract, The Djinns of Eidgah, Royal Court; Green Snake, National Theatre of China; Praxis Makes Perfect, Neon Neon, National Theatre Wales; Statement of Regret, National Theatre. Dance includes: Four Fridas, Run!, Renaissance, Greenwich & Docklands International Festivals; Mesmerics, Metheus, BalletBoyz: theTALENT, Linbury Studio; Motor Show, LIFT, Brighton Festival; Electric Hotel, Sadler’s Wells/Fuel; Electric Counterpoint, ROH; Broken, Scattered, Motionhouse; Encore, Sadler’s Wells/BalletBoyz. Awards: TMA Award Happy Days at Sheffield Crucible (Best Design); Olivier Award for Sunday in the Park With George (Best Lighting Design).

A.R.T.: Debut. Broadway: A View From the Bridge, Young Vic, West End. West End: Oresteia, Almeida; 1984, Headlong, Almeida, UK & International Tours. Other theater includes: People, Places and Things, National Theatre; Faustus, White Devil, As You Like It, RSC; Translations, ETT, Sheffield Crucible; Happy Days, A Season in the Congo, Disco Pigs, Young Vic; Mr Burns, Almeida; The Absence of War, Romeo & Juliet, Headlong; Lion Boy, Complicite; Henry IV, Julius Caesar, Donmar, St Ann’s Brooklyn; Anna Karenina, Manchester Exchange; Breeders, St James; Grounded, Gate Theatre; The Spire, Salisbury Playhouse; London, The Angry Brigade, Paines Plough, Bush; Roundabout Season, Shoreditch Town Hall, Paines Plough.

Tim has designed video effects and playback systems for shows that range from experimental small-scale works to full-scale opera, ballet and theater productions. He has designed video for Vox Motus, National Theatre of Scotland, The Royal Ballet, The Edinburgh International Festival, DV8 Physical Theatre, Wee Stories, David Leddy, Dogstar, Theatre By The Lake, The Arches, Random Accomplice, Dancebase and TAG. He has worked as Head of Video for the National Theatre of Scotland and toured internationally as a video technician with DV8 Physical Theatre. More information and images of his work can be found at www.timreid.info.

A.R.T.: Debut. As Director: A Marked Man, HighTide; 24 Hour Plays: Old Vic New Voices 2012, Old Vic; The Seagull, Bloomsbury; Close, Arcola; August Town, RADA; Mr Kolpert, C soco, Edinburgh. As Associate Director: 1984, Almeida, West End, UK and International Tours; Bad Jews, Theatre Royal Bath, West End; The Iliad, The Odyssey, Almeida. As Resident/Staff Director: Three Days in the Country, A Small Family Business, National Theatre; The Nether, Headlong, West End. As Assistant Director: Romeo & Juliet, Headlong, UK Tour; Noises Off, Old Vic, UK tour; Abigail’s Party, Theatre Royal Bath, UK tour; The Alchemist, Liverpool Playhouse; Children’s Children, Almeida; 24 Hour Musicals Celebrity Gala, Old Vic. Daniel is an Associate Artist of HighTide Festival Theatre.

A.R.T.: Stage Manager: HEAR WORD!; Burn All Night; Notes from the Field: Doing Time in Education; 1984; O.P.C.; The Shape She Makes; The Donkey Show. Assistant Stage Manager: Bedlam's Sense & Sensibility; The Night of the Iguana; Fingersmith; RoosevElvis; Kansas City Choir Boy; Natasha, Pierre & The Great Comet of 1812; The Heart of Robin Hood; All the Way; The Glass Menagerie; The Lily’s Revenge; Once. Production Associate: Prometheus Bound; The Blue Flower; Cabaret. Education/Training: Graduate of Boston University (Summa cum laude) College of Fine Arts.