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All the Way

  • Sep 13, 2013 - Oct 12, 2013

  • Loeb Drama Center

  • Run Time: 3 hours with a 15 minute intermission.

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By Robert Schenkkan

Directed by Bill Rauch

1963. An assassin’s bullet catapults Lyndon B. Johnson into the presidency. A Shakespearean figure of towering ambition and appetite, this charismatic, conflicted Texan hurls himself into the Civil Rights Act, a tinderbox issue emblematic of a divided America. In the Pulitzer Prize–winning playwright’s vivid dramatization of LBJ’s first year in office, means versus ends plays out on the precipice of modern America. This searing, enthralling exploration of the morality of power, premiered at the Oregon Shakespeare Festival in 2012.

Inspired by the themes surrounding the play All the Way, we asked members of our A.R.T. community to tell us their stories and share their memories from 1963 and 1964. Click here to learn more about and share our My Story project.

All the Way Audios

My Story – Ann Jimerson

Need to know

Recommended for grades 9 and up.
The play is an intense drama that takes place in 1960s America.  It would be suitable for well-prepared high school students 14 and up who can handle frequent strong profanity and racial epithets.
Latecomers will be seated at the discretion of the House Management. Patrons that arrive late are not guaranteed access to their seats until intermission. Please make all members of your party aware of the prompt start.

PLEASE NOTE: The run of this production cannot be extended past its original end date of Oct 12.

Notable dates

ASL Dates:

October 1, 7:30PM
October 6, 2:00PM

Audio Described Dates:

October 2, 7:30PM*
October 5, 2:00PM*

*Touch tour 1 hour prior

Discussions

All the Way Discussions

The A.R.T. will host special panel discussions with Harvard scholars and members of the A.R.T. community:

September 23, 4:00PM: All the Way: The Civil Rights Act From 1964 to Today. Click here for more information.

September 29, following the matinee performance: The A.R.T. will participate in “Towards E Pluribus Unum”—An Initiative of the National Center for Race Amity (NCRA) at Wheelock College. This discussion will be hosted by Dr. William Smith, Founding Executive Director of the NCRA.

October 6, following the matinee performance: The A.R.T. will host a discussion with Alex Keyssar, Matthew W. Stirling Jr. Professor of History and Social Policy at the Harvard Kennedy School. Click here to learn more.

There will also be regularly scheduled talk-backs after the following matinee performances:

Saturday, September 21
Wednesday, September 25
Saturday, September 28
Wednesday, October 2
Saturday, October 5
Wednesday, October 9
Thursday, October 10* (11AM performance)

THE BLANCHE AND IRVING LAURIE FOUNDATION
& Newbury Comics

Press

Credits

Creative team

By

Robert Schenkkan

A.R.T.: Debut. All The Way (2012 Edward Kennedy Prize; Steinberg/ATCA Award Best New Play). Broadway: The Kentucky Cycle (Pulitzer Prize, LA Drama Critics Award, Tony nomination). Author of 11 other plays: By The Waters of Babylon, Handler, Lewis and Clark Reach the Euphrates, The Devil And Daniel Webster, Docent, The Marriage of Miss Hollywood and King Neptune, Final Passages, Heaven on Earth, The Dream Thief, Tachinoki, and Conversations with the Spanish Lady. Film: The Quiet American. TV: “The Pacific” (two Emmy nominations, WGA Award), “The Andromeda Strain,” “Spartacus,” “Crazy Horse.” Member of Dramatists Guild, WGA, Ensemble Studio Theater, New Dramatists Alumnus, and 2012 Thornton Wilder Fellow at the MacDowell Colony.

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Directed by

Bill Rauch

Bill Rauch

Directed by

Bill Rauch

A.R.T.: Othello, All the Way (IRNE Award, Best Director), Fingersmith (IRNE Award, Best Director). Currently Artistic Director of the Oregon Shakespeare Festival (since 2007) and inaugural Artistic Director of the Ronald O. Perelman Performing Arts Center at the World Trade Center; Founding Artistic Director, Cornerstone Theater Company (1986- 2006). Broadway: All the Way (winner of 2014 Tony Award for Best Play). New York: Night is a Room, Signature Theatre; The Clean House, Lincoln Center. Additional directing credits: world premieres by Lisa Loomer, Lynn Nottage, Robert Schenkkan, Bill Cain, Alison Carey, Culture Clash, Dan O’Brien, Sarah Ruhl, Jeff Whitty, and others, along with classical plays at Yale Rep, Long Wharf, Guthrie Theater, Mark Taper Forum, Arena Stage, Pasadena Playhouse, Seattle Rep, Portland Center Stage. TV: “Judging Amy.” Selective Awards: Fichandler Award, TCG Visionary Leadership, Margo Jones Award, U.S. Artists Fellowship, Leadership for a Changing World, Grammy nomination. Education: Harvard University.

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Set Design

Christopher Acebo

Set Design

Christopher Acebo

A.R.T.: OthelloFingersmith, All the Way. OSF (thirteen seasons, Associate Artistic Director): The Book of Will; Mojada: A Medea in Los Angeles (Scenic and Costume Design); UniSon; Disney’s Beauty and the Beast; Twelfth Night; The Wiz; Fingersmith; Long Day’s Journey into Night; Head Over Heels; All the Way; The Great Society; A Streetcar Named Desire; King Lear; Seagull; The Imaginary Invalid; The Language Archive; Hamlet; Cat on a Hot Tin Roof; Throne of Blood; Equivocation; Dead Man’s Cell Phone. Costume Design: The Tenth Muse; The Imaginary Invalid; Othello. Broadway: All the Way. New York: Throne of Blood, BAM; The Clean House, Lincoln Center. Regional: Artist Rep, Yale Rep, Berkeley Rep, La Jolla Playhouse, South Coast Rep, Seattle Rep, Mark Taper Forum, Goodman Theatre, Guthrie Theater, Kennedy Center, Missouri Repertory Theatre, Portland Center Stage. Oregon Arts Commissioner; Member, Board of Directors, Theatre Communications Group. Education: MFA, University of California, San Diego.

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Costume Design

Deborah M. Dryden

Costume Design

Deborah M. Dryden

A.R.T.: Debut. Resident Costume Designer Emerita, OSF. Regional theater: A.C.T., Arena Stage, Huntington, Old Globe, La Jolla Playhouse, Guthrie Theater, Seattle Rep, Chicago Shakespeare Theater, Portland Center Stage, Hong Kong Repertory Theatre, Denver Center Theatre, Berkeley Rep, Alliance Theatre. Opera: Minnesota Opera, San Diego Opera, Portland Opera. Professor Emerita of Design, Univ. of California-San Diego.

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Lighting Design

Jane Cox

Lighting Design

Jane Cox

A.R.T.: Debut. Collaborations with Bill Rauch include: Pirates of Penzance, Merchant of Venice, OSF. Recent designs: Picnic, Roundabout; The Color Purple, London; Flick, Playwrights Horizons; Passion, Classic Stage Company; One Radio Host, Two Dancers with Monica Bill Barnes and Ira Glass. Other theater designs include: Broadway, MTC, Second Stage, Public Theater, BAM, Signature. Opera designs include: Sydney Opera, Houston Grand, New York City Opera. Jane teaches at Princeton University.

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Composer / Sound Designer

Paul James Prendergast

Composer / Sound Designer

Paul James Prendergast

A.R.T.: All the Way. Broadway: All The Way, The Great Society. Off-Broadway: Manahatta, Julius Caesar. Selected Regional: Guthrie, Taper, Seattle Rep, Arena Stage, Long Wharf, McCarter, Geffen, Hartford Stage, Berkeley Rep, A.C.T., La Jolla Playhouse, Alley, Oregon Shakespeare, Kennedy Center. Extensive theme park and museum credits. Awards: Grammy and Drama Desk nominations; BroadwayWorld, Ovation, Drama-Logue, Garland, Gregory, Footlight, and Gypsy Rose Lee awards. Paul’s work as a singer/songwriter has appeared in films, on recordings, and in music venues nationwide.

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Projections

Shawn Sagady

Projections

Shawn Sagady

A.R.T.: Debut. Broadway: Leap of Faith, Memphis (2010 Tony Award for Best Musical). Off-Broadway: Stop. Reset., Mound Builders, Emotional Creature, Signature; By The Way, Meet Vera Stark, Second Stage; Father Comes Home From the War, Public Theater. National Tours: Memphis, Julius Caesar. Regional: The White Snake, Measure for Measure, American Night, OSF; Back Back Back, Old Globe; Carmen, La Jolla Playhouse; Cowboy Vs. Samurai, Mo’ollelo.

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Dramaturg

Tom Bryant

Dramaturg

Tom Bryant

A.R.T.: Debut. Work with Robert Schenkkan includes: All the Way, The Great Society, The Kentucky Cycle, Lewis and Clark Reach the Euphrates. Work with other playwrights includes: The Most Deserving and How the World Began by Catherine Treishmann, The Wind Cries Mary by Phillip Kan Gotanda, Discovery of America by Arthur Kopit, The Mandrake Root by Lynn Redgrave, Apollo by Nancy Keystone. Work at theaters includes: The Kennedy Center, Mark Taper Forum Center Theater Group, OSF, Seattle Rep, South Coast Repertory, Denver Center for Performing Arts.

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Dialect Coach

Rebecca Clark Carey

Dialect Coach

Rebecca Clark Carey

A.R.T.: OthelloAll the Way. OSF (thirteen seasons): over 30 productions including: Othello; Manahatta; Romeo and Juliet; The Book of Will; Love’s Labor’s Lost; The Way the Mountain Moved; Henry IV, Part One; Henry IV, Part Two; Hannah and the Dread Gazebo; The Odyssey; Roe; The Wiz; Long Day’s Journey into Night; The Great Society; Water by the Spoonful; King Lear; A Midsummer Night’s Dream; The White Snake; Seagull; Troilus and Cressida; All the Way. Broadway: All the Way. Regional: Guthrie Theater, Utah Shakespeare Festival. International: Royal & Derngate Theatre, Royal National Theatre. Teaching: Royal Academy of Dramatic Art, The Central School of Speech and Drama, Oxford School of Drama. Publications: Vocal Arts Workbook and DVD, Verbal Arts Workbook, Shakespeare Workbook and Video (all co-authored with David Carey). Education: MA, Voice Studies, The Central School of Speech and Drama, London; MFA, University of California at Irvine; BA, Harvard University.

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Casting

Telsey + Company

A.R.T.: Finding Neverland, The Heart of Robin Hood, All The WayThe Gershwins’ Porgy and Bess. Broadway/ Tours: Fiddler on the RoofThe Color PurpleChina DollMiseryAllegianceOn Your Feet!SylviaSpring AwakeningHamiltonSomething Rotten!An American in ParisFinding NeverlandThe King and IHand to GodKinky BootsWickedThe Bridges of Madison CountyIf/ThenThe Sound of MusicLove LettersNewsiesPippinMotownRock of AgesMillion Dollar Quartet. Off-Broadway: Atlantic, LAByrinth, MCC, Second Stage, Signature. Regional: Goodspeed, La Jolla, New York Stage and Film, Paper Mill, Westport, Williamstown. Film: Fun HouseIthacaThe InternRicki and the FlashFocusThe Last Five YearsSong One, A Most Violent Year, Into the Woods. TV: “Flesh and Bone,” “Masters of Sex,” commercials. telseyandco.com 

 

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Associate Director

Emily Sophia Knapp

Associate Director

Emily Sophia Knapp

A.R.T.: Pericles. 2012 Artistic Office Fellow and Associate Director: All the Way, OSF. Artistic Consultant, King Lear, OSF. Off-Broadway: Throne of Blood, Brooklyn Academy of Music; Millicent Scowlworthy, Summer Play Festival. Regional: The White Snake, Berkeley Rep, OSF; Love’s Labors Lost, The Pirates of Penzance, A Midsummer Night’s Dream, The Merchant of Venice, OSF; The Glass Menagerie, Lyric Stage Company. Acting Certificate, L’Ecole Philippe Gaulier; B.A., Harvard.

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Production Stage Manager

Matthew Farrell

Production Stage Manager

Matthew Farrell

A.R.T.: Debut. Associate Director: Driving Miss Daisy, Australia. Broadway: The Normal Heart, Gore Vidal’s The Best Man, Driving Miss Daisy, Enron, Reasons To Be Pretty, August: Osage County, Talk Radio, Enchanted April. West End: Driving Miss Daisy. Writer/Producer Educational Media: PBS KIDS, WordWorld, Kratts Creatures, Learning Letters with Elmo, Whirligig!, PBS KIDS Share A Story, Dragon Tales, Sesame Street.

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Cast

Bob Moses/ David Dennis

Eric Lenox Abrams

Bob Moses/ David Dennis

Eric Lenox Abrams

A.R.T.: Debut. Off-Broadway: The Piano Lesson, Signature; Hoodoo Love, Cherry Lane. Regional: Polk County, McCarter Theatre, Berkeley Rep; The Dinosaur Within, Austin State Theatre; Comedy of Errors, Pennsylvania Shakespeare Festival; Mahalia, Vineyard Playhouse. Film/Television: Noise, Honeydripper, To Place in All Races, N.Y.C. Underground, Never Forever, “Unforgettable,” “Law & Order,” “Law & Order: SVU,” “Law & Order: CI,” “Boardwalk Empire,” “White Collar,” “Fringe,” “One Life to Live.” M.F.A. University of  Texas at Austin. @tigerlenard

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Lady Bird Johnson/Katharine Graham/Katharine St. George

Betsy Aidem

Lady Bird Johnson/Katharine Graham/Katharine St. George

Betsy Aidem

A.R.T.: 1000 Airplanes on the Roof. Off-Broadway: Nikolai and the Others, Road, Lincoln Center; Celebration, Dreams of Flying..., Atlantic; Mary Rose, The Metal Children, Vineyard Theatre; Stone Cold Dead Serious, Edge; Crooked, Women’s Project; Good Thing, New Group; The Butterfly Collection, Playwrights Horizons; Steel Magnolias, Lortel; Balm in Gilead (Drama Desk Award), Circle Rep; A Lie of the Mind, Promenade. Regional: Huntington, Long Wharf, George Street, Williamstown Theatre Festival. Film: Margaret. TV: “The Americans,” “The Big C,” “Rescue Me,” “Nurse Jackie.” OBIE for Sustained Excellence.

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Hubert Humphrey/ Strom Thurmond

Reed Birney

Hubert Humphrey/ Strom Thurmond

Reed Birney

A.R.T.: Debut. Broadway: Gemini, Picnic (Howard Bevins). Off-Broadway: Uncle Vanya (Vanya, Drama Desk nomination), Blasted (Ian, Drama Desk nomination), Soho Rep; Circle Mirror Transformation (Shultz, OBIE, Drama Desk Awards), Playwrights Horizons; Tigers Be Still (Joseph), The Dream of the Burning Boy (Larry, Outer Critics Circle, Drama League nominations), Roundabout Underground; Bug (Dr. Sweet, OBIE Award), Barrow Street; Stuff Happens (Tony Blair), Public Theater. Film: The Girl Most Likely; Changeling; Morning Glory. TV: “House of Cards” (Donald Blythe).

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Robert McNamara/ James Eastland/ William Moore McCulloch/Paul B. Johnson, Jr.

Arnie Burton

Robert McNamara/ James Eastland/ William Moore McCulloch/Paul B. Johnson, Jr.

Arnie Burton

A.R.T.: Debut. Broadway: Peter and the Starcatcher, The 39 Steps, A Free Man of Color, Amadeus. Off-Broadway: The Explorers Club, MTC; The Temperamentals (Drama Desk Award), New World Stages. UK: The Merchant of Venice, RSC. Regional: I Am My Own Wife (Kevin Kline Award, Helen Hayes nomination); The Seagull, The Taming of the Shrew, Old Globe; All in the Timing, Geffen Playhouse. Film: The Invention of Lying, Igby Goes Down. TV: “Frasier,” “Law & Order,” “White Collar,” “Blue Bloods.”

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George Wallace/ James Corman/ Joseph Alsop/ Mike Mansfield/ Walter Reuther

Dan Butler

George Wallace/ James Corman/ Joseph Alsop/ Mike Mansfield/ Walter Reuther

Dan Butler

A.R.T.: WARHOLCAPOTE. Broadway: Twentieth Century, Biloxi Blues, The Hothouse. Off-Broadway: The Weir; Olive and the Bitter Herbs; Beast; The Only Thing Worse You Could Have Told Me… (Drama Desk/Outer Critics nominations); Lisbon Traviata; Widow Claire; Emerald City. Film: Crazy, Stupid Love; Pearl; Karl Rove, I Love You (co-writer/co-director); Chronic Town; Fixing Frank; The Fan; Enemy of the State; Silence of the Lambs. TV: “Frasier,” “Prayers for Bobby,” “Hey Arnold.”

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Ralph Abernathy/ Butler

J. Bernard Calloway

Ralph Abernathy/ Butler

J. Bernard Calloway

A.R.T.: Debut. Broadway: Memphis the Musical (Delray Farrell). Off-Broadway: The Good Negro (Henry), Public Theater. Regional: Jitney (Booster), Two River Theater. Film: The Taking of Pelham 123, Man on a Ledge, Big Words. TV: “Person of Interest,” “White Collar,” “Rescue Me.” National Commercials: AT&T, Dr. Scholl’s, K-Mart. M.F.A. in Acting from Brandeis University.

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Lyndon Baines Johnson

Bryan Cranston

Lyndon Baines Johnson

Bryan Cranston

A.R.T.: Debut. Theater credits: The Steven Weed Show (Drama-Logue Award); The God of Hell, Geffen Playhouse; The Taming of the Shrew; A Doll’s House; Eastern Standard. Film: Godzilla (2014); Oscarwinning Best Picture Argo (Screen Actors Guild Award); Rock of Ages; Drive; Contagion; Little Miss Sunshine; Saving Private Ryan. TV: “Breaking Bad” (Three consecutive Emmy Awards, 2013 Emmy nomination, three Golden Globe nominations, SAG Award); “Malcolm in the Middle” (Three Emmy Awards, Golden Globe nomination); “Seinfeld”; “From the Earth to the Moon.”

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Coretta Scott King/ Fannie Lou Hamer

Crystal A. Dickinson

Coretta Scott King/ Fannie Lou Hamer

Crystal A. Dickinson

A.R.T.: Debut. Broadway: Clybourne Park (Theater World Award). Off-Broadway: The Call, Clybourne Park, Playwrights Horizons; Broke-ology, Lincoln Center; The First Breeze of Summer, Signature; Born Bad, Soho Rep; Sun Down Names and Night Gone Things, Negro Ensemble Company; Bottom of the World, Atlantic. Regional: Contemporary American Theater Festival, Center Stage, 7 Stages, Georgia Shakespeare, Illinois Shakespeare, Synchronicity. TV: “Tyler Perry’s House of Payne.” M.F.A. University of Illinois at Champaign-Urbana and a proud volunteer at the 52nd Street Project.

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Martin Luther King, Jr.

Brandon J. Dirden

Martin Luther King, Jr.

Brandon J. Dirden

A.R.T.: Debut. Broadway: Clybourne Park, Enron, Prelude to a Kiss. Off-Broadway: The Piano Lesson (OBIE, Theater World Award, Lortel and Drama League nominations), Signature; Detroit ’67, Public Theater/Classical Theatre of Harlem; Peter and the Starcatcher, NYTW; Bottom of the World, Atlantic. Regional: Topdog/Underdog, Jitney, Two River Theater; Trouble in Mind, Arena Stage; Magnolia, Goodman Theatre; Fences, Huntington, South Coast Repertory. B.A. Morehouse College and M.F.A. University of Illinois at Urbana-Champaign. Proud volunteer at the 52nd Street Project.

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Roy Wilkins/ Shoeshiner/ Aaron Henry

Peter Jay Fernandez

Roy Wilkins/ Shoeshiner/ Aaron Henry

Peter Jay Fernandez

A.R.T.: Debut. Broadway: Cyrano de Bergerac, Julius Caesar, Henry IV, Jelly’s Last Jam, The Merchant of Venice. Off-Broadway: CQ/CX, Atlantic; Richard III, Epic Theater Ensemble; The Pain and the Itch, Playwrights Horizons; Thunder Knocking on the Door, Minetta Lane; As You Like It, Spell #7, Henry VIII, Public Theater; Macbeth, Theatre for a New Audience. TV: “House of Cards,” “Deception,” “Damages,” “Fringe,” “The Good Wife,” “Blue Bloods,” “Law & Order.” Graduate Boston University School for the Arts.

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James Harrison/ Stokely Carmichael

William Jackson Harper

James Harrison/ Stokely Carmichael

William Jackson Harper

A.R.T.: Debut. Off-Broadway: A Family for All Occasions, Labyrinth Theatre Company; Modern Terrorism, Second Stage; The Total Bent, Titus Andronicus, Measure for Measure, Public Theater; A Cool Dip in the Barren Saharan Crick, Playwrights Horizons; Ruined, MTC; Queens Boulevard, Paradise Park, Signature; Massacre, Rattlestick. Film/TV: All Good Things, “Law & Order,” “Law & Order: CI,” “The Electric Company,” “The Share,” “30 Rock,” “Unforgettable,” “True Story.”

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Richard Russell/ Emanuel Celler/ Jim Martin

Dakin Matthews

Richard Russell/ Emanuel Celler/ Jim Martin

Dakin Matthews

A.R.T.: All the Way. Broadway: The Audience, (Winston Churchill), Rocky (Mickey), The Best Man (Senator Carlin), A Man for All Seasons (Cardinal Wolsey), Henry IV (Warwick/Glendower, Bayfield and Drama Desk Award). Off-Broadway: Measure for Measure, All’s Well That Ends Well, Public Theater; Where’s Charley, Encores!; Freedomland, Playwrights Horizons. Regional: Prince of L.A., A Midsummer Night’s Dream, Old Globe; Three Sisters, Uncle Vanya, A.C.T.; Shadowlands, Misalliance, South Coast Repertory. Film: Lincoln, True Grit, Zero Charisma. TV: “Gilmore Girls,” "Desperate Housewives,” “King of Queens.”

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J. Edgar Hoover/ Robert Byrd

Michael McKean

J. Edgar Hoover/ Robert Byrd

Michael McKean

A.R.T.: Debut. Broadway: The Best Man; Superior Donuts; The Homecoming; The Pajama Game; Hairspray; Accomplice (Theatre World Award). Off-Broadway: Our Town; A Second Hand Memory. L.A.: Yes, Prime Minister, Randy Newman’s Harps & Angels. Film includes: This is Spinal Tap; Clue; Best in Show; A Mighty Wind. TV: “Family Tree,” “Homeland,” “Law & Order: SVU,” “Laverne & Shirley.” Grammy for “A Mighty Wind”; Oscar nomination for song “A Kiss at the End of the Rainbow,’” written with Annette O’Toole.

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Christopher Liam Moore

Walter Jenkins/ William Colmer

Christopher Liam Moore

Christopher Liam Moore

Walter Jenkins/ William Colmer

Christopher Liam Moore

(he/him) A.R.T.: Becoming a Man, Fingersmith (dramaturg), All the Way, Olympian Games, Alcestis, the CIVIL warS, The King Stag (1984). Broadway: All the Way (Walter Jenkins). Off-Broadway: The Far Country, Atlantic Theater Company. Regional: Oregon Shakespeare Festival, Guthrie, Yale Rep, South Coast Rep, Arena Stage, Mark Taper Forum, Berkeley Rep, Old Globe, Long Wharf. TV/Film: “10 Items or Less” (series regular), “Star Trek: Voyager,” “Friends,” The Cherokee Kid, “Judging Amy” (recurring). Founding Member of Cornerstone Theater Company.

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Stanley Levison/ John McCormack/ Seymore Trammell/ Edwin King

Ethan Phillips

Stanley Levison/ John McCormack/ Seymore Trammell/ Edwin King

Ethan Phillips

A.R.T.: Debut. Broadway: November, My Favorite Year. Off-Broadway: Golden Age, MTC; Measure for Measure, Public Theater; Lips Together, Teeth Apart, Lortel; Eccentricities of a Nightingale, Playwrights Horizons; Modigliani, Astor Place. Regional: The Imaginary Invalid, Bard SummerScape; Side Man, Pasadena Playhouse; Lloyd’s Prayer, Actors Theatre of Louisville; Ms. Ever’s Boys, Center Stage; You Can’t Take It With You, Geffen Playhouse; Inspecting Carol, Seattle Rep; Comedy of Errors, McCarter Theatre. Film: Inside Llweyn Davis, The Island, Glory.

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Cartha DeLoach/ Howard Smith/ Everett Dirksen/ Carl Sanders

Richard Poe

Cartha DeLoach/ Howard Smith/ Everett Dirksen/ Carl Sanders

Richard Poe

A.R.T.: Debut. Broadway: Journey’s End, M. Butterfly, Our Country’s Good, The Pajama Game, Present Laughter. Off-Broadway: Why Torture is Wrong…, Public Theater. Regional: The Outgoing Tide (2012 Barrymore Award), Philadelphia Theatre Company; Tales of the City (Bay Area Critics nomination), A.C.T. Film: Teresa Is A Mother (Best Actor, NY Independent Film Festival), Burn After Reading, Transamerica, Born On The Fourth Of July, The Jackal. TV: “Star Trek,” “Frasier,” “Ed,” “Law & Order.”

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Secretary/ Lurleen Wallace/ Muriel Humphrey

Susannah Schulman

Secretary/ Lurleen Wallace/ Muriel Humphrey

Susannah Schulman

A.R.T.: Debut. National Tour: Picasso at the Lapin Agile. Regional: The Winter’s Tale, Rough Crossing, All’s Well That Ends Well, Yale Rep; You, Nero, Arena Stage; How Shakespeare Won the West, Huntington; Rabbit Hole, Hudson Stage; Les Liaisons Dangereuses, Syracuse Stage; Bad Dates, Geva Theatre; South Coast Repertory; Berkeley Rep; OSF; Barbican Theatre; Magic Theatre; Shakespeare Santa Cruz; Cal Shakes.

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Additional staff

Assistant Stage Manager

Taylor Brennan

Assistant Stage Manager

Taylor Brennan

A.R.T.: Stage Manager: HEAR WORD!Burn All Night; Notes from the Field: Doing Time in Education1984; O.P.C.The Shape She MakesThe Donkey Show. Assistant Stage Manager: Bedlam's Sense & SensibilityThe Night of the IguanaFingersmithRoosevElvisKansas City Choir BoyNatasha, Pierre & The Great Comet of 1812The Heart of Robin HoodAll the WayThe Glass MenagerieThe Lily’s RevengeOnce. Production Associate: Prometheus BoundThe Blue FlowerCabaret. Education/Training: Graduate of Boston University (Summa cum laude) College of Fine Arts.

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A.R.T. Production Dramaturg

Leslie Gehring

Associate Projection Designer

Kristin Ellert

Lighting Design Intern

Michael Pierce-Blagys

HARVARD UNIVERSITY SUMMER INTERNS 2013 WITH SUPPORT FROM THE OFFICE OF THE PRESIDENT AND PROVOST AND IN PARTNERSHIP WITH THE OFFICE OF CAREER SERVICES
Katherine Agard, Anna Kelsey, Joey Longstreet, Mark Mauriello, Brenna McDuffie, Sam Moore, Jumai Yusuf

SPECIAL THANKS

Mark McCullough

Original OSF cast : Kenajuan Bentley, Wayne T. Carr, Gina Daniels, Richard Elmore, Peter Frechette, Jonathan Haugen, David Kelly, Kevin Kenerly, Terri McMahon, Christopher Liam Moore, Mark Murphey, Daniel T. Parker, Douglas Rowe, Erica Sullivan, Derrick Lee Weeden, Jack Willis, Tyrone Wilson.