Nocturne

Adam Rapp (Stone Cold Dead Serious) has been the recipient of the Herbert & Patricia Brodkin Scholarship, two Lincoln Center le Compte du Nouy Awards, a fellowship to the Camargo Foundation in Cassis, France, the1999 Princess Grace Award for Playwrighting, a 2000 Suite Residency with Mabou Mines, a 2000 Roger L. Stevens Award from the Kennedy Center Fund for New American Plays, and the 2001 Helen Merrill Award for Emerging Playwrights.

The World Premiere of Nocturne was produced by the A.R.T.'s New Stages Program to enormous public and critical acclaim. It received Boston's Elliot Norton Award for Outstanding New Script as well as Best New Play by the Independent Reviewers of New England. Nocturne was co-produced Off-Broadway by New York Theatre Workshop and the A.R.T. in May of 2001, is slated for productions at Berkeley Repertory and the Cincinnati Shakespeare Festival, and will be published by Faber & Faber. Nocturne was also selected as one of the Burns Mantle Ten Best Plays of the 2000-2001 Season. In the spring of 2001 Animals and Plants also received its World Premiere in the New Stages Program at the A.R.T.

In the spring of 2000 he directed a workshop production of his play, Blackbird, which went on to receive its World Premiere at the Bush Theatre in London. Blackbird will make its American debut at Pittsburgh's City Theatre in May, 2002. Mr. Rapp's Faster will receive its World Premiere in January 2002 at the Culture Project in New York City.

Trueblinka was presented at The Public Theater's 1997 New Work Now! Festival and went on to the 1997 O'Neill Playwrights Conference. Ghosts in the Cottonwoods was selected for the 1996 New Work Now! Festival, went on to The 1996 O'Neill Playwrights Conference, and received its World Premiere in the fall of 1998 with the Rivendell Theatre Ensemble at Victory Gardens in Chicago. In the spring of 2000 Ghosts in the Cottonwoods was produced at the 24th Street Theatre in Los Angeles. Finer Noble Gases was presented at The 2001 O'Neill Playwrights Conference.

Originally a fiction writer, Mr. Rapp is also the author of th novels Missing the Piano (Viking/Puffin), The Buffalo Tree (Front Street/HarperCollins), The Copper Elephant (Front Street), the upcoming Under the Wolf, Under the Dog (Candlewick Press) and Little Chicago (Front Street, Spring 2002).

A graduate of Clarke College in Dubuque, IA, Mr. Rapp also completed a two-year fellowship at Juilliard where his play Dreams of the Salthorse was produced.

Associate Director of the American Repertory Theater and the A.R.T./ MXAT Institute for Advanced Theater Training, and Head Of Directing for Theater, Dance and Media at Harvard University.  His directorial work with the A.R.T. has included The Onion Cellar with The Dresden Dolls, Donnie Darko (adaptor/director/sound designer), Beckett’s Endgame, Adam Rapp's Nocturne, Suzan Lori Parks' The America Play, Adrienne Kennedy's The Ohio State Murders, Büchner's Woyzeck, Sam Shepard's Buried Child, and Christopher Durang’s Marriage of Bette and Boo (also at NYU and Harvard University). A.R.T. Institute: A Bright New Boise, The Flu Season, The 4th Graders Present An Unnamed Love-Suicide, Beckett Shorts: (Not I, Footfalls, Play, Rough For Radio II, Breath, Come and Go), Donnie Darko. Other: Hang Ong's The Chang Fragments and Martin Crimp's The Treatment at The Joseph Papp Public Theater; Fellini's Juliet of the Spirits at Theater Neumarkt in Zurich; Jose Rivera's Marisol at the Actors Theatre of Louisville, Humana Festival; Mac Wellman's Hyacinth Macaw at Primary Stages in New York; Instant Girl's On the Run at Dance Theater Workshop; Mac Wellman's The Land of Fog and Whistles at the Whitney Museum Biennial; Neena Beber's The Living Goddess at The Magic Theater; Erin Cressida Wilson's Cross Dressing in the Depression at Soho Rep; and Quincy Long's Whole Hearted at the Mark Taper Forum's Taper Too in Los Angeles. His adaptations include Fellini's Juliet of the Spirits (Zurich), Phoebe's Got Three Sisters (Cucaracha Theater in New York) and O'Neill's The Great God Brown at NYU and Harvard University.  He's currently working with ArtsEmerson on his adaptation of Don Delillo's short story, "Hammer & Sickle" for the stage. Mr. Stern has taught at the Yale School of Drama, New York University, and Columbia University. He currently teaches at Harvard University, Harvard's Extension School, and A.R.T./MXAT Institute for Advanced Theater Training.

Christine Jones, the set designer for Nocturne, previously designed The Cripple of Inishmaan, The Merchant of Venice, The Taming of the Shrew, Man and Superman, When the World Was Green (A Chef's Fable), Hot 'n' Throbbing, Picasso at the Lapin Agile, Silence, Cunning, Exile, and The L.A. Plays for the American Repertory Theater. Her other credits include The Green Bird (for which she received Drama Desk and Outer Critics' Circle Award nominations) for the New Victory Theatre in New York, Texts for Nothing and Richard II for the New York Shakespeare Festival, Tartuffe and Richard III for Hartford Stage, and sets and costumes for Iolanthe at Glimmerglass Opera.

Viola Mackenthun, the costume designer for Nocturne, previously designed costumes for The Ohio State Murders and How I Learned to Drive at the A.R.T. Other credits include the New Repertory Theatre's Mystery of Irma Vep and assisting on A Midsummer Night's Dream at the Schlosstheater Schönbrunn in Vienna, Austria. She has also designed costumes for children's plays at Creative Arts at Park, including Carney Time, Newsies, and Three Tales of Sorrow. She holds an M.F.A. in costume design from Boston University, where she also received the Esther B. and Albert S. Kahn Award. Ms. Mackenthun grew up in Germany, where she received an M.F.A. in fashion design from Hamburg University.

Lighting Designer John Ambrosone has designed over thirty productions for the American Repertory Theater, including Lysistrata, Absolution, Marat/Sade, Othello, Animals and Plants, Mother Courage (2001 Elliot Norton Design Award), The Doctor's Dilemma, Three Farces and a Funeral, Nocturne, Ivanov, The Cripple of Inishmaan, The King Stag, Boston Marriage, Charlie in the House of Rue, Valparaiso, The Marriage of Bette and Boo, How I Learned to Drive, Nobody Dies on Friday, Man and Superman, The Old Neighborhood, When the World Was Green (A Chef's Fable), Alice in Bed, Slaughter City, and Buried Child. On Broadway he designed The Old Neighborhood. Work in resident theaters includes the Alley Theatre, Long Wharf Theatre, the Coconut Grove Playhouse, Brooklyn Academy of Music (BAM), Walnut Street Theatre, Trinity Repertory Company, and Arena Stage. Mr. Ambrosone also has designed in Singapore, Moscow, Japan, Brazil, Taiwan, Mexico, Germany, and France.

Sound designs by David Remedios have been heard in Sexual Perversity in Chicago/The Duck Variations, Romance, Trojan Barbie, Endgame, The Seagull, The Communist Dracula Pageant, Let Me Down Easy, When It’s Hot It’s Cole, Cardenio, Julius Caesar, Copenhagen, Donnie Darko, A Marvelous Party, No Man's Land, Oliver Twist, Britannicus, The Onion Cellar, The Island of Slaves,  Orpheus X, Romeo and Juliet, No Exit, Three Sisters (2005), The Keening, Amerika, Olly's Prison, Desire Under the Elms, Dido Queen of Carthage, The Provok'd Wife (original music and sound), The Miser, A Midsummer Night's Dream (2003), Snow in June, Lady with a Lapdog, The Sound of a Voice, Pericles, Highway Ulysses, Uncle Vanya, Lysistrata, Absolution, Marat/Sade, Stone Cold Dead Serious, Enrico IV, Othello, Animals and Plants, The Doctor's Dilemma, Mother Courage and Her Children, Three Farces and a Funeral, Antigone, Nocturne, How I Learned to Drive, and Man and Superman. He has also toured regionally and internationally with the A.R.T.  Other credits include Farragut North and Yankee Tavern (Contemporary American Theater Festival), The Merchant of Venice (Actor’s Shakespeare Project), Ah, Wilderness! (CenterStage Baltimore), The Diary of Anne Frank (New Rep), The Scottish Play (La Jolla Playhouse), Leap (Cincinnati Playhouse in the Park), Daughter of Venus, Action Jesus and Dressed Up! Wigged Out! (Boston Playwrights’ Theatre), Sideways Stories from Wayside School, All of a Kind Family and The Fabulous Invalid (Emerson Stage), Samson Agonistes (92nd St. Y), Our Town (Boston Theatre Works), Far East (Vineyard Playhouse), Only You (Efron Entertainment). Dance soundscapes include works for Concord Academy Dance, Snappy Dance Theater Company, and Lorraine Chapman.  Awards: 2007 Connecticut Critics Circle Award (No Exit, Hartford Stage), 2001 Elliot Norton Award (Mother Courage and Her Children, A.R.T.), seven Independent Reviewers of New England Award nominations.