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Silence, Cunning, Exile

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Suzie evolves from contented wife, motherm and successful fashion photographer into an obsessive artist.  She is driven to the depths of New York;s underworld to seduce its inhabitants and capture them in still photography.

Credits

Creative team

by

Stuart Greenman

Directed by

Ron Daniels

Directed by

Ron Daniels

At the American Repertory Theater Ron Daniels has directed Hamlet, The Seagull, Dream of the Red Spider, Cakewalk, Henry IV, Parts 1 and 2, The Cherry Orchard, Henry V, The Threepenny Opera, The Tempest, and Long Day's Journey Into Night on the Loeb Stage and Silence, Cunning, Exile and Slaughter City for the A.R.T. New Stages; he was also associate artistic director of the A.R.T. and director of the American Repertory Theater/Moscow Art Theater Institute for Advanced Theater Training at Harvard University from 1992 to 1996. Mr. Daniels was a founding member of the Teatro Oficina in São Paulo, Brazil, where he was born. In 1977, he joined the Royal Shakespeare Company as artistic director of the Other Place, Stratford-upon-Avon. His work in the U.S. includes Romeo and Juliet at the Guthrie Theater, Camille at Long Wharf, and Bingo, Ivanov, Man Is Man, and Mister Puntila and His Chauffeur Matti at the Yale Repertory Theatre. At the RSC, his productions included The Tempest, Julius Caesar, Hamlet, A Midsummer Night's Dream, Pericles, Timon of Athens, Richard II, A Clockwork Orange, and many more, as well as world premieres of works by David Edgar, David Rudkin, Stephen Poliakoff, Pam Gems, and others. Mr. Daniels has staged Titus Andronicus and Hamlet in Tokyo, Japan. He is an honorary associate director of the Royal Shakespeare Company.

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Set design by

Christine Jones

Set design by

Christine Jones

Christine Jones, the set designer for Nocturne, previously designed The Cripple of Inishmaan, The Merchant of Venice, The Taming of the Shrew, Man and Superman, When the World Was Green (A Chef's Fable), Hot 'n' Throbbing, Picasso at the Lapin Agile, Silence, Cunning, Exile, and The L.A. Plays for the American Repertory Theater. Her other credits include The Green Bird (for which she received Drama Desk and Outer Critics' Circle Award nominations) for the New Victory Theatre in New York, Texts for Nothing and Richard II for the New York Shakespeare Festival, Tartuffe and Richard III for Hartford Stage, and sets and costumes for Iolanthe at Glimmerglass Opera.

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Costume design by

Karen Eister

Costume design by

Karen Eister

Costume designer Karen Eister's designs at the American Repertory Theater prior to The Marriage of Bette and Boo include An Evening of Beckett, Beckett Trio, Macbeth; the A.R.T. New Stages productions of Silence, Cunning, ExileThe Lost Boys, Claptrap, Two by Korder, and Mrs. Sorkin Presents … ; and for the A.R.T. New Stages premiere and 1987 mainstage production of The Day Room. Ms. Eister earned her MFA in design at New York University. After several years of freelancing for television, fashion, and theater, she returned to Cambridge, where she has been cutting and draping costumes for the A.R.T.

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Lighting design by

John Ambrosone

Lighting design by

John Ambrosone

Lighting Designer John Ambrosone has designed over thirty productions for the American Repertory Theater, including Lysistrata, Absolution, Marat/Sade, Othello, Animals and Plants, Mother Courage (2001 Elliot Norton Design Award), The Doctor's Dilemma, Three Farces and a Funeral, Nocturne, IvanovThe Cripple of Inishmaan, The King Stag, Boston Marriage, Charlie in the House of Rue, Valparaiso, The Marriage of Bette and Boo, How I Learned to Drive, Nobody Dies on Friday, Man and Superman, The Old Neighborhood, When the World Was Green (A Chef's Fable), Alice in Bed, Slaughter City, and Buried Child. On Broadway he designed The Old Neighborhood. Work in resident theaters includes the Alley Theatre, Long Wharf Theatre, the Coconut Grove Playhouse, Brooklyn Academy of Music (BAM), Walnut Street Theatre, Trinity Repertory Company, and Arena Stage. Mr. Ambrosone also has designed in Singapore, Moscow, Japan, Brazil, Taiwan, Mexico, Germany, and France.

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Sound design by

Maribeth Back

Cast

Suzie

Stephanie Roth

Suzie

Stephanie Roth

Donald

Royal Miller

Donald

Royal Miller

Frank

Jonathan Fried

Frank

Jonathan Fried

Beryl

Candy Buckley

Beryl

Candy Buckley

Nicole/Emaciated Model

Tresha Rodriguez

Nicole/Emaciated Model

Tresha Rodriguez

Kiki

Leslie Beatty

Leslie Beatty, a 1994 graduate of the American Repertory Theater/Moscow Art Theater Institute for Advanced Theater Training at Harvard University, returns to the A.R.T. as a member of the chorus in The Bacchae. On the A.R.T. stage she previously played Germaine in Picasso at the Lapin Agile; Kiki in Silence, Cunning, Exile; and one of the witches in Macbeth; as well as appearing in numerous productions at the A.R.T. Institute. More recently she played Miss Casewell in The Mousetrap at Cincinnati Playhouse; Anna in The Baltimore Waltz, Flavia in Mad Forest, and Sylvia in The Game of Love and Chance at the Berkshire Theatre Festival; and Iras in Antony and Cleopatra at Actors Theatre of Louisville, among others.

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Man at Party/Isaac

Alvin Epstein

Man at Party/Isaac

Alvin Epstein

Alvin Epstein is a former artistic director of the Guthrie Theater and associate director of Robert Brustein's Yale Repertory Theatre. He has directed over twenty productions (five at the American Repertory Theater, including the inaugural A Midsummer Night's Dream in 1980) and performed in over one hundred (over fifty at the A.R.T.). His A.R.T. roles include Old Man in Lysistrata, the Herald in Marat/Sade, Dionisio Genoni in Enrico IV, John of Gaunt/First Gardener in Richard II, Erich Honecker in Full Circle, McLeavy in Loot, Shabelsky in Ivanov, and Lee Strasberg in Nobody Dies on Friday; Mr. Epstein has also appeared in The Doctor's Dilemma, Antigone, Three Farces and a Funeral, The Winter's Tale, Charlie in the House of Rue, The Merchant of Venice, In the Jungle of Cities, The Bacchae, The Cabinet of Dr. Caligari, When the World Was Green (A Chef's Fable), Slaughter City, Tartuffe, The Tempest, Beckett Trio, The Threepenny Opera, and Waiting for Godot, among many others. His twenty Broadway and off-Broadway productions include his debut with Marcel Marceau, the Fool in Orson Welles's King Lear, Lucky in the American premiere of Waiting for Godot, Clov in the American premiere of Endgame, Peachum in The Threepenny Opera (co-starring with Sting), and the world premiere of Sam Shepard and Joseph Chaikin's When the World Was Green (A Chef's Fable). For twenty years he and Martha Schlamme performed A Kurt Weill Cabaret on tour in the U.S. and South America and a year's run on Broadway. He has performed at many resident theaters throughout the U.S., in films and on television. Awards include Most Promising Actor ('56 Variety Poll), Brandeis Creative Arts Award ('66), Obie for Dynamite Tonight! ('68), Elliot Norton Award for Sustained Excellence ('96), and the IRNE Award for Best Supporting Actor as Shabelsky in Ivanov ('99). Mr. Epstein teaches acting at the American Repertory Theater/Moscow Art Theater Institute for Advanced Theater Training at Harvard University.

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Transvestite/Acquantence

John Payne

Transvestite/Acquantence

John Payne

Boyfriend/Transient/Inert Man

Richard Similio

Boyfriend/Transient/Inert Man

Richard Similio

Remo Airaldi

Prostitute

Remo Airaldi

Remo Airaldi

Prostitute

Remo Airaldi

A.R.T.: The Lily’s Revenge, Cabaret, Paradise Lost, Endgame, The Seagull, Oliver Twist, Island of Slaves, The Onion Cellar, The Communist Dracula Pageant, Cardenio, Julius Caesar, Amerika, The Miser, Henry IV and V, The Birthday Party, A Midsummer Night’s Dream, La Dispute, Uncle Vanya, Enrico IV, The Winter’s Tale, The Wild Duck, Buried Child, Tartuffe, Six Characters in Search of an Author, Waiting for Godot. Regional: Twelfth Night, Two Gentlemen of Verona, Love’s Labour’s Lost, Commonwealth Shakespeare Company; Sweeney Todd, My Fair Lady, Lyric Stage Company; Boston Playwrights’ Theatre; The Poets’ Theater; Israeli Stage; Central Square Theater; New Repertory Theater; Hartford Stage.

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