Menu

Close

Father_wide.jpg
Father_wide.jpg

The Father

Learn more:

This event has passed

Laura torments her husband Captain Lassen by suggesting that their daughter Bertha may not be his. In addition she indicates to family and friends that her vulnerable husband is losing his mind. Adolph fights back by trying to assert his authority over the direction of his young daughter’s upbringing. In the end Laura drives him mad, and he dies a victim of her desperate fury.

Credits

Creative team

by

August Strindberg

Adapted and directed by

Robert Brustein

Adapted and directed by

Robert Brustein

As founding director of the Yale Repertory and American Repertory Theaters, Robert Brustein has supervised well over two hundred productions, acting in eight and directing twelve.  He has written eleven adaptations for the American Repertory Theater and is the author of thirteen books on theater and society. His latest book, The Tainted Muse: Prejudices and Preconceptions in Shakespeare's Works and Times, was released earlier this year. Mr. Brustein also served for twenty years as director of the Loeb Drama Center, is a Senior Research Fellow at Harvard University and drama critic for The New Republic. He is a member of the American Theatre Hall of Fame, the American Academy of Arts and Letters and the American Academy of Arts and Sciences, and is the recipient numerous awards including the George Polk Award in Journalism, the Commonweath (Massachusetts) Award for Organizational Leadership, and most recently the Eugene O'Neill Foundation's Tao House Award for serving the American theatre with distinction.

His Six Characters in Search of an Author won the Boston Theatre Award for Best Production of 1996. His play Demons, which was broadcast on WGBH radio in 1993, had its stage world premiere as part of the A.R.T. New Stages. His play Nobody Dies on Friday was given its world premiere in the same series and was presented at the Singapore Festival of Arts and the Pushkin Theatre in Moscow. His play Spring Forward, Fall Back was performed in 2006 at Theater J in Washington, D.C., and at the Vineyard Playhouse. His newest play, The English Channel, was produced in 2007 in Boston and at the Vineyard Playhouse. In the Fall of 2008, it played at the Abingdon Theatre in New York where it was nominated for a Pulitzer Prize.

Brustein also wrote Shlemiel the First, based on the stories of Isaac Bashevis Singer and set to traditional klezmer music, which was directed and choreographed by David Gordon. After the original presentation in 1994 at ART and in Philadelphia at the American Music Theatre Festival, which co-produced the show, Shlemiel the First was revived several times in Cambridge and subsequently played at the Lincoln Center Serious Fun Festival, the American Conservatory Theatre in San Francisco, the Geffen Playhouse in Los Angeles, as well as touring theatres in Florida and in Stamford, Connecticut. The play has also been produced at Theater J in Washington, DC. Shlemiel the First comes to Peak Performances @ Montclair State University in Montclair, NJ, in January 2010.  His short plays Poker Face, Chekhov on Ice, Divestiture, AnchorBimbo, Noises, Terrorist Skit, Airport Hell, Beachman’s Last Poetry Reading, and Enter William Shakespeare were all presented by the Boston Playwrights' Theatre.  Brustein is also the author of Doctor Hippocrates is Out: Please Leave a Message, an anthology of theatrical and cinematic satire on medicine and physicians, commissioned by the Institute for Healthcare Improvement for its 2008 convention in Nashville.  He was inducted into the American Theatre Hall of Fame in 2002.

Brustein is a former professor of English at Harvard University (now a Senior Research Fellow), Distinguished Scholar in Residence at Suffolk University in Boston, the drama critic for The New Republic, and former dean of the Yale School of Drama. In 2003 he served as a Senior Fellow with the National Arts Journalism Program at Columbia University, and in 2004 and 2005 was a senior fellow at the National Endowment for the Arts' Arts Journalism Institute in Theatre and Musical Theatre at the University of Southern California

He was the founding director of the Yale Repertory Theatre and the American Repertory Theater and served for twenty years as director of the Loeb Drama Center, where he founded the American Repertory Theater/Moscow Art Theater Institute for Advanced Theater Training at Harvard University. He retired from the artistic directorship of ART in 2002 and now serves as Founding Director and Creative Consultant. He is also a regular blogger for the Huffington Post and the Open University.

During his tenure at ART, Brustein wrote eleven adaptations, including Henrik Ibsen's The Wild Duck, The Master Builder, and When We Dead Awaken, the last directed by Robert Wilson; Three Farces and a Funeral, adapted from the works and life of Anton Chekhov; Luigi Pirandello's Enrico IV; and Brustein's final production at ART, Lysistrata by Aristophanes, directed by Andrei Serban.  He also directed numerous adaptations while at ART including a Pirandello trilogy: Six Characters in Search of an Author, which won the Boston Theatre Award for Best Production of 1996, Right You Are (If You Think You Are); Tonight We Improvise; Ibsen's Ghosts, Strindberg's The Father, and Thomas Middleton's The Changeling.

Over the course of his long career as director, playwright, and teacher, he has participated in the artistic development of such theater artists as Meryl Streep, Christopher Durang, Christopher Walken, Cherry Jones, Ted Talley, Michael Feingold, Sigourney Weaver, James Naughton, Mark Linn-Baker, Henry Winkler, James Lapine, Tony Shalhoub, Tommy Derrah, Rocco Landesman, Linda Lavin, Michael Yearga, William Ivey Long, Derek Maclane, Steve Zahn, Peter Sellars, Santo Loquasto, Tom Moore, Albert Innaurato, and many others.

Mr. Brustein is the recipient of many coveted awards, including:

  • Fulbright Fellowship to the University of Nottingham
  • John Simon Guggenheim Memorial Foundation Fellowship
  • Twice winner of the George Jean Nathan Award for Dramatic Criticism
  • George Polk Award for Journalism (Criticism)
  • The 2nd Elliot Norton Award For Professional Excellence in Boston Theatre (formerly the Norton Prize), presented by the Boston Theatre District Associatione
  • New England Theatre Conference's Major Award for outstanding creative achievement in the American theatre
  • American Academy of Arts and Letters Award for Distinguished Service to the Arts
  • Elected to the American Academy of Arts and Letters
  • Association for Theatre in Higher Education Career Achievement Award for Professional Theatre
  • The Commonwealth Award for Organizational Leadership
  • Inducted into the American Theatre Hall of Fame
  • United States Institute for Theatre Technology Lifetime Achievement Award
  • National Corporate Theatre Fund Chairman's Award for Achievement in Theatre
  • Gann Academy Award for Excellence in the Performing Arts
  • Eugene O'Neill Foundation's Tao House Award for serving the American theatre with distinction

View full biography

Costume design by

Dunya Ramicova

Lighting design by

Richard Riddell

Sound design by

Maribeth Back

Music composed by

Philip Glass

Music composed by

Philip Glass

The Sound of a Voice (Composer). Renowned for music for opera, dance, theater, chamber ensemble, symphonic works, and film. A.R.T.: commission and world premieres of The Juniper Tree (co-composed with Robert Moran), The Fall of the House of Usher, and Orphée; presentation of 1000 Airplanes on the Roof (with libretto by David Henry Hwang and designs by Jerome Sirlin). His 1976 opera Einstein on the Beach, a five-hour epic created by Glass and Robert Wilson, is now seen as a landmark in twentieth-century music-theater. Other operas: Galileo Galilei, (directed by Mary Zimmerman, commissioned by the Goodman Theatre in Chicago); The Voyage (with libretto by David Henry Hwang, premiered at the Metropolitan Opera); Akhhnaten; the CIVIL warS (Rome Section); The Making of the Representative for Planet 8 and Marriages Between Zones Three, Four and Five (librettos by Doris Lessing and based on her novels); Hydrogen Jukebox (libretto by Allen Ginsberg and based on his poetry); In the Penal Colony (based on the short story by Franz Kafka); presented in venues such as Houston Grand Opera, Lyric Opera of Chicago, Boston Lyric Opera, San Francisco Opera, Seattle Opera, the English National Opera, the Music Theater of Amsterdam, and the Stuttgart Opera. Orchestral works: Symphony No. 5 (commissioned by the Salzburg Festival, premiering in 1999 with subsequent performances worldwide); Symphony No. 2, Symphony No. 3, Symphony No. 6 (Plutonian Ode, with text by Allen Ginsberg, commissioned by Carnegie Hall to commemorate Philip Glass's sixty-fifth birthday); Low Symphony and Heroes Symphony (both based on the music of David Bowie and Brian Eno). Films: The Hours (nominated for an Academy Award and winner of the British Academy of Film and Television Association Award), Martin Scorsese's Kundun (nominated for an Oscar), The Truman Show (Golden Globe award), Godfrey Reggio's trilogy Koyaanisqatsi, Powaqqatsi, and Naqoyqatsi; Errol Morris's The Thin Blue Line, A Brief History of Time, and Paul Schrader's Mishima, among others.

View full biography

Cast

Capt. Adolph Lassen

Christopher Lloyd

Capt. Adolph Lassen

Christopher Lloyd

Laura

Candy Buckley

Laura

Candy Buckley

Margaret

Bronia Stefan Wheeler

Margaret

Bronia Stefan Wheeler

Bertha

Daria Martel

Bertha

Daria Martel

Pastor

Rodney Scott Hudson

Pastor

Rodney Scott Hudson

Dr. Ostermark

Dan Nutu

Dr. Ostermark

Dan Nutu

Set and video designer Dan Nutu was a member of the Acting Company during the 89/90 Season and appeared as Fabian in Twelfth Night and Dr. Ostermark in The Father. He was a leading theater and film actor in his native Romania, and appeared in numerous resident theaters in the U.S. He has also written and directed for television. Pericles is his first design assigment for the A.R.T.

View full biography

Soldier

Christopher Colt

Soldier

Christopher Colt

Understudy

Dean Harrison

Understudy

Dean Harrison