The Sound of a Voice

Philip Glass applies Asian and western instrumentation to stories by David Henry Hwang, in which the dreams and fantasies of a Japanese writer and an aging warrior are laid bare. Produced in association with the Court Theatre, Chicago.

SYNOPSIS

The Sound of a Voice explores how intimacy is achieved between people who have lived in seclusion. In the first part, an aging Japanese warrior arrives at the home of a mysterious woman who lives like a hermit deep in the woods. Has he come as her suitor, or her assassin? Does she intend to love him, or to imprison him forever, like the flowers she cultivates so assiduously? The battles of love become a deadly contest in this tale, blurring the distinctions between hero and coward, between victor and vanquished. In the second part, an elderly Japanese writer visits a mysterious brothel, which caters to men near the end of their lives by providing them with a means to relive their youth. The writer’s initial contempt for the house gives way first to acceptance, then to regular visits. Ultimately, he finds his dreams and fantasies exposed before the brothel’s elderly Madame, and embarks with her on an ethereal journey beyond sex and love.

major production support provided by CrossCurrents,
a program of Altria Group, Inc.

the residency of Wu Man is made possible by
James Marlas

the residency of Philip Glass made is made possible by
Lee Day Gillespie

opening night reception co-sponsors
Caroline Chang, May K. Takayanagi & Marian Tse

the directorship of Robert Woodruff is sponsored by
Rebecca Milikowsky.

special support for new work and innovation provided by
The Harold & Mimi Steinberg Charitable Trust