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Waiting for Godot (1995)

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Two tramps in a deserted landscape go to great lengths to distract themselves as they wait for Godot, who is expected to come but never arrives.

Credits

Creative team

by

Samuel Beckett

Directed by

David Wheeler

Directed by

David Wheeler

On Broadway, he directed Richard III with Al Pacino, and The Basic Training of Pavlo Hummel, for which Mr. Pacino won the Tony Award for Best Actor. Regional theatres include the Guthrie Theatre, Alley Theatre, Paper Mill Playhouse, Berkeley Rep, Arizona Theatre Company, Pittsburgh Playhouse, and the Charles de Rochefort Theatre in Paris, where he directed the French premiere of Edward Albee's The Zoo Story.

As the artistic director of the Theatre Company of Boston (TCB) from 1963 to 75, Mr. Wheeler directed over eighty productions.  Among these were ten by Pinter, seven by Brecht, five by Albee, nine by Beckett, two by O'Neill, and numerous works by new writers such as Ed Bullins, Jeffrey Bush, John Hawkes, Adrienne Kennedy, and Sam Shepard.  Through these productions and others, he helped to launch the careers of then-unknown actors including Paul Benedict, Larry Bryggman, John Cazale, Stockard Channing, Blythe Danner, Robert DeNiro, Robert Duvall, Hector Elizondo, Spalding Gray, Paul Guilfoyle, Dustin Hoffman, Al Pacino, Jon Voight, Ralph Waite, and James Woods. His film The Local Stigmatic (with Mr. Pacino)—adapted from the play by Heathcote Williams—was presented at the Montreal Film Festival and screened at the Whitney Museum and the MOMA. It will be released in 2006.

Mr. Wheeler's honors include the Elliot Norton Award for his work on Misalliance, the St. Botolph Club Foundation's Award for Distinction in the Performing Arts, and the Rodgers and Hammerstein Award. He has taught and directed at Harvard University, Boston University, MIT, Brandeis, Barnard, Colorado College, and Circle-in-the-Square. He has directed student productions at U.N.C. Chapel Hill, U.C. Irvine and Long Beach, and Évora, Portugal. After receiving his masters at Harvard, Mr. Wheeler trained with José Quintero in New York during the great "O'Neill years" of the 1950's.

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Set design by

Derek McLane

Set design by

Derek McLane

Derek McLane has designed over a dozen sets for the A.R.T., including Waiting for Godot, What the Butler Saw, The Caretaker, Heartbreak House, Hedda Gabler, Misalliance, The Homecoming, Twelfth Night, and The Father. He has collaborated with directors including Edward Albee, Gregory Boyd, Robert Brustein, Michael Engler, Michael Kahn, Mark Lamos, Nicholas Muni, Charlie Newell, Lisa Peterson, Jackson Phippin, Peter Sellars, Andrei Serban, Stephen Wadsworth, David Wheeler, and Stan Wojewodski. In New York he has designed for The Acting Company, Playwrights Horizons, LaMama/ETC, and the Juilliard School. Outside New York he has designed for Scottish Opera in Glasgow, The Taganka in Moscow, Canadian Opera, Alley Theatre, Arena Stage, Center Stage, the Guthrie Theater, Hartford Stage, Seattle Repertory Theatre, The Shakespeare Theatre in Washington, D.C., and Yale Repertory Theatre.

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Costume design by

Catherine Zuber

Costume design by

Catherine Zuber

Catherine Zuber has created the costumes for Richard II, The Doctor's Dilemma, and over forty other A.R.T. productions including Three Farces and a Funeral, Antigone, Loot, The Idiots Karamazov, Ivanov, Phaedra, The Merchant of Venice, Valparaiso, The Imaginary Invalid, The Taming of the Shrew, Peter Pan and Wendy, The Bacchae, Man and Superman, The Cabinet of Doctor Caligari, Woyzeck, The Wild Duck, The Naked Eye, Long Day's Journey Into Night, Tartuffe, Ubu Rock, Waiting for Godot, The Oresteia, Shlemiel the First, Picasso at the Lapin Agile, A Touch of the Poet, What the Butler Saw, The Cherry Orchard, and Orphée. Ms. Zuber's credits include work at Lincoln Center, The Joseph Papp Public Theater, Goodman Theatre, The Guthrie Theater, Mark Taper Forum, Seattle Repertory Theatre, Hartford Stage Company, La Jolla Playhouse, Berkeley Repertory Theatre, Houston Grand Opera, and Glimmerglass Opera, among others. Her Broadway credits include The Triumph of Love (Connecticut Critics Circle Award and Drama Desk nomination), Ivanov (Drama Desk nomination), The Sound of Music, Twelfth Night, The Red Shoes, London Assurance, The Rose Tattoo, and Philadelphia Here I Come. Ms. Zuber was the recipient of the 1997 Obie Award for sustained achievement in design. She is the costume designer for La Fête des Vignerons de 1999, the massive Festival of the Winegrowers in Vevey, Switzerland.

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Lighting design by

John Ambrosone

Lighting design by

John Ambrosone

Lighting Designer John Ambrosone has designed over thirty productions for the American Repertory Theater, including Lysistrata, Absolution, Marat/Sade, Othello, Animals and Plants, Mother Courage (2001 Elliot Norton Design Award), The Doctor's Dilemma, Three Farces and a Funeral, Nocturne, IvanovThe Cripple of Inishmaan, The King Stag, Boston Marriage, Charlie in the House of Rue, Valparaiso, The Marriage of Bette and Boo, How I Learned to Drive, Nobody Dies on Friday, Man and Superman, The Old Neighborhood, When the World Was Green (A Chef's Fable), Alice in Bed, Slaughter City, and Buried Child. On Broadway he designed The Old Neighborhood. Work in resident theaters includes the Alley Theatre, Long Wharf Theatre, the Coconut Grove Playhouse, Brooklyn Academy of Music (BAM), Walnut Street Theatre, Trinity Repertory Company, and Arena Stage. Mr. Ambrosone also has designed in Singapore, Moscow, Japan, Brazil, Taiwan, Mexico, Germany, and France.

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Sound design by

Christopher Walker

Sound design by

Christopher Walker

Christopher Walker has composed music and designed sound for We Won't Pay! We Won't Pay!, Phaedra, Beckett Trio: Eh Joe, Ghost Trio, and Nacht und Traüme, and An Evening of Beckett, and designed sound for The King Stag, Loot, The Idiots Karamazov, Ivanov, The Cripple of Inishmaan, Charlie in the House of Rue, The Merchant of Venice, Valparaiso, The Taming of the Shrew, The Bacchae, The Wild Duck, Woyzeck, The Cabinet of Dr. Caligari, The Wild Duck, Alice in Bed, Slaughter City, Buried Child, Ubu Rock, The Threepenny Opera, The Accident, Demons, Waiting for Godot, The Oresteia, Hot 'n' Throbbing, The America Play, A Touch of the Poet, The Cherry Orchard, What the Butler Saw, and Those the River Keeps at the A.R.T. Previously he composed music and designed sound for productions at the Intiman Theatre, the Bathhouse Theatre, and the Alice B. Theatre. He also scores for dance and has composed for the Allegro Dance Festival, the Bumbershoot Festival, and On The Boards.

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Cast

Estragon

Alvin Epstein

Estragon

Alvin Epstein

Alvin Epstein is a former artistic director of the Guthrie Theater and associate director of Robert Brustein's Yale Repertory Theatre. He has directed over twenty productions (five at the American Repertory Theater, including the inaugural A Midsummer Night's Dream in 1980) and performed in over one hundred (over fifty at the A.R.T.). His A.R.T. roles include Old Man in Lysistrata, the Herald in Marat/Sade, Dionisio Genoni in Enrico IV, John of Gaunt/First Gardener in Richard II, Erich Honecker in Full Circle, McLeavy in Loot, Shabelsky in Ivanov, and Lee Strasberg in Nobody Dies on Friday; Mr. Epstein has also appeared in The Doctor's Dilemma, Antigone, Three Farces and a Funeral, The Winter's Tale, Charlie in the House of Rue, The Merchant of Venice, In the Jungle of Cities, The Bacchae, The Cabinet of Dr. Caligari, When the World Was Green (A Chef's Fable), Slaughter City, Tartuffe, The Tempest, Beckett Trio, The Threepenny Opera, and Waiting for Godot, among many others. His twenty Broadway and off-Broadway productions include his debut with Marcel Marceau, the Fool in Orson Welles's King Lear, Lucky in the American premiere of Waiting for Godot, Clov in the American premiere of Endgame, Peachum in The Threepenny Opera (co-starring with Sting), and the world premiere of Sam Shepard and Joseph Chaikin's When the World Was Green (A Chef's Fable). For twenty years he and Martha Schlamme performed A Kurt Weill Cabaret on tour in the U.S. and South America and a year's run on Broadway. He has performed at many resident theaters throughout the U.S., in films and on television. Awards include Most Promising Actor ('56 Variety Poll), Brandeis Creative Arts Award ('66), Obie for Dynamite Tonight! ('68), Elliot Norton Award for Sustained Excellence ('96), and the IRNE Award for Best Supporting Actor as Shabelsky in Ivanov ('99). Mr. Epstein teaches acting at the American Repertory Theater/Moscow Art Theater Institute for Advanced Theater Training at Harvard University.

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Vladimir

Jeremy Geidt

Vladimir

Jeremy Geidt

A.R.T. Senior Actor, founding member of the Yale Repertory Theatre and the A.R.T. Yale: more than 40 productions (including The Seagull). A.R.T.: 100 productions including The Seagull (three turns as Sorin), Julius Caesar, Three Sisters, The Onion Cellar, Major Barbara (Undershaft), Heartbreak House (Shotover), A Midsummer Night’s Dream (Quince four times, Snug once), Henry IV (Falstaff), Twelfth Night (Toby Belch), The Caretaker (Davies), The Homecoming (Max), Loot (Truscott), Man and Superman (Mendoza/Devil), Waiting for Godot (Vladimir), The Threepenny Opera (Peacham/Petey), Ivanov (Lebedev), Three Sisters (Chebutkin), Buried Child (Dodge), The Cherry Orchard (Gaev) and The King Stag (Pantelone). Teaches at Harvard College, Harvard’s Summer and Extension Schools and at the A.R.T/MXAT Institute. Trained at the Old Vic Theatre School and subsequently taught there. Acted at the Old Vic, Young Vic, The Royal Court, in the West End, in films and television and has been hosting his own show “The Caravan” for the BBC for five years. Came to the U.S. with the satirical revue The Establishment and acted on and off Broadway, at the Stratford Shakespeare Festival and at the Lincoln Center Festival. Lectured on Shakespeare in India and the Netherlands Theatre School. Received the Elliot Norton Award for Outstanding Boston Actor and the Jason Robards Award for Dedication to the Theatre.

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Lucky

Benjamin Evett

Benjamin Evett has appeared at the American Repertory Theater in La Dispute, as Ilya Ilych Telegin in Uncle Vanya, Kinesias in Lysistrata, Jacques Roux in Marat/Sade, Peter in Absolution, Cassio in Othello, Thomas Mowbray, Duke of Norfolk/Sir Stephen Scroope in Richard II, Burris in Animals and Plants, the General in Mother Courage, the Messenger in Antigone, Time in The Winter's Tale, Lvov in Ivanov, the Policeman in Charlie in the House of Rue, Babbybobby in The Cripple of Inishmaan, Hyppolytus in Phaedra, Clèante in The Imaginary Invalid, Tranio in The Taming of the Shrew, Pentheus in The Bacchae, Zalman Tippish/Chaim Rascal/Dopey Petzel in Shlemiel the First, the Dreamer in The Cabinet of Dr. Caligari, Leandro in The King Stag, the Son in Six Characters in Search of an Author, Punch 2/Judy Bell/Taxi Judy in Punch and Judy Get Divorced, Bouggerslas in Ubu Rock, Vince in Buried Child, Ariel in The Tempest, Charles Filch/Walt Dreary/Beggar Joe in The Threepenny Opera, Bardolph/Montjoy in Henry V, Lucky in Waiting for Godot, Herald/Chorus/Pylades/Hermes in The Oresteia, Epihodov in The Cherry Orchard, Nicholas Beckett in What the Butler Saw, Pistol in Henry IV, Part 2, and as Sir Richard Vernon in Part 1, in 'Tis Pity She's a Whore, and in Platonov. He has also performed at the Missouri Repertory Theatre, where he played the title roles in Billy Bishop Goes to War and Amadeus, and at the Great Lakes Theatre Festival, where he played Swiss Cheese in Mother Courage. He is a graduate of Harvard University and the American Repertory Theater/Moscow Art Theater Institute for Advanced Theater Training at Harvard University. Mr. Evett currently serves as artistic director of the Actors' Shakespeare Company in Boston.

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Remo Airaldi

Pozzo

Remo Airaldi

Remo Airaldi

Pozzo

Remo Airaldi

A.R.T.: The Lily’s Revenge, Cabaret, Paradise Lost, Endgame, The Seagull, Oliver Twist, Island of Slaves, The Onion Cellar, The Communist Dracula Pageant, Cardenio, Julius Caesar, Amerika, The Miser, Henry IV and V, The Birthday Party, A Midsummer Night’s Dream, La Dispute, Uncle Vanya, Enrico IV, The Winter’s Tale, The Wild Duck, Buried Child, Tartuffe, Six Characters in Search of an Author, Waiting for Godot. Regional: Twelfth Night, Two Gentlemen of Verona, Love’s Labour’s Lost, Commonwealth Shakespeare Company; Sweeney Todd, My Fair Lady, Lyric Stage Company; Boston Playwrights’ Theatre; The Poets’ Theater; Israeli Stage; Central Square Theater; New Repertory Theater; Hartford Stage.

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Boy

William J Cryer/Andy Hyman

Boy

William J Cryer/Andy Hyman