A.R.T.: Two Strangers (Carry a Cake Across New York), American Repertory Theater. West End: Two Strangers (Carry a Cake Across New York), Criterion Theatre. London: Two Strangers (Carry a Cake Across New York), Kiln Theatre. Regional (UK): The Season, New Wolsey Theatre, Royal & Derngate. Other: Catastrophe Bay, Bristol Old Vic; Catastrophe Bay, Southwark Playhouse with National Youth Music Theatre. Film: The Ghost Trap (Jim); Living (Jim). Awards: London Chamber Orchestra Young Composer Competition (Jim); Best New Score, Horrorhaus Film Festival (Jim); Stiles & Drewe Award; Stage Debut Award. Publications: Poetry Review, The White Review, Magma, Five Dials, Clinic, PERVERSE, The Best British Poetry anthology (Kit). Competitions: National Poetry Competition (Kit, Shortlisted, 2025); Poetry London and Ware Poets competitions (Kit, Commended).

A.R.T.: Debut. Broadway and Off-Broadway: Merrily We Roll Along (Choreographer, Tony Award for Best Revival of a Musical). West End: Two Strangers (Carry a Cake Across New York), A Christmas Carol, Something Rotten! in Concert (WhatsOnStage Award), Cat on a Hot Tin Roof, Merrily We Roll Along (Olivier Award Best Revival), Stepping Out, High Society, Mouthful, Saturday Night. Opera: La Périchole, La bohème, Figaro. TV: “Doctor Who: The Giggle;” 40th, 41st, and 43rd Laurence Olivier Awards (Choreographer). Education: Music B.A., Oxford University; Theatre M.A., Mountview Academy.

A.R.T.: Debut. Broadway: & Juliet, Sunset Boulevard, Betrayal. West End: Two Strangers (Carry a Cake Across New York), Cyrano de Bergerac, Dreamgirls, The Book of Mormon, & Juliet, Sunset Boulevard, Betrayal. Off-Broadway: Merrily We Roll Along, NYTW; The Effect, National Theatre/Shed. Regional: Timon of Athens, RSC/TFANA. London: Much Ado About Nothing, The Tempest, The Seagull, Apologia, Richard III, The Maids, The Homecoming, Macbeth, Jamie Lloyd Company; Running With Lions, Out West, Lyric; Romeo and Juliet, Twelfth Night, Les Blancs, My Brilliant Friend, National Theatre. Awards: Two Tony Award nominations; five Olivier Award nominations.

A.R.T.: Debut. Broadway: Sunset Blvd, Patriots, Caroline, or Change. UK: Long Day’s Journey Into Night, Wyndham’s Theatre; Best of Enemies, Noel Coward Theatre; Much Ado About Nothing, Hamlet, Venice Preserved, Royal Shakespeare Company; London Tide, Top Girls, Barber Shop Chronicles, Cleansed, National Theatre; Spring Awakening, Three Sisters, Carmen Disruption, Almeida Theatre. International: Julie, ITA; Salt of the Earth, Venice Biennale; La bohème, Gothenburg Opera. Awards: Olivier Award for Best Lighting Design; Knight of Illumination Award.

A.R.T.: Debut. West End: My Neighbour Totoro (Olivier Award, Best Sound Design), Next to Normal, Get Up Stand Up! The Bob Marley Musical. Off-West End: Two Strangers (Carry A Cake Across New York), Newsies, Spring Awakening, Lazarus. UK Tour: Greatest Days, Beautiful: The Carole King Musical. International: Disney’s Aida. Awards: WhatsOnStage Award for Best Sound Design (My Neighbour Totoro); 2019 and 2021 Black British Theatre Awards (BBTA) Light and Sound Recognition Award.

A.R.T.: Debut. Co-Design Broadway: Romeo + Juliet, Job, The Outsiders (Tony Award). Broadway: Gutenberg! The Musical!, Here Lies Love, The Pee-Wee Herman Show. Co-Design Off-Broadway: Energy Music Curfew Hour, Broadway Bounty Hunter, Joan of Arc: Into the Fire. Off-Broadway: Trevor, Here Lies Love (Lortel Award). Regional: David Byrne’s Theater of the Mind, May We All.

A.R.T.: Diary of a Tap Dancer. Broadway: Fat Ham (Designer); Macbeth, Chicken and Biscuits, Sweat (Associate Designer). Off-Broadway: Bad Kreyól; Three Houses, Signature; Table 17 (Make-up Design), MCC; Hamlet, The Harder They Come, Fat Ham, cullad Wattah, Shadow/Land, Mojada, Public Theater; Midsummer Night’s Dream, Malvolio, Twelfth Night, Classical Theater of Harlem; On Sugarland, The Refuge Plays, NYTW; On Killing, Soho Rep. Regional: Sojourners, The Grove, Toni Stone, Joe Turner’s Come and Gone, The Huntington; The Seasons, Carousel, Boston Lyric Opera; POTUS, Berkeley Rep; Dreamgirls, McCarter/Goodspeed; Little Women, Old Globe; and others.

A.R.T.: Debut. Theatre: The Lorax, Cover My Tracks, Old Vic. Songwriting collaborations: Yungblud, Mimi Webb, Plan B, Miranda Cooper, Vintage Culture, Emily Burns and Catherine McGrath, Suki Waterhous, Rita Ora, Marshmello, Tiesto, and Zara Larsson, Charlie Fink of Noah And The Whale. Multiple classical No.1s for Universal Records, fashion film soundtracks for Mario Testino and Victoria’s Secret, and Hollywood movies at Hans Zimmer’s Remote Control Productions in LA.

A.R.T.: Debut. Broadway: Back to the Future. West End/UK: The Time Traveller’s Wife; Dreamgirls (Additional Music/Arranger/Musical Supervisor); The Book of Mormon (Musical Supervisor); Dreamgirls (Musical Supervisor/Conductor); Memphis; Avenue Q; Les Misérables (Musical Supervisor); Jersey Boys (Associate Musical Supervisor); Mamma Mia! (Associate Musical Supervisor).

A.R.T.: Debut. Broadway: Water for Elephants (Co-Music Supervisor, Arranger, Orchestrator), For the Girls (Assoc. Music Director, Orchestrator). Off-Broadway: Cyrano. Touring: Mean Girls Second National (Assoc. Music Supervisor), Mean Girls First National (Music Director). West End: Mean Girls (Assoc. Music Supervisor). Concerts: Jessica Vosk’s My Golden Age, Carnegie Hall; Kristin Chenoweth’s Christmas at the MET. TV/Streaming: “Homeschool Musical”, HBOMax; “Stars on Stage: Gavin Creel”, PBS; “Take Me To The World: Sondheim’s 90th Birthday Celebration.” Education/Training: NYU Tisch Graduate Musical Theatre Writing Program.

A.R.T.: Debut. Off-Broadway: La Llamada. Int’l Tour: Cats (Korea, Taiwan). National Tours: Jekyll & Hyde; A Chorus Line; The Wizard of Oz; Oklahoma; Annie; Dirty Rotten Scoundrels. Regional: Jekyll & Hyde, Barrington Stage; Ogunquit Playhouse; Bucks County Playhouse; Riverside Theatre; Arvada Center; Virginia Musical Theatre; Florida Studio Theatre; Cortland Rep; Gateway Playhouse; Meadow Brook Theatre; ACT of CT. NYC: NYC Mayor’s Awards for Arts and Culture; Broadway Backwards; NYMF; NYC Fringe; numerous shows at Astoria Performing Arts Center (Resident Musical Supervisor). Additional: Royal Caribbean International and Norwegian Cruise Lines (Musical Staff).

A.R.T.: Jagged Little Pill, We Live in Cairo, The White Card, Witness Uganda, O.P.C., The Glass Menagerie, Ajax, The Blue Flower, Once, Johnny Baseball. Broadway: English, The Great Gatsby, The Roommate, & Juliet, Gutenberg, Shucked, Moulin Rouge, A Christmas Carol, Good Night Oscar, The Play That Goes Wrong, Jagged Little Pill, Peter Pan Goes Wrong, Trouble in Mind, Caroline or Change, The Glass Menagerie, The Mystery of Edwin Drood, She Loves Me, The Winslow Boy, On the Twentieth Century, Sunday in the Park with George, Beautiful: The Carole King Musical, On a Clear Day, Once, The Scottsboro Boys, Hedda Gabler.

A.R.T.: Wild Swans. For Kiln/Tricycle: Girl on an Altar; Pass Over; Red Velvet, St. Ann’s Warehouse. Recent theater: A Little Life, West End; A Streetcar Named Desire, Macbeth, The Duchess of Malfi, The Doctor, Three Sisters, The Wild Duck, Machinal, The Writer, The Treatment, Oil, Uncle Vanya, Medea, Game, Mr Burns, Before the Party, Almeida Theatre; Sons of the Prophet, Hampstead Theatre; The Jungle, Young Vic/West End/Curran, San Francisco/St Ann’s Warehouse; Blood Wedding, Jesus Hopped the ‘A’ Train, Fun Home, Yellowman, Wings, Life of Galileo, Once in a Lifetime, Blue/Orange, The Trial, Ah, Wilderness!, Man, Happy Days, Public Enemy, The Shawl, Young Vic; Appropriate, Donmar Warehouse; Summer and Smoke, The Twilight Zone, Hamlet, Mary Stuart, Oresteia, Chimerica, Almeida Theatre/West End; All About Eve, Harry Potter and the Cursed Child, West End;

A.R.T.: Debut. Broadway (Directing): SIX, The Notebook. Broadway (Actor): The Book of Mormon, Elf, Legally Blonde, Spamalot, Wicked, Footloose. West End: Dream Girls, The Book of Mormon. Off-Broadway: Table 17 (Associate Director), MCC; Sweet Charity (Lucille Lortel, AUDELCO, Chita Rivera nominations), The New Group; In the Heights (Drama Desk Award). Regional: The Notebook (Associate Director), Chicago Shakespeare Company. TV: “South Park: Pandemic Special” (Consultant), “The Blacklist,” “And Just Like That,” “The Other Two,” “WeCrashed,” “Bonding.”

A.R.T.: Debut. Broadway: Days of Wine and Roses, Dear Evan Hansen, If/Then, Next to Normal, Grey Gardens. Off-Broadway: Second Stage Theater, The Public Theater, Playwrights Horizons, New York Theatre Workshop, Classic Stage Company. UK: Royal Shakespeare Company. Regional: Williamstown Theatre Festival, Spoleto Festival USA, Goodspeed Opera House, Arena Stage, Dallas Theater Center, Great Lakes Theater Festival. Education: B.F.A., University of North Carolina School of the Arts.

A.R.T.: Debut. Off-Broadway: La Llamada. Int’l Tour: Cats (Korea, Taiwan). National Tours: Jekyll & Hyde; A Chorus Line; The Wizard of Oz; Oklahoma; Annie; Dirty Rotten Scoundrels. Regional: Jekyll & Hyde, Barrington Stage; Ogunquit Playhouse; Bucks County Playhouse; Riverside Theatre; Arvada Center; Virginia Musical Theatre; Florida Studio Theatre; Cortland Rep; Gateway Playhouse; Meadow Brook Theatre; ACT of CT. NYC: NYC Mayor’s Awards for Arts and Culture; Broadway Backwards; NYMF; NYC Fringe; numerous shows at Astoria Performing Arts Center (Resident Musical Supervisor). Additional: Royal Caribbean International and Norwegian Cruise Lines (Musical Staff).

A.R.T.: Debut. Broadway Tour: Shucked (Guitar/Keys), Jagged Little Pill (Guitar/Assoc. Conductor). Regional: Freaky Friday, Summer, Beautiful, Red Mountain Theatre. Indecent (MD), Cape Rep Theatre; Assassins (MD, Ostrander Award nominee), Playhouse on the Square. Composer: Haymarket (Jeff Award winner), Underscore Theatre; 57th National Mathlete Sum-It, NYMF, Theatrical Rights Worldwide; Microcosmos, The Civilians R&D Group. Film score: Sweet Meats. Education: Musical Theatre Writing M.F.A., NYU Tisch; Composition B.A., Carleton. 

A.R.T.: Gatsby, Real Women Have Curves, Miss You Like Hell. Boston Musicians Union. Performances with Orchestras at Ogunquit Playhouse, Company One, Boston Lyric Stage, Umbrella Arts Company, Speakeasy Stage. Education/Training: Berklee College of Music, Delhi University, St. Stephen’s College.

A.R.T.: Evita, Real Women Have Curves. Member of Cape Symphony and Boston Festival Orchestra. Performances with Florida Grand Opera, Hawaii Symphony. Education/Training: Doctor of Musical Arts, Boston University; Master of Music, Yale University; Bachelor of Music, Peabody Conservatory.

A.R.T.: Debut. Regional: Waitress, Cape Playhouse; Beautiful: The Carole King Musical, North Shore Music Theatre; Lucky Stiff, Emerson Paramount; Titanic, Emerson Majestic; Parade, SpeakEasy Stage Company; See What I Wanna See, Lyric Stage. Concerts: Performances with Finale Fantasy Distant Worlds, Symphony Hall; NieR Orchestra, Wang Theater; Symphonic Anime, Symphony Hall.

A.R.T.: Real Women Have Curves, Moby-Dick, We Live in Cairo, Jagged Little Pill, Pippin, Johnny Baseball. Broadway: Over 100 shows including Hamilton, The Book of Mormon, Kinky Boots, Dear Evan Hansen, In the Heights, Spamalot, How to Dance in Ohio, Harmony, Merrily We Roll Along, Gutenberg, Sweeney Todd, Some Like It Hot, A Beautiful Noise, Ain’t Too Proud, Into the Woods, Elf, Grey Gardens, 9 to 5, American Idiot, Rock of Ages, SpongeBob SquarePants, Anastasia, Almost Famous, Girl from the North County, Summer, Frozen. TV: Keyboardist for “Sesame Street,” “The Electric Company.” Education: Oberlin Conservatory.

(he/him) A.R.T.: Real Women Have Curves. Broadway: A Beautiful Noise: The Neil Diamond Musical (Copyist/Music Assistant), Broadhurst Theatre. Regional: Macbeth In Stride (Associate Music Director), Shakespeare Theatre Company/Philadelphia Theatre Company; The Wanderer (Music Assistant), Paper Mill Playhouse; Theatre Now’s Sound Bites X, Brooklyn Children’s Theatre. He is a composer in the BMI Lehman Engel Musical Theatre Workshop.

A.R.T.: Debut. Broadway: Tammy Faye, Merrily We Roll Along, Fat Ham, Trouble in Mind, The Rose Tattoo. Off-Broadway: Merrily We Roll Along, New York Theatre Workshop; Confederates, Signature Theatre; Fires in the Mirror, Signature Theatre; Something Clean, Roundabout Theatre. National Tour: Hamilton (And Peggy Company). Education: University of Arizona.

A.R.T.: Debut. Broadway: To Kill a Mockingbird, Death of a Salesman, TINA – The Tina Turner Musical, The Full Monty, Beauty and the Beast, Tarzan, Man of La Mancha, Meet Me in Saint Louis, Minnelli on Minnelli, Tru. National Tours: Parade, & Juliet.

A.R.T.: Twilight: Los Angeles, 1992. Broadway: Harmony, Oh, Mary!, Sunset Boulevard, Anastasia, Is This a Room, Dana H, A Doll’s House, Ain’t No Mo. Regional: American Dance Machine 21, City Center Encores!, Paper Mill Playhouse, George Street Playhouse, The Old Globe, Courtland Rep, Tuacahn, The Hartford Stage Company, The Court, The Alliance, Kansas City Ballet, Colorado Ballet, American Ballet Theatre.

A.R.T.: The Odyssey; Diary of a Tap Dancer; Romeo and Juliet; Gatsby; Becoming a Man; Life of Pi; 1776; WILD: A Musical Becoming; Jack and the Beanstalk; Gloria: A Life; Moby-Dick; We Live in Cairo; Endlings; Othello; ExtraOrdinary; The Black Clown; Jagged Little Pill; WARHOLCAPOTE; Burn All Night; The Night of the Iguana; Trans Scripts, Part I: The Women; Fingersmith; In the Body of the World; Waitress; O.P.C. Broadway: Mary Stuart. Regional: Vanity Fair, Central Square Theater; New Electric Ballroom, Gloucester Stage Company; Arms and the Man, Guthrie Theatre; The Foreigner, Cabaret, To Kill a Mockingbird, Kansas City Repertory Theatre. As Head of Voice and Speech at A.R.T., Erika also teaches in the Theater, Dance & Media concentration at Harvard as well as coaching public speaking skills across the university. Education: M.A., Voice Studies, the Royal Central School of Speech and Drama; M.F.A., Acting, Brandeis University.