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The Serpent Woman

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While hunting, Prince Farruscad instantly falls in love with a magnificent white doe. The doe changes into the beautiful Princess Cherestani, who agrees to marry the prince if he promises never to force her to reveal her identity. When the prince breaks his promise, Cherestani vanishes along with their palace, attendants, and two children. Cherestani is once again transformed – this time into a serpent – and the prince is forced to endure a series of trials to prove his love and win her back.

Credits

Creative team

By

Carlos Rizzi

Translated by

Albert Bermel

Translated by

Albert Bermel

Albert Bermel, whose association with the American Repertory Theater includes translating The King Stag, The Serpent Woman, The Miser, and three of the four Molière farces in Sganarelle, is a distinguished author, critic, translator, playwright, and teacher. His translations, published and performed, include works by Beaumarchais, Cocteau, Corneille, Courteline, Jarry, Labiche, the prize-winning French-Canadian author Languirand, and Molière. His recent works include Molière’s Theatrical Bounty and Carlo Gozzi: Five Tales for the Theatre (co-translated by Ted Emery), both published by University of Chicago Press; and Shakespeare at the Moment: Playing the Comedies, published by Heinemann. A professor emeritus of theater at the City University of New York, Mr. Bermel has received a Guggenheim Fellowship in playwriting and the George Jean Nathan Award for Dramatic Criticism.

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Conceived and directed by

Andrei Serban

Conceived and directed by

Andrei Serban

Director Andrei Serban (Pericles) has been associated with the American Repertory Theater for more than two decades, and has directed Lysistrata, The Merchant of Venice, The Taming of the Shrew, The King Stag, Sganarelle, Three Sisters, The Juniper Tree, The Miser, Twelfth Night, and Sweet Table at the Richelieu. In the United States, Mr. Serban has also worked with LaMama ETC, the Public Theater, Lincoln Center, Circle in the Square, Yale Repertory Theatre, the Guthrie Theatre, A.C.T., and the New York City, Seattle and Los Angeles Operas. In Europe, Mr. Serban has worked at the Welsh National Opera, Covent Garden, Théâtre de la Ville, Helsinki Lilla Teatern, the Bucharest Municipal Theatre, and the Paris, Geneva, Vienna, and Bologna Opera Houses, among others.  He has worked in Japan with the Shiki Company of Tokyo. He has taught acting and directing at Yale, University of California, Carnegie-Mellon, Sarah Lawrence, the Paris Conservatoire d'Art Dramatique, and the American Repertory Theater/Moscow Art Theater Institute for Advanced Theater Training at Harvard.  Mr. Serban has received grants from the Ford, Guggenheim, and Rockefeller Foundations. Several of his productions have been nominated for Broadway and Off-Broadway awards. He is a tenured professor at Columbia University, where he heads the MFA acting program.

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Set, costume, mask, and puppet design by

Setsu Asakura

Lighting design by

Victor En Yu Tan

Sound design by

Stephen D. Santomenna

Music composed by

Elliot Goldenthal

Music composed by

Elliot Goldenthal

In addition to The King Stag, Elliot Goldenthal's theater compositions include The Serpent Woman at the American Repertory Theater, Titus Andronicus, The Taming of the Shrew, and The Tempest for Theatre for a New Audience, The Transposed Heads for Lincoln Center and American Music Theatre Festival, and Juan Darien (Obie Award) at Lincoln Center. Mr. Goldenthal's orchestral works include Shadow Play Scherzo, a commission for the Brooklyn Philharmonic in honor of Leonard Bernstein's seventieth birthday, Pastime Variations for the Haydn-Mozart Chamber Orchestra at BAM, and Fire, Water, Paper: A Vietnam Oratorio for the Boston Symphony Orchestra, presented at Carnegie Hall and the Kennedy Center. His film scores include Michael Collins (Oscar nomination), Batman Forever, Interview with a Vampire (Oscar nomination), Drugstore Cowboy, and Pet Sematary. He received the New York Foundation for the Arts fellowship and the First Annual Toscanini Award, the Stephen Sondheim Award at the American Music Theatre Festival, the Richard Rogers Award, and an Obie Award.

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Music Directed by

Matthians Gohl

Cast

Farzana

Bari Hochwald

Farzana

Bari Hochwald

Zemina

Sheryl Taub

Zemina

Sheryl Taub

Fairies

Ellen KohrmanDeanna DunmyerDeborah LewinDaria MartekNicolette Vajtay

Fairies

Ellen KohrmanDeanna DunmyerDeborah LewinDaria MartekNicolette Vajtay

Truffaldino

Charles Geyer

Truffaldino

Charles Geyer

Brighella/Giant

Harry S. Murphy

Brighella/Giant

Harry S. Murphy

Harry S. Murphy, who returns to play Christopher Sly in The Taming of the Shrew and Collie Couch in In the Jungle of Cities, spent many seasons at the American Repertory Theater and appeared in over a dozen productions here, including The King Stag, Angel City, Platonov, 'Tis Pity She's a Whore, As You Like It, The School for Scandal, Alcestis, The Balcony, Sganarelle, Six Characters in Search of an Author, and The Marriage of Figaro. His Broadway credits include Macbeth, Othello, Big Time, and The Good Times are Killing Me. He also appeared in such musicals as The Boys from Syracuse and Happy End (at the A.R.T ), as well as Jacques Brel Is Alive and Well . . . and Good Sport. Other resident credits include Room Service, Henry V, Hedda Gabler, Phaedre, Romeo and Juliet, and Twelfth Night. Mr. Murphy appeared in the feature films Calendar Girl, Eddie Macon's Run, and The Return, and his television credits include Cosby, Law and Order, Spenser for Hire, True Blue, and New York Undercover.

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Cherestani

Cherry Jones

Cherestani

Cherry Jones

A.R.T.: Cherry was a founding member of the A.R.T. and has appeared multiple times on its stage, including: King Lear, Twelfth Night (with Diane Lane), Three Sisters, As You Like It, The Serpent Woman, Life is a Dream, The Caucasian Chalk Circle, Major Barbara, Love’s Labors Lost, Lysistrata. Broadway and Off-Broadway: Doubt (Tony Award, Drama Desk Award), The Heiress (Tony Award, Drama Desk Award), Pride’s Crossing (Drama Desk Award), Lincoln Center Theater; Angels in America; Imaginary Friends; Moon for the Misbegotten (Tony Award nomination); The Night of the Iguana; Our Country’s Good (Tony Award nomination); Faith Healer; Mrs. Warren’s Profession; The Baltimore Waltz (OBIE Award). Television: “24” (Emmy Award for role as President Allison Taylor), “What Makes a Family,” and most recently as Dr. Judith Evans in “Awake.” Film: Ocean’s Twelve, Cradle Will Rock, The Horse Whisperer, The Perfect Storm, Erin Brockovich, Signs, The Village, Mother and Child, Swimmers, Terrence Malick’s upcoming film Knight of Cups.

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Farruscad

Derek Smith

Farruscad

Derek Smith

Pantalone

Jeremy Geidt

Pantalone

Jeremy Geidt

A.R.T. Senior Actor, founding member of the Yale Repertory Theatre and the A.R.T. Yale: more than 40 productions (including The Seagull). A.R.T.: 100 productions including The Seagull (three turns as Sorin), Julius Caesar, Three Sisters, The Onion Cellar, Major Barbara (Undershaft), Heartbreak House (Shotover), A Midsummer Night’s Dream (Quince four times, Snug once), Henry IV (Falstaff), Twelfth Night (Toby Belch), The Caretaker (Davies), The Homecoming (Max), Loot (Truscott), Man and Superman (Mendoza/Devil), Waiting for Godot (Vladimir), The Threepenny Opera (Peacham/Petey), Ivanov (Lebedev), Three Sisters (Chebutkin), Buried Child (Dodge), The Cherry Orchard (Gaev) and The King Stag (Pantelone). Teaches at Harvard College, Harvard’s Summer and Extension Schools and at the A.R.T/MXAT Institute. Trained at the Old Vic Theatre School and subsequently taught there. Acted at the Old Vic, Young Vic, The Royal Court, in the West End, in films and television and has been hosting his own show “The Caravan” for the BBC for five years. Came to the U.S. with the satirical revue The Establishment and acted on and off Broadway, at the Stratford Shakespeare Festival and at the Lincoln Center Festival. Lectured on Shakespeare in India and the Netherlands Theatre School. Received the Elliot Norton Award for Outstanding Boston Actor and the Jason Robards Award for Dedication to the Theatre.

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Targaglia

Thomas Derrah

Targaglia

Thomas Derrah

A.R.T.: 119 productions, including R. Buckminster Fuller: THE HISTORY (and Myster) OF THE UNIVERSE (R. Buckminster Fuller), Cabaret (Fraulein Schneider), Endgame (Clov), The Seagull (Dorn), Oliver Twist (also at Theatre for a New Audience and Berkeley Repertory Theatre), The Birthday Party (Stanley), Highway Ulysses (Ulysses), Uncle Vanya (Vanya), Marat/Sade (Marquis de Sade), Richard II (Richard). Broadway: Jackie: An American Life (23 roles). Off-Broadway: Johan Padan (Johan), Big Time (Ted).  Tours with the Company across the U.S., with residencies in New York, Chicago, San Francisco and Los Angeles, and throughout Europe, Canada, Israel, Taiwan, Japan and Moscow, and has recently been performing Julius Caesar in France. Other: I Am My Own Wife, Boston TheatreWorks; Approaching Moomtaj, New Repertory Theatre; Twelfth Night and The Tempest, Commonwealth Shakespeare Co.; London’s Battersea Arts Center; five productions at Houston’s Alley Theatre, including Our Town (Dr. Gibbs, directed by José Quintero); and many theatres throughout the U.S. Awards: 1994 Elliot Norton Prize for Sustained Excellence, 2000 and 2004 IRNE Awards for Best Actor, 1997 Los Angeles DramaLogue Award (for title role of Shlemiel the First). Television: Julie Taymor’s film Fool’s Fire (PBS American Playhouse), "Unsolved Mysteries," "Del and Alex" (Alex, A&E Network). Film: Mystic River (directed by Clint Eastwood), The Pink Panther II. He is on the faculty of the A.R.T. Institute, teaches acting at Harvard University and Emerson College, and is a graduate of the Yale School of Drama.

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Togrul

David Asher

Togrul

David Asher

Cherestani's Children

Deanna DunmyerStuart Zamsky

Cherestani's Children

Deanna DunmyerStuart Zamsky

Smeraldina

Ellen Kohrman

Smeraldina

Ellen Kohrman

Canzade

Lolita Lesheim

Canzade

Lolita Lesheim

Badur

Benjamin Evett

Benjamin Evett has appeared at the American Repertory Theater in La Dispute, as Ilya Ilych Telegin in Uncle Vanya, Kinesias in Lysistrata, Jacques Roux in Marat/Sade, Peter in Absolution, Cassio in Othello, Thomas Mowbray, Duke of Norfolk/Sir Stephen Scroope in Richard II, Burris in Animals and Plants, the General in Mother Courage, the Messenger in Antigone, Time in The Winter's Tale, Lvov in Ivanov, the Policeman in Charlie in the House of Rue, Babbybobby in The Cripple of Inishmaan, Hyppolytus in Phaedra, Clèante in The Imaginary Invalid, Tranio in The Taming of the Shrew, Pentheus in The Bacchae, Zalman Tippish/Chaim Rascal/Dopey Petzel in Shlemiel the First, the Dreamer in The Cabinet of Dr. Caligari, Leandro in The King Stag, the Son in Six Characters in Search of an Author, Punch 2/Judy Bell/Taxi Judy in Punch and Judy Get Divorced, Bouggerslas in Ubu Rock, Vince in Buried Child, Ariel in The Tempest, Charles Filch/Walt Dreary/Beggar Joe in The Threepenny Opera, Bardolph/Montjoy in Henry V, Lucky in Waiting for Godot, Herald/Chorus/Pylades/Hermes in The Oresteia, Epihodov in The Cherry Orchard, Nicholas Beckett in What the Butler Saw, Pistol in Henry IV, Part 2, and as Sir Richard Vernon in Part 1, in 'Tis Pity She's a Whore, and in Platonov. He has also performed at the Missouri Repertory Theatre, where he played the title roles in Billy Bishop Goes to War and Amadeus, and at the Great Lakes Theatre Festival, where he played Swiss Cheese in Mother Courage. He is a graduate of Harvard University and the American Repertory Theater/Moscow Art Theater Institute for Advanced Theater Training at Harvard University. Mr. Evett currently serves as artistic director of the Actors' Shakespeare Company in Boston.

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Geonca

Dean HarrisonSean Runnette

Geonca

Dean HarrisonSean Runnette

The Bull

Christopher Colt

The Bull

Christopher Colt

Yellow Shadows

Christopher ColtDean HarrisonSean RunnetteRoss SalingerSteven ZahnStuart Zamsky

Yellow Shadows

Christopher ColtDean HarrisonSean RunnetteRoss SalingerSteven ZahnStuart Zamsky