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The Half-God of Rainfall

The Half-God of Rainfall

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Artistic Director’s Welcome

WELCOME TO THE HALF-GOD OF RAINFALL  

And welcome to the 2023/24 Season at A.R.T. I am very excited about the incredible artists who have created this year’s programming—a roster of must-see theatrical events. The season, which includes premieres of two musicals and two plays, explores themes of immigration, the American dream, and what it means to feel welcome in our country.  

To begin, we welcome The Half-God of Rainfall, a return to the A.R.T. for Barber Shop Chronicles playwright Inua Ellams. The piece began as a book-length poem (published by Fourth Estate in 2020), before being adapted by Inua for the stage. Now, the work is making its North American premiere in a co-production by A.R.T. and New York Theatre Workshop.   

This production is directed by Taibi Magar—her fourth A.R.T. production in five years (following We Live in Cairo, Macbeth in Stride, and last season’s Twilight: Los Angeles, 1992). To bring the cosmic scope of Half-God to life on stage, Taibi has assembled a creative team including several artists who have worked on past A.R.T. productions: Scenic Designer Riccardo Hernández (Jagged Little Pill, The White Card, among many others), Costume Designer Linda Cho (Endlings), and Projection Design by Tal Yarden (Ocean Filibuster). We also welcome Sound Designer/Composer Mikaal Sulaiman, Lighting Designer Stacey Derosier, and Movement Director Orlando Pabotoy, who are working at the A.R.T. for the first time. Don’t miss articles below detailing the show’s creative process, as well as a glossary of the mythic figures invoked throughout the play.   

Thank you for joining us. See you at the theater!

Diane Paulus
Terrie and Bradley Bloom Artistic Director

American Repertory Theater
and New York Theatre Workshop
present

THE HALF-GOD OF RAINFALL

Creative Team

By

Inua Ellams

A.R.T.: Barber Shop Chronicles. Born in Nigeria, Inua Ellams is a poet, playwright & performer, graphic artist & designer and founder of: The Midnight Run (an arts-filled, night-time, urban walking experience.), The Rhythm and Poetry Party (The R.A.P Party) which celebrates poetry & hip hop, and Poetry + Film / Hack (P+F/H) which celebrates Poetry and Film. Identity, Displacement & Destiny are reoccurring themes in his work, where he tries to mix the old with the new: traditional African oral storytelling with contemporary poetics, paint with pixel, texture with vector. His books are published by Flipped Eye, Akashic, Nine Arches, Penned in the Margins, Oberon & Methuen.

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Directed by

Taibi Magar

Directed by

Taibi Magar

A.R.T.: The Half-God of Rainfall; Twilight: Los Angeles, 1992 (Lortel Award), Signature Theatre; Macbeth In Stride; We Live in Cairo. Co-Artistic Director, Philadelphia Theatre Company. Off-Broadway: Help, The Shed; Capsule, Under the Radar Festival/The Public Theater; Blue Ridge, The Great Leap, Atlantic Theater Company; Is God Is (2018 Obie Award), Soho Rep; Master, The Foundry; Underground Railroad Game(2017 Obie Award), Ars Nova. International: Hamburg Festival, Edinburgh Festival, Malthouse Theatre (Melbourne), and Soho Theatre (London). MFA, Brown University.

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Movement Direction by

Orlando Pabotoy

Movement Direction by

Orlando Pabotoy

A.R.T.: Debut. Theatre: The Most Fabulous Story Ever Told, NYTW; HVSF 2022 Season; Acting Company 2017/2018 Season; The Cherry Orchard (directed by the late Andrei Belgrader), CSC. Collaborations: Henry VI, Parts 1-3, NAATCO; Holoscenes (Lars Jan); Advanced Beginner Group (David Neumann). Direction (Selected): Serpent Woman, The World in the Moon, Scapin, Chalk Circle, Pericles, The Frogs, The Juilliard School; That Beautiful Laugh, La Mama. Film: KS20, Star Wars: Rogue One (Alan Tudyk). Performance: The Public, Yale Rep, Met Opera, Kirk Douglas, Guthrie. Ma-Yi Theater, American Airlines Theater, Salzburg Festpieler (Austria). Film/TV: Comedy Central, WB, NBC, ABC. Awards: Obie, TCG Fox Fellow.

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Scenic Design

Riccardo Hernández

Scenic Design

Riccardo Hernández

A.R.T.: Over twenty productions, including most recently, Twilight: Los Angeles, 1992Jagged Little PillThe White Card, Arrabal, Notes from the Field: Doing Time in Education, The Gershwins’ Porgy and Bess, Prometheus Bound, Best of Both Worlds, The Seagull, Julius Caesar, Britannicus, and Marat/Sade. Broadway: Indecent, The Gin Game; The Gershwins’ Porgy and Bess; The People in the Picture; Caroline, or Change, National Theatre London; Elaine Stritch: At Liberty, Old Vic; Topdog/Underdog, Royal Court; Bells Are Ringing; Parade (directed by Hal Prince, Tony, Drama Desk nominations); Bring in ‘da Noise, Bring in ‘da Funk, The Tempest. Recent productions include: Dreaming Zenzile, Light Shining…, NYTW; The Skin of Our Teeth, TFANA; The Invisible Hand (Henry Hewes Design Award); Red Speedo (Drama Desk Nomination); Grounded (directed by Julie Taymor). International: Théâtre du Châtelet, Avignon (Cour d’honneur Palais des Papes); Oslo, National Theatre; Abbey Theatre. Recipient, Obie Award for Sustained Excellence in Design. Hernández is an Associate Professor and Co-Chair of the Yale School of Drama.

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Costume Design

Linda Cho

Costume Design

Linda Cho

A.R.T.: Endlings. Broadway: Doubt; Harmony; Summer, 1976; Take Me Out; Grand Horizons; Anastasia (Tony nomination); The Great Society; A Gentlemen’s Guide to Love and Murder (Tony & Henry Hewes Awards, OCC nomination); The Lifespan of a Fact; Velocity of Autumn. New York Theatre Workshop: Kristina Wong, Sweatshop Overlord; Endlings. Her extensive body of work includes productions at acclaimed theaters and opera companies across the country and around the world. Advisory Committee, American Theatre Wing. Education: MFA, Yale School of Drama.

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Lighting Design

Stacey Derosier

Lighting Design

Stacey Derosier

A.R.T.: Debut. NYC: How To Defend Yourself, NYTW; Uncle Vanya, OHenry; The Cotillion, New Georges & The Movement Theatre Company; Regretfully, So the Birds Are, Playwrights Horizons; Cornelia Street, Atlantic Theater Company; Where the Mountain Meets the Sea, Manhattan Theatre Club; This Beautiful Future, Cherry Lane; Fat Ham, Public Theater & National Black Theatre; Wedding Band, Theatre for a New Audience. 2018 Lilly Award Daryl Roth Prize recipient.

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Sound Design

Mikaal Sulaiman

Sound Design

Mikaal Sulaiman

A.R.T.: Ocean Filibuster (original sound design concept co-developer). Broadway: Thanksgiving Play, Fat Ham, Death of a Salesman,Cost of Living, Macbeth, Thoughts of a Colored Man. Off-Broadway: On Sugarland, Sanctuary City, Light Shining in Buckinghamshire, NYTW; Primary Trust, Roundabout; Fairview, Soho Rep; Rags Parkland, Underground Railroad Game, Ars Nova. Recipient: Obie Award, Creative Capital Award and Henry Hewes Award.

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Projection Design

Tal Yarden

Projection Design

Tal Yarden

A.R.T.: Ocean Filibuster. Broadway: Network, The Waverly Gallery, Indecent, Sunday in the Park with George, The Crucible. Off-Broadway: Lazarus, Little Foxes, Liberty City, The Misanthrope, Beast, Kaos, NYTW; Hamlet; Antigone; The Damned; Kings of War.London: Get Up, Stand Up; Anna X. Opera: Exterminating Angel, Salome, Macbeth. Awards & Nominations: Lucille Lortel, Tony.

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Orisha Movement Consulting/Choreography

Beatrice Capote

Orisha Movement Consulting/Choreography

Beatrice Capote

A.R.T.: Debut. Performance Credits: Camille A. Brown & Dancers company. Recent Choreography Credits: Angelique Kidjo’s Yemandja!, The Public; It’s Fine, I’m Fine and Citrus, Regional Theatre; The Wedding Band, Montclair State University; International Dance Company, TWU. Recent Choreographic Concerts: Jazz at Lincoln Center, 40th Anniversary Battery Dance Festival. Education: BA/MFA, Montclair State University. Recent Teaching Credits: Associate Professor, Indiana University Contemporary Dance.

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Casting

The Telsey Office / Destiny Lilly, CSA

With offices in both New York and Los Angeles, The Telsey Office casts for theatre, film, television, and commercials. The Telsey Office is dedicated to creating safe, equitable, and anti-racist spaces through collaboration artistry, heart, accountability and advocacy.

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Intimacy Director

Ann James

Intimacy Director

Ann James

A.R.T.: Twilight: Los Angeles, 1992. Broadway: Pass Over, Sweeney Todd, Parade, White Girl in Danger. Off-Broadway: How to Defend Yourself, NYTW; Parade, NYCC; Twilight: Los Angeles 1992, Confederates, My Broken Language, Evanston Salt Costs Climbing, Amani. Regional: Lempicka, The Outsiders, Trading Places. Sensitivity Facilitator: Columbia University, Harvard University, Brown University.

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Voice & Dialect Director

Dawn-Elin Fraser

Voice & Dialect Director

Dawn-Elin Fraser

A.R.T.: 1776, Waitress, Crossing, Finding Neverland. North American Dialect Coach: Hamilton. Broadway: Parade, 1776, Macbeth, Slave Play, What the Constitution Means to Me, Once on this Island, Waitress. Off-Broadway: Sojourners, Her Portmanteau, An Ordinary Muslim, The House That Will Not Stand, american (tele)visions, How to Defend Yourself, NYTW; Richard III, Merry Wives, The Public Theater. MFA, American Conservatory Theater. NYTW Usual Suspect.

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Production Stage Manager

Caroline Englander

Production Stage Manager

Caroline Englander

A.R.T.: Debut. Broadway: King Lear. Off-Broadway: The Half-God of Rainfallrunboyrun, In Old Age, NYTW; The Jungle, St. Ann’s Warehouse, STC; Becky Nurse of Salem, LCT; Hamlet & Oresteia, Park Avenue Armory; The Vagrant Trilogy, The Outer Space, The Apple Family Plays, Public/NYSF; sandblasted, Vineyard; The Courtroom, Hamlet, Waterwell; Sense & Sensibility, Bedlam. BA: Barnard College.

Actors’ Equity Association member

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First performance at the Loeb Drama Center on September 8, 2023.
The United States Premiere of The Half-God of Rainfall was co-produced by American Repertory Theater at Harvard University and New York Theatre Workshop.
The Half-God of Rainfall was first presented as a Fuel and Kiln co-production in association with Birmingham Repertory Theatre.
This production is supported, in part, by the Robert Brustein Endowment Fund for New Works.
A.R.T. Season support is provided by Harvard University, The Barr Foundation, The Bob and Alison Murchison New Work Development Fund, The Shubert Foundation, National Endowment for the Arts, Massachusetts Cultural Council, Barton & Guestier, and Meyer Sound.
The A.R.T. 2023/24 Season is supported in part by the Massachusetts Cultural Council, which receives support from the Commonwealth of Massachusetts and the National Endowment for the Arts.
Media Support is provided by WBUR.
Runtime: One hour and 30 minutes
This performance stages sexual and physical violence, and contains haze, fog, flashing lights, and loud sounds.

Company & Staff

Cast (in Alphabetical Order)

Jason Bowen

Sàngó

Jason Bowen

Jason Bowen

Sàngó

Jason Bowen

(he/him) A.R.T.: The Half-God of Rainfall. Broadway: The Play That Goes Wrong. Off-Broadway: The Half-God of Rainfall, NYTW/A.R.T.; Crumbs from the Table of Joy, Keen Company; Long Day’s Journey into Night, Audible Theater; Native Son, The Acting Co.; If Pretty Hurts…, Playwrights Horizons. Regional: Ma Rainey’s Black Bottom (IRNE Award for Best Actor, Drama), Huntington Theatre. TV/Film: “Blue Bloods,” “Madam Secretary,” “Elementary” (CBS), “Law & Order: SVU” (NBC), “The Good Fight” (Paramount+), Mother/Android, The Upside, What’s Your Number?.

Actors’ Equity Association member

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Kelley Curran
Kelley Curran

Hera

Kelley Curran

A.R.T.: Debut. Broadway: Present Laughter. Off-Broadway: Mother of the Maid, The Public; Dracula, CSC; The Winter’s Tale, TFANA; Sense & Sensibility, Bedlam; Angels In America, Signature; work with Red Bull, LAByrinth, The Acting Company. World Premiere Adaptation: The Oresteia, Shakespeare Theatre of DC. Film/TV: The Man Who Killed Hitler… “The Blacklist,” and currently HBO’s “The Gilded Age.” Awards: Emery Battis Award, Joe Callaway Award, NTC Emerging Professional Award, Drama League and Princess Grace Award nominations.

Actors’ Equity Association member

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Mister Fitzgerald
Mister Fitzgerald

Demi

Mister Fitzgerald

A.R.T.: Debut. Broadway: Ohio State Murders, James Earl Jones Theater. Off-Broadway: On Sugarland, NYTW; A Raisin in the Sun, Public Theater; Exception to the Rule, Roundabout. Film: The Last Deal, Boogie, 30 Weeks. TV: “Power,” “FBI,” “The Blacklist,” “Godfather of Harlem.” Awards: Best Duo Performance (DTLAFF). BFA, FSC. Hails from Baltimore, MD.

Actors’ Equity Association member

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Patrice Johnson Chevannes
Patrice Johnson Chevannes

Osún

Patrice Johnson Chevannes

A.R.T.: Debut. Broadway: Racing Demon; The Crucible. Off-Broadway/Regional: runboyrun/In Old Age (Drama Desk nomination), NYTW; Endgame (Lortel nomination), Irish Rep; Othello (Desdemona); Pericles, Tamburlaine, TFANA; I’m Revolting, Halfway Bitches Go Straight to Heaven, Atlantic Theater Company; Good Grief, Vineyard. TV: “Chambers,” “Pose,” “Shrill,” “Evil,” “The Marvelous Mrs. Maisel,” “The First Lady,” “The Good Fight.”

Actors’ Equity Association member

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Russell G. Jones
Russell G. Jones

Elegba

Russell G. Jones

A.R.T.: Debut. Russell G. Jones is an Audelco, Obie, and SAG Award-winning actor, as well as director, producer, facilitator, moderator, and teaching artist. Theater: a fixture on New York City stages since the mid-1990s, he is proud to have originated roles in plays by Lynn Nottage, Suzan-Lori Parks, Tanya Barfield, Fernanda Coppel, Kirk Wood Bromley, and Stephen Adly Guirgis. Film/TV: Steven Soderbergh’s “Full Circle” (recurring), HBO; “Tommy” (series regular opposite Edie Falco), CBS; “Only Murders in the Building” (recurring), Hulu. He is also the founder and Chief of Pedagogy at BLIND SPOT EXPERIENCE, a campaign that facilitates cross-cultural dialogue and critical thinking by providing context and tools for perceiving racial inequity.

Actors’ Equity Association member

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Michael Laurence
Michael Laurence

Zeus

Michael Laurence

A.R.T.: Debut. Broadway: Talk Radio, Desire Under the Elms. Off-Broadway: Coal Country, Public Theater; Appropriate, Signature Theater; Hamlet in Bed (playwright-performer), The Few, Horsedreams, Rattlestick Playwrights Theater; Krapp, 39 (Drama Desk nomination) Soho Playhouse & Tristan Bates Theater/London, Opus, Morini Strad, Discord, Primary Stages; Splendid’s, LaColline/Paris. Film/TV: “Shades of Blue (recurring),” “Blacklist,” “Damages (recurring),” “The Heartshe Holler” (series regular), “Prodigal Son,” “Evil,” “The Good Wife,” “Law & Order: SVU,” “Hit & Run,” “Elementary,” “Person of Interest,” “Dexter: New Blood.”

Actors’ Equity Association member

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Jennifer Mogbock

Modúpé

Jennifer Mogbock

Jennifer Mogbock

Modúpé

Jennifer Mogbock

A.R.T.: Debut. Theatre: Merry Wives, The Public Theater; Yemandja, Kennedy Center; BDOTJ, Society Theatre; King John, Antony & Cleopatra, Hamlet, Stratford Festival. TV: “The Good Fight,” Paramount+; “Evil,” CBS; “Designated Survivor,” Netflix; “Golden City,” Marvel/ Disney +. Upcoming: “Lady In The Lake” (starring Natalie Portman), Apple TV. BFA, SUNY Purchase; MFA, NYU Grad Acting.

Actors’ Equity Association member

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Fight Captain

Jason Bowen

Jason Bowen

Fight Captain

Jason Bowen

(he/him) A.R.T.: The Half-God of Rainfall. Broadway: The Play That Goes Wrong. Off-Broadway: The Half-God of Rainfall, NYTW/A.R.T.; Crumbs from the Table of Joy, Keen Company; Long Day’s Journey into Night, Audible Theater; Native Son, The Acting Co.; If Pretty Hurts…, Playwrights Horizons. Regional: Ma Rainey’s Black Bottom (IRNE Award for Best Actor, Drama), Huntington Theatre. TV/Film: “Blue Bloods,” “Madam Secretary,” “Elementary” (CBS), “Law & Order: SVU” (NBC), “The Good Fight” (Paramount+), Mother/Android, The Upside, What’s Your Number?.

Actors’ Equity Association member

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Additional Staff

Dramaturg

Iyvon E.

Associate Director

Malika Oyetimein

Assistant Stage Manager

Thea McRae

Assistant Stage Manager

Thea McRae

A.R.T.: Debut. Broadway: A Beautiful Noise. Off-Broadway: The Half-God of Rainfall, New York Theatre Workshop; Cornelia Street, Shhhh, Atlantic Theater Company. Regional: It’s Only a Play, George Street Playhouse; West Side Story, Paper Mill Playhouse; The Royal Family, The Shakespeare Theatre of New Jersey. Stage Management MFA Candidate at Columbia University and BFA: Emerson College.

Actors’ Equity Association member

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Associate Scenic Design

Jungah Han

Associate Costume Design

Herin Kaputkin

Associate Lighting Design

Tyler Dubuc

Associate Sound Design

Kellen Voss

William Koch

Brandon Bulls

Associate Projection Design

Deja Collins

Projections Programmer

Andrew Gusciora

Assistant Choreographer

Julian Robertson

Assistant Voice & Dialect Coach

Elena Schlax

Casting Associate

Alex Cortinas

Production Assistants

Blake Berggren

Julia Grullon

Elise Tuckwood

Physical Therapy

Artistic Athlete Health Collective

A.R.T. Staff

Terrie and Bradley Bloom Artistic Director: Diane Paulus
Executive Director: Kelvin Dinkins, Jr.

Managing Director: Anna Fitzloff
Director of Finance: Julia Goldmacher
Artistic Producer: Mark Lunsford
Director of Production: Krystin Matsumoto
Director of Artistic Programs & Dramaturg: Ryan McKittrick
Associate Artistic Director: Dayron J. Miles
Interim Director of Development: Scott Nichols
Director of Marketing and Communications: Jennifer Weissman

Editor & Associate Dramaturg: Robert Duffley
Artistic Coordinator & Special Assistant to the Artistic Director: Karina Cowperthwaite
Executive Assistant to the Executive Director: Jazzmin Bonner
Head of Voice & Speech: Erika Bailey
Associate Director, Pedagogical Programs: Marcus Stern
Associate Director, Pedagogical Programs: Julia Smeliansky
Production Manager, Pedagogical Programs: Jeremie Lozier
Assistant Production Supervisor, Pedagogical Programs & Departmental Events: Kat Sistare

Line Producer: Emma Watt
Associate Production Manager: Taylor Brennan
Company Manager: Shannon Kelley
Assistant Company Manager: Michael Mathey

Assistant to the Senior Advisor: Madison Baker
ACOM Program Assistant: Leah Harris
Learning Lead: Vahdat Yeganeh
Teaching Artists: Daniel Begin, Alissa Cordeiro, Sophie Garrigus, Jason Jedrusiak, Josephine Ross, Kristala Pouncy Smart, Donya Pooli Yeganeh

Public Relations Director: Rebecca Curtiss
Associate Director, Marketing and Communications: Susanna Jackson
Associate Director, Creative Services: Joel Zayac
Web and Digital Communications Manager: David Libbey
Assistant Graphic Designer: Dana Balletta
Marketing & Communications Assistant: Rachel Greene
Public Relations Assistant: Ashley Lyon

Associate Director, Advancement & Development Engagement: Michael Winn
Associate Director, Stewardship & Major Gifts: Lisa Field-Coleman
Assistant Director, Development Operations: Blair Laurie
Development Coordinator: Alicia Hartz

Director, Capital Projects: Peter Atkinson
Theater and Facilities Manager: Tracy Keene
Loeb Receptionists: Barbara Lindstrom, Maria Medeiros
Custodial Supervisor: Ana Osorioportillo
Custodial Team: Felipe Barahona, Anna Canazalez, Hugo Lopez, Santos Ruiz Lopez, Marvin Ventura
Facilities Maintenance Service Team: Anthony Radosta, Jeremiah Sullivan, Benedetto Valente

Interim General Manager: Ted DeLong

Controller: Toufiq Aitelfqih
Senior Payroll Coordinator: Alessandra Panares
Financial Assistant: Yvette Layne
Accountant: Nathan Pratt
Interim Support: David Jewett

Head of Patron Services: Emma Putnam
Ticket Services Manager: Heather Conroe
Assistant Ticket Services Manager: Tori Loubert
Ticket Services Representatives: Rachael Cohen, Jessica Golden, Emma Hunt
Ticket Services Staff: Taylor Fournier, Michelle Hong, Elliot Lazar, Alexia Rowe, Shelby Strachan
Front of House Manager: Matt Spano

Interim Technical Director: Ross Wick
Interim Assistant Technical Director: Brian Melcher
Head Scenic Carpenter: Peter Doucette
Lead Scenic Carpenter: York-Andreas Paris
Scenic Carpenters: Bill Hawkins, Ray Reyes
Term Scenic Carpenters: Dawn Morningstar, Luke Van Cleve

Charge Scenic Artist: Gerard Vogt
Assistant Charge Scenic Artist: Heather Morris
Term Scenic Artist: India Lee

Production Manager: Skip Curtiss
Artistic Projects and Events Sound Supervisor & Resident Designer: Alex Giorgetti
Artistic Projects and Events Lighting Supervisor & Resident Designer: Justin Paice
Artistic Projects and Events FOH Sound Engineer: Michael Policare

Stage Operations Manager: Kevin Belcher
Interim Assistant Stage Operations Manager/Deck Lead: Bernadette Benoit
Stage Hand: Errick Jersey
Staff Props Runner: Christina Donovan

Costume Manager: Muriel Mangual-Bennett
Assistant Costume Manager: Erica Desautels
Crafts Artisan: Jeffrey Scott Burrows
Draper: Sarah Karten
Stitcher: Stephanie Quartararo

Wardrobe Manager: Alycia Marucci
Wig and Wardrobe Dresser: Emily Damron
Dresser: Brian Choinski, Michelle Villada
Wardrobe Maintenance Support: Lia Maynard, Rachel Padula-Shufelt

Sound Manager: Camilo Atehortua
Assistant Sound Manager: Bryan Atterberry
Sound Technician (A1): Alison Schaefer

Lighting and Projections Supervisor: Matthew Adelman
Assistant Lighting Supervisor: Joseph Lorenzen
Lighting and Projections Programmer and Operator: Sumner Ellsworth
Electrician/Followspot Operator: Ryan Lemay, Callie Moos

Properties Manager: Erin Kehr
Assistant Properties Manager: Mariya Sudarska
Properties Carpenter: Patrick Goodsell

Production Overhire
Scenic Overhire: Peter Birren, Elija Brown, Ron DeMarco, Anthony Ericsson, Martha Keslar, Wesley Scanlon, Robert Sears, Brian Vlasak, Madison Weaver
Electricians: Carmen Alfaro, Kevin Barnett, Hannah Jope, Toni Kooharian, Lidia Pina
Sound Technicians: Kai Bohlman, Jessica Hawkins, Coty Markee-Culbreth, Mary White
Stage Hands: Thomas Cappelli, Rosie G. Hartunian Alumbaugh, Avery Hunt, Hannah Jope, Em McGrory, Jack Riter, Kaitlin Smith, Squier, Julia Wonkka

Special Thanks

William Pryor, J & M Special Effects
Actors’ Equity Association 1913The actors and stage managers employed in this production are members of Actors’ Equity Association, the union of professional actors and stage managers in the United States.
SDCThe Director and Choreographer of this production are members of the STAGE DIRECTORS AND CHOREOGRAPHERS SOCIETY, a national theatrical labor union.
IATSE IA United Scenic Artists Local USA 829United Scenic Artists represents the designers and scenic painters for the American Theatre.

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