A.R.T.: Debut. Awards (with Jesse & Joy): Latin Grammy Award for Best New Artist (2007); Record of the Year and Song of the Year for “¡Corre!” (2012); Latin Grammy for Best Short Form Music Video for “Me Voy” (2012); Latin Grammy for Best Contemporary Pop Album for ¿Con Quién se Queda el Perro? (2012); Latin Grammy for Best Contemporary Pop Album and Grammy Award for Best Latin Pop Album for Un Besito Más (2016, 2017); Vision Award, Hispanic Heritage Foundation; GLAAD Media Award for Special Recognition (Spanish Language) for “Love (Es Nuestro Idioma);” Latin American Music Award for Best Pop duo/group (2023). Recognized by the Latin Recording Academy as a Leading Lady of Entertainment.

(he/him) A.R.T.: Debut. Regional: Borderline, 2019 O’Neill Conference; Kiss My Aztec, Berkeley Rep, La Jolla Playhouse, Hartford Stage; The Tempest, Public Works at the Delacorte Theater. Awards: 2018-2019 Dramatist Guild Foundation Fellow, the 2019 Fred Ebb Award Winner, a 2020 Jonathan Larson Grant recipient, and winner of the 2023 Stephen Schwartz Award. Training: Member of the Advanced BMI Workshop (Harrington Award).

(she/her) A.R.T.: Debut. Off-Broadway: The Waiting Room, Vineyard Theatre; Living Out, Second Stage; Distracted, Roundabout. Regional: Roe, Homefree, Expecting Isabel, ¡Bocón!, Café Vida, Two Things You Don’t Talk About; Arena Stage, Goodman Theater, Mark Taper Forum, Seattle Rep, Denver Center, Berkeley Rep, Williamstown, Kennedy Center, Oregon Shakespeare Festival, LATC, and in Mexico and Europe. Film credits include Girl, Interrupted. Awards include the American Theatre Critics Award twice, Pen Award, Jane Chambers Award twice, Imagen Award, Kennedy Center Fund for New American Plays Award, Lurie Award, Ovation Award, and Susan Smith Blackburn Prize.

A.R.T.: Debut. Broadway: Mean Girls: The Musical (Lyrics, Tony nomination), Legally Blonde: The Musical (Co-writer, Olivier Award, Tony nomination). Off-Broadway: The Explorers Club (Outer Critics Circle Award). Book/Lyrics: Come Fall in Love: The DDLJ Musical, Dave, Because of Winn Dixie, Cam Jansen (Drama Desk nomination). Film/TV: The Sea Beast (Co-writer, Oscar nomination), “Unhappily Ever After,” “Whoa! Sunday with Mo Rocca,” “The Electric Company,” “Best Time Ever with Neil Patrick Harris.” Awards: Jonathan Larson award, Kleban Foundation grant. Member of ASCAP and The Dramatists Guild.

(he/him) A.R.T.: Arrabal. Broadway: A Bronx Tale, On Your Feet! (Tony Award Nominee, Outer Critics Circle/Astaire Awards), Memphis (Tony Award Best Musical, Olivier/OCC Award, Drama Desk/Astaire Award nominations), Jersey Boys (Best Musical Tony Award, OCC/Greenroom/Dora/Drama Desk nominations), The Addams Family, Next to Normal, Hands on a Hardbody (Drama Desk nomination), Leap of Faith (Drama Desk nomination), Guys and Dolls (Astaire Awards nomination), All Shook Up. Other theater: Invisible Thread, 2econd Stage; Carmen: An Afro-Cuban Musical (Helen Hayes Award nomination), Olney Theatre; Freaky Friday, Signature; Flashdance, National Tour; The Wiz, La Jolla Playhouse. International work includes Tarzan, Disney; Peggy Sue Got Married, West End; The Sound of Music and West Side Story, Stratford Festival. Upcoming: Summer: The Donna Summer Musical, La Jolla Playhouse; Ain’t Too Proud, Berkeley Rep.

(she/her) A.R.T.: Waitress, Pippin. Broadway: Once Upon a One More Time, Waitress, Pippin, Hair. Regional: The Devil Wears Prada, Nerds. In development: Norma Rae, Wonder, The Forgotten Arm. Concerts: Sara Bareilles, Rosanne Cash, Rita Wilson, Kat McPhee, Joey McIntyre, A Prairie Home Companion. TV: “Central Park,” AppleTV+; “The Tony Danza Show,” ABC; various talk shows. Education: Vassar College.

A.R.T.: Debut. Broadway: Freestyle Love Supreme, In the Heights (Tony Award), & Juliet. Regional: Fly, La Jolla Playhouse. Other Recorded Media: In the Heights Original Broadway Cast Album (Grammy Award), Hamilton Original Broadway Cast Album (Grammy Award), “Questlove Supreme.” Film/TV: “Sesame Street” (three-time Emmy Award winner); “Storymakers;” “Jam Van” (Creator, Executive Producer, Music Director); “Kings of Queens” (Executive Director, Composer); In the Heights (Executive Music Producer); Tick, Tick… Boom! (Executive Music Producer); “The Electric Company” (Music Director, Composer); “Nature Cat;” “Donkey Hodie;” and more.

A.R.T.: Burn All Night. Broadway: Moulin Rouge! The Musical, The Book of Mormon, In the Heights. Off-Broadway/Regional: We’re Gonna Die, 2nd Stage; Tales of the City, ACT; A Little More Alive, Kansas City Rep. Orchestrations: Lempicka, Broadway 2024; Only Gold, MCC; Witness Uganda (Original Cast Album); Invisible Thread, 2nd Stage. Film: Something Like Summer (original score). Finalist in 2023 Zurich International Film Music Competition. Performances at Jazz@Lincoln Center, The Blue Note, The National Concert Hall, and The Guinness Jazz Festival.

(he/him) A.R.T.: Debut. Regional: Borderline, 2019 O’Neill Conference; Kiss My Aztec, Berkeley Rep, La Jolla Playhouse, Hartford Stage; The Tempest, Public Works at the Delacorte Theater. Awards: 2018-2019 Dramatist Guild Foundation Fellow, the 2019 Fred Ebb Award Winner, a 2020 Jonathan Larson Grant recipient, and winner of the 2023 Stephen Schwartz Award. Training: Member of the Advanced BMI Workshop (Harrington Award).

A.R.T.: Debut. Awards (with Jesse & Joy): Latin Grammy Award for Best New Artist (2007); Record of the Year and Song of the Year for “¡Corre!” (2012); Latin Grammy for Best Short Form Music Video for “Me Voy” (2012); Latin Grammy for Best Contemporary Pop Album for ¿Con Quién se Queda el Perro? (2012); Latin Grammy for Best Contemporary Pop Album and Grammy Award for Best Latin Pop Album for Un Besito Más (2016, 2017); Vision Award, Hispanic Heritage Foundation; GLAAD Media Award for Special Recognition (Spanish Language) for “Love (Es Nuestro Idioma);” Latin American Music Award for Best Pop duo/group (2023). Recognized by the Latin Recording Academy as a Leading Lady of Entertainment.

(she/her) A.R.T.: Waitress, Pippin. Broadway: Once Upon a One More Time, Waitress, Pippin, Hair. Regional: The Devil Wears Prada, Nerds. In development: Norma Rae, Wonder, The Forgotten Arm. Concerts: Sara Bareilles, Rosanne Cash, Rita Wilson, Kat McPhee, Joey McIntyre, A Prairie Home Companion. TV: “Central Park,” AppleTV+; “The Tony Danza Show,” ABC; various talk shows. Education: Vassar College.

(he/him) A.R.T.: Debut. Broadway: New York, New York; Hamilton; Kinky Boots; It Shoulda Been You; Violet; Bullets Over Broadway; Big Fish. Tours: Hamilton (Philip tour), Kinky Boots, Elf, Cinderella. Selected: Chess, ECF Benefit; Kiss My Aztec!, Hartford Stage; Red Eye of Love, AMAS; Joseph… Dreamcoat, Arvada Center. Education: Penn State, MFA Music Directing; Florida State, BM Piano Performance. Proud member of AFM 802. Thanks to Ben and Nadia for their trust. Love to JS.

(he/him) A.R.T.: Debut. Broadway: A Strange Loop (Tony Nominee); Topdog/Underdog; Trouble in Mind. Off-Broadway: Atlantic, CSC, Lincoln Center, MCC, MTC, New Group, Playwrights Horizons, Public Theater, Roundabout, Second Stage, Signature, Soho Rep. Regional: Alley Theatre, Berkeley Rep, CTG, Guthrie, Steppenwolf, Woolly Mammoth. Awards: Obie Sustained Excellence in Set Design; Princess Grace Fabergé Theater Award; Henry Hewes Design Award nominee.

(he/him) A.R.T.: Debut. Broadway: Moulin Rouge! The Musical; Mrs. Doubtfire; The Tempest, Shakespeare in the Park. Film/TV: “Watchmen,” Oceans 8, “Rupaul’s Drag Race,” Marvel’s “Moon Knight” (Emmy Nomination).

A.R.T.: Natasha, Pierre & The Great Comet of 1812; The Tempest. Broadway: Peter and the Starcatcher (Tony Award). Off-Broadway: Natasha, Pierre & The Great Comet of 1812 (Lucille Lortel Award), Kazino; The Patron Saint of Sea Monsters, Fly By Night, Playwrights Horizons; Wildflower, Second Stage; Recall, Colt Coeur; Brooklyn Babylon, BAM Next Wave. Regional: The Bandstand, Paper Mill Playhouse; Troublemaker… and You, Nero, Berkeley Repertory Theatre; Hoover Comes Alive! and A Current Nobody, La Jolla Playhouse. Ms. Young has also worked at South Coast Repertory, The Old Globe, Oregon Shakespeare Festival, California Shakespeare Theater, Hand2Mouth, and Mixed Blood among others. Education: MFA, UCSD.

A.R.T: Once, Hedda Gabler, King Lear, Mastergate, The Servant of Two Masters. Recent Broadway: Once (Tony Award), Sister Act, Follies, The Addams Family, The Little Mermaid, The Coast of Utopia: Salvage (Tony Award), A Chorus Line (revival), Spelling Bee, Tarzan, Aida (Tony Award), Beauty and the Beast. Other designs: Alice’s Adventure’s in Wonderland, Royal Opera House, National Ballet of Canada; Cinderella, The Dutch National Ballet; Buried Child, National Theatre, London; Cyrano, The Met; Carnival of the Animals, NYCB; Don Quixote, ABT; EFX, Las Vegas; concert acts for Shirley MacLaine, Ann-Margret, and Tommy Tune. Extensive work Off-Broadway and for American regional theaters. 

(he/him) A.R.T.: Debut. Broadway: SpongeBob SquarePants (Tony nomination), The Harder They Come, The Farnsworth Invention, Cymbeline. Off-Broadway: Queen of the Mist, Almost Maine. Co-Sound Designs: Ain’t Too Proud, Radio City Christmas Spectacular, Doctor Zhivago. Regional: Dave, Arena Stage; La Jolla Playhouse, The Huntington Theatre, 5th Avenue Theatre, Williamstown Theatre Festival, Shakespeare Theatre Company, George Street Playhouse, Bay Street Theater. He is married to photographer Kimberly Witham.

(she/her) A.R.T.: Debut. Broadway: The Old Man and the Pool; Summer, 1976. Off-Broadway/New York: The Harder They Come, The Visitor (Lucile Lortel nomination), Eve’s Song, Public Theater; Everything Rises, BAM; Magdalene, Prototype Festival. New Music/Opera: L’Orfeo, Santa Fe Opera; Sweet Land, The Industry; The Anonymous Lover, LA Opera. Regional: Geffen Playhouse, OSF, South Coast Rep, Magic Theatre, A.C.T., among others. Awards: Princess Grace Award, Sherwood Award from CTG, Helen Hayes Award, LA Drama Critics Circle Distinguished Achievement Award, among others.

(she/her) A.R.T.: Debut. Broadway: Slave Play, Tina: The Tina Turner Musical, SIX (Hair and Makeup Department Head). Off-Broadway: The Connector; The Tempest, Public Theater; At the Wedding, Lincoln Center; ¡Americano!, New World Stages; Mrs. Warren’s Profession, Candida, Gingold Group; King of the Jews, HERE. Regional: the ripple, the wave that carried me home, Yale Rep; Mojada, Yale Rep; Ain’t Misbehavin’, Barrington; Angels in America, Part One: Millennium Approaches, Arena Stage. Opera: Opera Theatre of St. Louis 2023 Season. Krystal holds a BFA in Wig and Makeup Design from Webster Conservatory and is co-owner of The Wig Associates with her design partner, Will Vicari.

(he/him) A.R.T.: Real Women Have Curves, Twilight: Los Angeles, 1992. Victor Vazquez, CSA, is the founder and lead Casting Director of X Casting. He has cast projects for Broadway (upcoming: Hippest Trip – The Soul Train Musical), London’s West End, TV (upcoming: “Genius: MLK/X” for 20th Television, Nat Geo, and Disney+), and film. He is the proud son of Mexican immigrants.

150+ productions across the globe and 13 Artios Awards for Casting. Broadway/NY past and present productions include: Life of Pi; Chicago; Disney’s The Lion King and Beauty and the Beast; Hadestown; Lost in Yonkers; Natasha, Pierre & The Great Comet of 1812; Christmas Spectacular starring the Radio City Rockettes; The 39 Steps; Pippin; La Cage aux Folles. TV/Film: Netflix, 20th Century Fox, NBC, Lionsgate, Disney Channel. West End/UK: Hadestown, Thriller Live, Menier Chocolate Factory. Tours: 1776, Hairspray, Waitress, Urinetown, Charlie & the Chocolate Factory, Finding Neverland, Into the Woods, We Will Rock You. Regional: A.R.T., Berkeley Rep, Alley, Bay Street, Goodspeed, Hollywood Bowl, McCarter, Signature. ARC, Part of RWS Global.

(she/her) A.R.T.: Debut. Broadway: The Addams Family (OBC), On Your Feet! (OBC). A proud Latina, grateful to be a part of sharing this beautiful story of our community with others.

(she/her) A.R.T.: Debut. SIX (Production Supervisor for North America), First National Tour; Ain’t Too Proud: The Life and Times of the Temptations, Broadway, London, First National Tour; Jersey Boys, Broadway, Second National Tour, Chicago Company; In the Heights, Kennedy Center. National Tours: The Lion King; Mary Poppins; Billy Elliot: The Musical; Annie 30th Anniversary; Cameron Mackintosh’s Oliver!; Love, Janis.

(they/them) A.R.T.: Debut. National Tour: Hairspray (Gilbert/Seaweed u/s). Regional: Chess (ensemble), Rent (Ensemble), The Color Purple (Swing), Beautiful (Swing), Camelot (Ensemble), The Muny; Spring Awakening (Moritz), Short North Stage; Little Shop of Horrors (Audrey 2), Carnegie Theatre; Pippin (Berthe/player), CCM. Education: University of Cincinnati-Conservatory of Music.

A.R.T.: Debut. Regional: Romance Depot, Goodman Theatre; Where Did We Sit on the Bus?, Marin Theatre Company, Cleveland Play House, Colorado Springs Fine Arts Center, Actors Theatre of Louisville; American Mariachi, Alabama Shakespeare Festival, Dallas Theater Center, South Coast Repertory, Arizona Theatre Company; Refuge, The Happiest Song Plays Last, Curious Theatre Company; Othello, Twelfth Night, Colorado Shakespeare Fest; Jesus Christ Superstar, Arvada Center. Workshops: Ghost of Lote Bravo, Undesirables, John F. Kennedy Center. Education: BFA, Acting, University of Colorado.

(she/her) A.R.T.: Debut. Off-Broadway: Powerline Road. Regional: Head Over Heels (Pamela), Dirty Minds Theatre Co; West Side Story (Rosalia), Maltz Jupiter Theatre; Evita (Ensemble), Bay Street Theater; Hair (Dionne u/s), Pentangle Arts. Readings: Tears of La Llorona (Llorona), Theater Latté Da; Tap In: A New Musical (Ensemble); Queen Anne: A New Musical (Bloody Mary).

(she/her) A.R.T.: Debut. Regional: The Comedy of Errrorrs (Luciana), Pericles Prince of Tyre (Thaliard/Lychorida/Bawd), New Swan Shakespeare Festival; Tarzan (Ensemble and Mother u/s), Moonlight Amphitheatre. Educational Performances: RENT (Mimi Marquez, Nominated for Best Young Actor in the Orange Curtain Review); Next To Normal (Natalie Goodman). Education: University of California, Irvine, BFA in Musical Theatre and Honors in Acting; awarded Chancellor’s Award of Distinction and Academic Honors.

(she/her) A.R.T.: Debut. Broadway: Sing Street (u/s Penny, Sandra; First Natl. Broadway Tour), On Your Feet!(u/s Gloria Fajardo, Consuelo). Off-Broadway: I Like It Like That. Regional: On Your Feet! (Gloria Fajardo), North Carolina Theatre (BroadwayWorld Raleigh Best Supporting Nominee); In the Heights (Daniela, Camila), La Mirada Theatre, Saugatuck PAC (BroadwayWorld Best Actor Nominee), Engeman Theater, GALA Theatre (Helen Hayes Best Supporting Actor Nominee), Axelrod PAC. TV/Film: Sugar Plum Twist (Supporting), Hallmark; “The Late Show,” CBS. Education: Master in Music, Mannes College, The New School.

(she/her) A.R.T.: Debut. Regional: Twelfth Night; It’s Christmas, Carol!; The Tempest; Mother Road; La Comedia of Errors, Oregon Shakespeare Festival; Heisenberg, Rogue Theater Company; Mother Road, Arena Stage; Men on Boats, A Christmas Carol, The Unfortunates, American Conservatory Theater; Party People, Berkeley Repertory Theatre; The Rules, Dogfight, San Francisco Playhouse. Education: MA in Theatre, San Jose State University.

(she/her) A.R.T.: Debut. Off-Broadway: Latina Christmas Special (Lead/Writer), Soho Playhouse. Regional: Roe (Connie Gonzalez; B. Iden Payne Award nominee), Zach Scott Theatre; Frida (Chavela Vargas), CASA 0101. Workshops: Guys and Dolls, Roundabout Theatre. Film/TV: Latin Divas of Comedy, Showtime; “NickMom Night Out,” Nickelodeon. Hosting: The Task Force Creating Change Conference, Lesbian Political Action Committee. Accolades: 100 Most Influential Queer Women in the Country, Curve Magazine; 33 Bad Ass Latinx Comics, Latina; International Women’s Day Award, Laredo College R.A.C.E. Education: BA in Theatre, University of Texas-Austin.

(she/her) A.R.T.: Debut. Broadway: 1776 (Standby), Roundabout. Off-Broadway: Emojiland (Offstage Principal Understudy), The Duke on 42nd. Tour: 1776 (Sec. Charles Thomson, First National). Regional: Into the Woods (Cinderella), Zach Scott Theatre; In the Heights (Nina), UTEP Dinner Theatre. Concerts: 35mm: A Musical Exhibition, 54 Below. Education/Training: BFA Musical Theatre, Texas State University.

A.R.T.: Debut. Regional: Romance Depot, Goodman Theatre; Where Did We Sit on the Bus?, Marin Theatre Company, Cleveland Play House, Colorado Springs Fine Arts Center, Actors Theatre of Louisville; American Mariachi, Alabama Shakespeare Festival, Dallas Theater Center, South Coast Repertory, Arizona Theatre Company; Refuge, The Happiest Song Plays Last, Curious Theatre Company; Othello, Twelfth Night, Colorado Shakespeare Fest; Jesus Christ Superstar, Arvada Center. Workshops: Ghost of Lote Bravo, Undesirables, John F. Kennedy Center. Education: BFA, Acting, University of Colorado.

(she/her) A.R.T.: Debut. Broadway: 1776 (Standby), Roundabout. Off-Broadway: Emojiland (Offstage Principal Understudy), The Duke on 42nd. Tour: 1776 (Sec. Charles Thomson, First National). Regional: Into the Woods (Cinderella), Zach Scott Theatre; In the Heights (Nina), UTEP Dinner Theatre. Concerts: 35mm: A Musical Exhibition, 54 Below. Education/Training: BFA Musical Theatre, Texas State University.

(she/her) A.R.T.: Debut. Broadway: Sing Street (u/s Penny, Sandra; First Natl. Broadway Tour), On Your Feet!(u/s Gloria Fajardo, Consuelo). Off-Broadway: I Like It Like That. Regional: On Your Feet! (Gloria Fajardo), North Carolina Theatre (BroadwayWorld Raleigh Best Supporting Nominee); In the Heights (Daniela, Camila), La Mirada Theatre, Saugatuck PAC (BroadwayWorld Best Actor Nominee), Engeman Theater, GALA Theatre (Helen Hayes Best Supporting Actor Nominee), Axelrod PAC. TV/Film: Sugar Plum Twist (Supporting), Hallmark; “The Late Show,” CBS. Education: Master in Music, Mannes College, The New School.

(she/her) A.R.T.: Debut. Regional: Twelfth Night; It’s Christmas, Carol!; The Tempest; Mother Road; La Comedia of Errors, Oregon Shakespeare Festival; Heisenberg, Rogue Theater Company; Mother Road, Arena Stage; Men on Boats, A Christmas Carol, The Unfortunates, American Conservatory Theater; Party People, Berkeley Repertory Theatre; The Rules, Dogfight, San Francisco Playhouse. Education: MA in Theatre, San Jose State University.

(she/her) A.R.T.: Debut. Off-Broadway: Latina Christmas Special (Lead/Writer), Soho Playhouse. Regional: Roe (Connie Gonzalez; B. Iden Payne Award nominee), Zach Scott Theatre; Frida (Chavela Vargas), CASA 0101. Workshops: Guys and Dolls, Roundabout Theatre. Film/TV: Latin Divas of Comedy, Showtime; “NickMom Night Out,” Nickelodeon. Hosting: The Task Force Creating Change Conference, Lesbian Political Action Committee. Accolades: 100 Most Influential Queer Women in the Country, Curve Magazine; 33 Bad Ass Latinx Comics, Latina; International Women’s Day Award, Laredo College R.A.C.E. Education: BA in Theatre, University of Texas-Austin.

(she/her) A.R.T.: Debut. Broadway: 1776 (Standby), Roundabout. Off-Broadway: Emojiland (Offstage Principal Understudy), The Duke on 42nd. Tour: 1776 (Sec. Charles Thomson, First National). Regional: Into the Woods (Cinderella), Zach Scott Theatre; In the Heights (Nina), UTEP Dinner Theatre. Concerts: 35mm: A Musical Exhibition, 54 Below. Education/Training: BFA Musical Theatre, Texas State University.

(she/her) A.R.T.: Debut. Broadway: Sing Street (u/s Penny, Sandra; First Natl. Broadway Tour), On Your Feet!(u/s Gloria Fajardo, Consuelo). Off-Broadway: I Like It Like That. Regional: On Your Feet! (Gloria Fajardo), North Carolina Theatre (BroadwayWorld Raleigh Best Supporting Nominee); In the Heights (Daniela, Camila), La Mirada Theatre, Saugatuck PAC (BroadwayWorld Best Actor Nominee), Engeman Theater, GALA Theatre (Helen Hayes Best Supporting Actor Nominee), Axelrod PAC. TV/Film: Sugar Plum Twist (Supporting), Hallmark; “The Late Show,” CBS. Education: Master in Music, Mannes College, The New School.

(she/her) A.R.T.: Debut. Off-Broadway: Powerline Road. Regional: Head Over Heels (Pamela), Dirty Minds Theatre Co; West Side Story (Rosalia), Maltz Jupiter Theatre; Evita (Ensemble), Bay Street Theater; Hair (Dionne u/s), Pentangle Arts. Readings: Tears of La Llorona (Llorona), Theater Latté Da; Tap In: A New Musical (Ensemble); Queen Anne: A New Musical (Bloody Mary).

(she/her) A.R.T.: Debut. Regional: The Comedy of Errrorrs (Luciana), Pericles Prince of Tyre (Thaliard/Lychorida/Bawd), New Swan Shakespeare Festival; Tarzan (Ensemble and Mother u/s), Moonlight Amphitheatre. Educational Performances: RENT (Mimi Marquez, Nominated for Best Young Actor in the Orange Curtain Review); Next To Normal (Natalie Goodman). Education: University of California, Irvine, BFA in Musical Theatre and Honors in Acting; awarded Chancellor’s Award of Distinction and Academic Honors.

(she/her) A.R.T.: Debut. Off-Broadway: Powerline Road. Regional: Head Over Heels (Pamela), Dirty Minds Theatre Co; West Side Story (Rosalia), Maltz Jupiter Theatre; Evita (Ensemble), Bay Street Theater; Hair (Dionne u/s), Pentangle Arts. Readings: Tears of La Llorona (Llorona), Theater Latté Da; Tap In: A New Musical (Ensemble); Queen Anne: A New Musical (Bloody Mary).

(she/her) A.R.T.: Debut. Regional: The Comedy of Errrorrs (Luciana), Pericles Prince of Tyre (Thaliard/Lychorida/Bawd), New Swan Shakespeare Festival; Tarzan (Ensemble and Mother u/s), Moonlight Amphitheatre. Educational Performances: RENT (Mimi Marquez, Nominated for Best Young Actor in the Orange Curtain Review); Next To Normal (Natalie Goodman). Education: University of California, Irvine, BFA in Musical Theatre and Honors in Acting; awarded Chancellor’s Award of Distinction and Academic Honors.

(she/her) A.R.T.: Debut. Broadway: Sing Street (u/s Penny, Sandra; First Natl. Broadway Tour), On Your Feet!(u/s Gloria Fajardo, Consuelo). Off-Broadway: I Like It Like That. Regional: On Your Feet! (Gloria Fajardo), North Carolina Theatre (BroadwayWorld Raleigh Best Supporting Nominee); In the Heights (Daniela, Camila), La Mirada Theatre, Saugatuck PAC (BroadwayWorld Best Actor Nominee), Engeman Theater, GALA Theatre (Helen Hayes Best Supporting Actor Nominee), Axelrod PAC. TV/Film: Sugar Plum Twist (Supporting), Hallmark; “The Late Show,” CBS. Education: Master in Music, Mannes College, The New School.

(she/her) A.R.T.: Debut. Regional: Twelfth Night; It’s Christmas, Carol!; The Tempest; Mother Road; La Comedia of Errors, Oregon Shakespeare Festival; Heisenberg, Rogue Theater Company; Mother Road, Arena Stage; Men on Boats, A Christmas Carol, The Unfortunates, American Conservatory Theater; Party People, Berkeley Repertory Theatre; The Rules, Dogfight, San Francisco Playhouse. Education: MA in Theatre, San Jose State University.

(he/him) A.R.T.: Real Women Have Curves. Off-Broadway: As You Like It (Touchstone), Delacorte Theater. Regional: Living and Breathing, Two River Theater; HAIR, Destiny of Desire, Twelfth Night, The Old Globe; Disney’s Freaky Friday, La Jolla Playhouse; Quixote Nuevo, Denver Center; Lookingglass Alice, Baltimore Center Stage; Man of La Mancha, Barrington Stage. TV: “Instinct,” “FBI,” CBS. Education/Training: MFA, USD/Old Globe; BFA, Boston Conservatory.

(he/him) A.R.T.: Debut. Regional: A Christmas Carol, Guthrie Theater; Somewhere Over the Border, City Theatre, Syracuse Stage, Geva Theatre; Blood Knot, Flat Rock Playhouse; On Your Feet!, Aurora Theatre; Ironbound, B Street Theatre, MOXIE Theatre; Once (San Diego Theatre Critics Circle Award), Chaps, Lamb’s Players Theatre; Moon Over Buffalo, North Coast Rep; Annie Get Your Gun, The Liar, Creede Repertory Theatre; Clandestino, Mixed Blood Theatre. UK: Much Ado About Nothing, Edinburgh Fringe Festival. Mexico: La Alondra, Teatro UNAM. TV: “Naomi,” “El hotel de los secretos,” “Hasta que te conocí.” Training: University of Minnesota/Guthrie Theater, BFA, Actor Training Program.

(he/they) A.R.T.: Debut. Off-Off-Broadway: To Let Go and Fall (Arthur 25), Stay True Theatre. Educational: Bandstand (Donny Novitski), Six Degrees of Separation (Paul), Macbeth (Duncan/Gentlewoman), NYU/Tisch. Training: BFA, NYU/Tisch Drama.

(she/her) A.R.T.: Debut. Off-Broadway: Powerline Road. Regional: Head Over Heels (Pamela), Dirty Minds Theatre Co; West Side Story (Rosalia), Maltz Jupiter Theatre; Evita (Ensemble), Bay Street Theater; Hair (Dionne u/s), Pentangle Arts. Readings: Tears of La Llorona (Llorona), Theater Latté Da; Tap In: A New Musical (Ensemble); Queen Anne: A New Musical (Bloody Mary).

(he/him) A.R.T.: Debut. Broadway: New York, New York; Hamilton; Kinky Boots; It Shoulda Been You; Violet; Bullets Over Broadway; Big Fish. Tours: Hamilton (Philip tour), Kinky Boots, Elf, Cinderella. Selected: Chess, ECF Benefit; Kiss My Aztec!, Hartford Stage; Red Eye of Love, AMAS; Joseph… Dreamcoat, Arvada Center. Education: Penn State, MFA Music Directing; Florida State, BM Piano Performance. Proud member of AFM 802. Thanks to Ben and Nadia for their trust. Love to JS.

(she/her) A.R.T.: Debut. Broadway: SIX. Off-Broadway: Walking with Bubbles, Kinky Boots. Cruise Lines: Norwegian Cruise Lines, Celebrity Cruises. Educational: Meisner in Music, The Performing Arts Project, New London Barn Playhouse. For Aba.

(he/him) A.R.T.: Debut. Broadway: New York, New York; Hamilton; Kinky Boots; It Shoulda Been You; Violet; Bullets Over Broadway; Big Fish. Tours: Hamilton (Philip tour), Kinky Boots, Elf, Cinderella. Selected: Chess, ECF Benefit; Kiss My Aztec!, Hartford Stage; Red Eye of Love, AMAS; Joseph… Dreamcoat, Arvada Center. Education: Penn State, MFA Music Directing; Florida State, BM Piano Performance. Proud member of AFM 802. Thanks to Ben and Nadia for their trust. Love to JS.

(he/him) A.R.T.: WILD: A Musical Becoming, We Live in Cairo, Miss You Like Hell, Wig Out!, The Gershwins’ Porgy and Bess, Best of Both Worlds. Music direction for SpeakEasy, Wheelock Family Theatre, Lyric Stage, Reagle, and The Huntington Theatre. Four Elliot Norton Award nominations and one win for Outstanding Music Direction. Performances with the Boston Pops, BSO, Mariah Carey, Ryan Gosling, Patti Labelle, Bobby McFerrin, Phish. Performances at The White House, Carnegie Hall, Vatican.

A.R.T.: Waitress. Broadway: Finding Neverland, Little Shop of Horrors, Martin Short’s Fame Becomes Me, Sister Act. Has worked with many artists including Idina Menzel, Regina Spektor, Jewel, Enrique Iglesias, Katharine McPhee, Rita Wilson, Rachel Yamagata, Jonatha Brooke, Ben E. King, Darlene Love, and Steven Van Zandt. He owns and works out of his recording studio, Podnoise Studio NYC.

(he/him). Hailing from Santo Domingo, Dominican Republic, Hector came to the US at a young age and grew up in the Greater Boston area. After completing his studies at Berklee College of Music, he has gone on to perform in many different settings ranging from local bars to Symphony Hall.

(he/him) A.R.T.: Evita. Member, Boston Festival Orchestra (principal timpani), Atlantic Symphony Orchestra (principal percussion). Performances with Boston Modern Orchestra Project, Collage New Music, Emmanuel Music, Firebird Ensemble, Cantata Singers, Florida Grand Opera, Hawaii Symphony, Kansas City Symphony, So Percussion Quartet, Matmos electronic music duo. Music theory faculty, Bridgewater State University. Education/Training: DMA, Boston University; MM and AD, Yale School of Music; BM, Peabody Conservatory; fellowship with The Academy (Juilliard/Carnegie Hall)

A.R.T.: Real Women Have Curves, Miss You Like Hell. Boston Musicians Union. Performances with orchestras at Ogunquit Playhouse, Company One, Lyric Stage, Umbrella Arts Center, SpeakEasy Stage. Education: Berklee College of Music; St. Stephen’s College, Delhi University.

(he/him) A.R.T.: Debut. Matt is a versatile multi-instrumentalist, music producer, and two-time graduate of Berklee College of Music. Currently living in New York City, he has played for several shows On and Off-Broadway while also freelancing around the city. Matt most recently played for the Broadway revival of 1776 and the Off-Broadway revival of Vanities. You can hear his work as a music producer on any streaming platform under Maria Wirries and Madilyn Jaz. For more information or to contact Matt, visit his website.

(he/him) A.R.T.: Debut. Regional: Beautiful: The Carole King Musical, Theatre By The Sea; The Addams Family, Wheelock Family Theatre; The Color Purple, Umbrella Arts; Swing!, Calderwood Pavilion. Performances: Duke Ellington’s “Sacred Concert,” Trinity Church; Inauguration Ceremony of Harvard President Claudine Gay. Education: Berklee College of Music.

A.R.T.: Real Women Have Curves, Evita, 1776. Broadway: 1776. Performances with Handel and Haydn Society, Juventas New Music Ensemble, Glissando Concert Series, A Far Cry, Emmanuel Music, Boston Baroque, Skylark Vocal Ensemble, Palaver Strings, Boston Festival Orchestra, and ChamberQUEER. Frequent contributor for PARMA Recordings. Education: MM, New England Conservatory; BM, University of Michigan.

A.R.T.: Real Women Have Curves, Moby-Dick, We Live in Cairo, Jagged Little Pill, Pippin, Johnny Baseball. Broadway: Over 100 shows including Hamilton, The Book of Mormon, Kinky Boots, Dear Evan Hansen, In the Heights, Spamalot (2023 revival), How to Dance in Ohio, Harmony, Merrily We Roll Along (2023 revival), Gutenberg, Sweeney Todd (2022 revival), Some Like It Hot, A Beautiful Noise, Ain’t Too Proud, Into the Woods (2022 revival), Elf, Grey Gardens, 9 to 5, American Idiot, Rock of Ages, SpongeBob SquarePants, Anastasia, Almost Famous, Girl from the North County, Summer, Frozen. TV: keyboardist for “Sesame Street,” “The Electric Company.” Education: Oberlin Conservatory.

A.R.T.: Moby-Dick, We Live in Cairo, Jagged Little Pill. Broadway: How to Dance in Ohio; Harmony; Merrily We Roll Along; Gutenberg! The Musical!; Back to the Future; New York, New York; Sweeney Todd; & Juliet; Some Like It Hot; A Beautiful Noise; Flying Over Sunset; Into the Woods; Jagged Little Pill; Tina; Head Over Heels; A Strange Loop; Funny Girl; Kiss Me, Kate; Once on This Island; SIX; Be More Chill; Summer.

(he/him) A.R.T.: WILD: A Musical Becoming, We Live in Cairo, Miss You Like Hell, Wig Out!, The Gershwins’ Porgy and Bess, Best of Both Worlds. Music direction for SpeakEasy, Wheelock Family Theatre, Lyric Stage, Reagle, and The Huntington Theatre. Four Elliot Norton Award nominations and one win for Outstanding Music Direction. Performances with the Boston Pops, BSO, Mariah Carey, Ryan Gosling, Patti Labelle, Bobby McFerrin, Phish. Performances at The White House, Carnegie Hall, Vatican.

(he/him) A.R.T.: Real Women Have Curves. Broadway: A Beautiful Noise: The Neil Diamond Musical (Copyist/Music Assistant), Broadhurst Theatre. Regional: Macbeth In Stride (Associate Music Director), Shakespeare Theatre Company/Philadelphia Theatre Company; The Wanderer (Music Assistant), Paper Mill Playhouse; Theatre Now’s Sound Bites X, Brooklyn Children’s Theatre. He is a composer in the BMI Lehman Engel Musical Theatre Workshop.

A.R.T.: Real Women Have Curves, The Donkey Show, The Shape She Makes. Broadway: Miss Saigon; Natasha, Pierre & the Great Comet of 1812. National Tours: What the Constitution Means to Me, Charlie and the Chocolate Factory, Hello, Dolly!, Disney’s Aladdin. New York: Sleep No More. Regional: ArtsEmerson, Actors’ Shakespeare Project, C.A.T.F. Education: Emerson College.

(he/him) A.R.T.: Evita, 1776, SIX, Endlings, Arrabal. Broadway: Bad Cinderella, 1776, Trouble in Mind, The Play That Goes Wrong. Off-Broadway: On Sugarland, Endlings, An Ordinary Muslim, NYTW; The Winter’s Tale, The Odyssey, Twelfth Night, Public Theater; F*cking A, Fires in the Mirror, Signature Theatre; The Way She Spoke, Audible Theatre; Nice Fish, St. Ann’s Warehouse. Regional: Born For This, ArtsEmerson; Miss You Like Hell, La Jolla Playhouse, Evita (STC).

(she/her) A.R.T.: Amal Walks Across America, 1776. Artistic Director of Musical Theatre Factory and Artistic Director of One Nation/One Project’s collaboration with the city of Edinburg, Texas. Manager of Community Partnerships for The Public Theater’s Public Works program. Adjunct professor for Brooklyn College’s MFA in Performing Arts Management program and teaching a course at Harvard University entitled Theater and Migration: Building Belonging through Participatory Public Arts, which is inspired by Little Amal’s walk.

(he/him) A.R.T.: Debut. Regional: Borderline, 2019 O’Neill Conference; Kiss My Aztec, Berkeley Rep, La Jolla Playhouse, Hartford Stage; The Tempest, Public Works at the Delacorte Theater. Awards: 2018-2019 Dramatist Guild Foundation Fellow, the 2019 Fred Ebb Award Winner, a 2020 Jonathan Larson Grant recipient, and winner of the 2023 Stephen Schwartz Award. Training: Member of the Advanced BMI Workshop (Harrington Award).

A.R.T.: Debut. Awards (with Jesse & Joy): Latin Grammy Award for Best New Artist (2007); Record of the Year and Song of the Year for “¡Corre!” (2012); Latin Grammy for Best Short Form Music Video for “Me Voy” (2012); Latin Grammy for Best Contemporary Pop Album for ¿Con Quién se Queda el Perro? (2012); Latin Grammy for Best Contemporary Pop Album and Grammy Award for Best Latin Pop Album for Un Besito Más (2016, 2017); Vision Award, Hispanic Heritage Foundation; GLAAD Media Award for Special Recognition (Spanish Language) for “Love (Es Nuestro Idioma);” Latin American Music Award for Best Pop duo/group (2023). Recognized by the Latin Recording Academy as a Leading Lady of Entertainment.

(she/her) A.R.T.: Debut. Broadway: SIX. Off-Broadway: Walking with Bubbles, Kinky Boots. Cruise Lines: Norwegian Cruise Lines, Celebrity Cruises. Educational: Meisner in Music, The Performing Arts Project, New London Barn Playhouse. For Aba.

(she/her) Select Associate credits: Topdog/Underdog, Broadway; A Strange Loop, Broadway, West End; Trouble in Mind, Broadway; Home, Broadway upcoming; Goddess, Berkeley Repertory Theatre. Miniature fabrication for film: The Sweet East, Cannes Directors Fortnight, NYFF 61; Vundabar’s “Lore;” roost, Clubbed Thumb. Resident Scenic Designer: Eugene O’Neill Theater Center. Resident Artist: Colt Couer.

A.R.T: Debut. (Select Associate Credits) Broadway: Topdog/Underdog; Hello, Dolly!; The Tempest, Shakespeare in the Park. Film/TV: “American Primeval,” My Heavenly City, Beau. Off-Broadway: Parable of the Sower, UTR; Jesus Hopped the ‘A’ Train, Signature Theatre; Skeleton Crew, Atlantic Theater Co. Tour: Parable of the Sower. (Select Design Credits) Film/TV: Retrieval, Little Sky, Water Melts, “Care For You” (music video), “Puffy,” “BKPI.” Dance: The Butterfly Lovers, MetFest; UMMA-YA, Roulette; The Sleeprunner, Luminarium Dance Co. Off-Broadway: Cal in Camo, Colt Coeur. Opera: La Cenerentola, Abduction, Guilio Cesare, Opera Roanoke.

(he/him) A.R.T.: Debut. Broadway: Sweeney Todd, Grey House, Almost Famous, MJ, A Christmas Carol, Springsteen, The Minutes, Hillary & Clinton, Boys in the Band, Pretty Woman, Charlie and the Chocolate Factory, Cats, School of Rock, An Act of God, Gigi, A Gentleman’s Guide…, I’ll Eat You Last…, and Wonderland. Recent: Here We Are, The Shed; Beauty and the Beast, International Tour. Faculty at Studio School of Design.

A.R.T.: HEAR WORD! Naija Woman Talk True. Broadway: Fat Ham (Associate). Off-Broadway: A Commercial Jingle for Regina Comet, Rock & Roll Man. Regional (selected): HEAR WORD!, The Public Theater UTR Festival); Lost in Yonkers, Simona’s Search (upcoming), Hartford Stage; The Art of Burning, Hartford Stage and The Huntington Theatre; A Doll’s House, Harvey, Behold, A Negress, Everyman Theatre; World Goes ’Round, Everyman Theatre and Olney Theattre;  Fences, Shakespeare and Co; Pimpinone and Ino, Boston Early Music Festival.

(he/him) A.R.T.: Debut. Regional: Destiny of Desire, The Old Globe; Sumo, La Jolla Playhouse; The Ants, Geffen Playhouse. Education: USC’s School of Dramatic Arts, class of 2022.

A.R.T.: Debut. Broadway: Spamalot, Harmony, Parade, King Kong. Off-Broadway: Mrs. Warren’s Profession, Gingold Group; At the Wedding, Lincoln Center; ¡Americano!, New World Stages; Washington Square, Axis. Regional: Angels in America, Part One, Arena Stage; Sunset Boulevard, Kennedy Center; Opera Theatre of Saint Louis 2023 and 2024 Festival Seasons. BFA from Webster University, cosmetologist, and co-owner of The Wig Associates.

(he/him) A.R.T.: Real Women Have Curves. Broadway: A Beautiful Noise: The Neil Diamond Musical (Copyist/Music Assistant), Broadhurst Theatre. Regional: Macbeth In Stride (Associate Music Director), Shakespeare Theatre Company/Philadelphia Theatre Company; The Wanderer (Music Assistant), Paper Mill Playhouse; Theatre Now’s Sound Bites X, Brooklyn Children’s Theatre. He is a composer in the BMI Lehman Engel Musical Theatre Workshop.

A.R.T.: Amal Walks Across America, Macbeth In Stride, Jack and the Beanstalk. She is a recent graduate of the dual program between Harvard and Berklee and the recipient of the Radcliffe Doris Cohen Levi Prize for musical theater. Member of the BMI Lehman Engel Musical Theater Workshop.

A.R.T: Real Women Have Curves, Evita. Off-Broadway: Sunset Baby, Signature Theatre. Regional: David Byrne’s American Utopia, Emerson Colonial Theatre; The Sound of Music, Tenor Overboard, The Jungle Book, Glimmerglass Opera Festival; Boca, Eleanor, Barrington Stage Company; Titus Andronicus, Shakespeare Theatre of NJ.

(he/him) A.R.T.: Debut. Broadway: Jersey Boys, The SpongeBob Musical. Tour: Ain’t Too Proud. Regional: Ohio State Murders (Head Audio).

(he/him) A.R.T.: Debut. Broadway: Take Me Out; Summer, 1976, MTC. International: West Side Story, IHI Stage Around Tokyo.

A.R.T.: Debut. Regional: Mala, American Players Theatre; Twelfth Night, St. Louis Shakespeare Festival; Cadillac Crew, WAM Theatre; On Your Feet!, The Phoenix Theatre Company; Schools Girls; or, the African Mean Girls Play, Hangar Theatre Company. Education/Training: BFA, Emerson College; MFA, Arizona State University.

A.R.T.: Real Women Have Curves. Broadway: Cabaret at the Kit Kat Club. Off-Broadway: The Cause, WP Theater; Las Borinqueñas, EST; This Land Was Made, Vineyard Theatre; Eva Luna, Repertorio Español; Bloom Bloom Pow, ART/NY Gural Theatre. Regional: Las Aventuras de Juan Planchard, Miami New Drama and Tectonic Theater; Queen of Basel, TheaterWorks Hartford; Hair, The Mountaintop, Weston Playhouse. Education/Training: Certified Intimacy Director, IDC Professionals; M.A., Performance Studies, NYU; B.A., Directing, SUNY Purchase.

Erin Sanders-Sigmon is a mentor, deaf & DeafBlind multilingual Interpreter, transliterator, writer, consultant, Director of Artistic Sign Language (DASL), abolitionist, and survivor of ZOOM Culture. She believes in 360* views, ALL Justices, especially Language, Disability, Transformative, Restorative, Social, and Racial Justice, Diversity, Equity & Inclusion. She has consulted on and interpreted across theatres nationally and internationally. Some of Erin’s most notable accomplishments are consulting on Mamma Mia, Cabaret, and The Mystery of Edwin Drood at Connecticut Repertory Theatre, interpreting Bad Dates at Huntington Theatre Company, interpreting Animal Farm for Steppenwolf Theatre, Chicago, consulting on Hamilton, The Book of Mormon, Jagged Little Pill, and interpreting Hamilton at Broadway in Boston, Ms. Sanders-Sigmon has performed and consulted on one-woman monologues (Iphigenia in Aulis, Getting Out, The Seahorse) in Belgium, Brussels, and The Netherlands as well as in US cities and states. She is beyond excited to work with her co-DASL and their amazing interpreting team for Evita at A.R.T!

JO Welch (she/her) is a first-generation American, the child of Colombian parents. She grew up in the marginalized space between Latinx and American cultures and is influenced by her commitment to the Deaf, DeafBlind, and Hard of Hearing communities. In 1993, she began her performing arts work with Deaf, DeafBlind, and Hard of Hearing communities, on- and backstage. JO has the honor of working in theaters including Broadway In Boston, A.R.T., Yale Rep, and Signature Theater. Please note this show has a Latinx and POC interpreting team and DASLs!

(she/her) A.R.T.: Life of Pi (Audio Describer); Twilight: Los Angeles, 1992 (Audio Describer); The Arboretum Experience (Ensemble). Maria Hendricks, EMC is a polyglot actor/singer local to the Boston area. You may have seen her as Dr. Van Helsing in Dracula at the Umbrella Center for the Arts (fall 2022). She was also nominated for an Elliot Norton Award for her portrayal of Mother in the musical Passing Strange with Moonbox Productions. As an actor/singer, she has performed on stages throughout New England, the East Coast, and South Dakota. She has also done TV and film. As a voiceover artist, Maria has done multilingual voiceover work for various industrials and instructional videos as well as film over the years, including the film Êxtase. She is thrilled to be a part of Evita—one of her favorite musicals! @mariahendricks888

(he/him) A.R.T.: Life of Pi; Twilight: Los Angeles, 1992 (Audio Describer). Teddy Hendricks is a Boston-based actor/singer/musician, having performed on stages throughout New England and the East Coast with groups such as the Kuumba Singers of Harvard, the former Boston Opera, Actorsingers (Sister Act, NHTA nominee, Best Supporting Actor). As a voiceover artist, you may have heard him locally in the land acknowledgement at Moonbox’s production of The Rocky Horror Show, in radio ads for Touch 106.1FM (Boston), and PSAs for the City of Boston (BPD), as well as the Boys & Girls Club. Teddy has done audio description for the short film Charlie by the Sea and is excited to be collaborating again with the audio description team at A.R.T for Evita!

Spectrum Theatre Ensemble (STE) is a company of neurodiverse theatre artists, based in Providence, RI. STE was founded in 2017 with the common belief that theatre provides a unique, collaborative venue for the understanding and inclusion of all, and that our society and culture are stronger for it. We produce relevant, high-quality productions. We also provide leading initiatives and sensory-friendly consulting with other arts organizations and beyond. STE engages artists and audiences in developing social skills, empathy, and self-determination, as well as paving a path for successful and meaningful professional careers. STE’s Neurodiverse Inclusive Certified Entertainment (NICE) Program seeks to standardize and codify institutional sensory friendly practices to better serve neurodiverse audiences throughout the entertainment industry. The program seeks to educate, accredit, and support entertainment venues of all sizes.