Andrew Lloyd Webber has composed the scores of some of the world’s most famous musicals. From Joseph and the Amazing Technicolor Dreamcoat (1968) to Cinderella (2021), his work has been consistently seen on world stages. Before the COVID pandemic hit, Lloyd Webber had shows continually running in the West End for 48 years and on Broadway for 41, with School of Rock being the first British musical to have its world premiere on Broadway. When Sunset Boulevard joined School Of Rock, Cats and Phantom of the Opera, he equalled Rodgers and Hammerstein’s record of four shows running simultaneously on Broadway.

A.R.T. (Director): Endlings, Violet. Sammi Cannold is one of Forbes Magazine’s 30 Under 30 in Hollywood & Entertainment and has worked on and off Broadway as well as for CBS, ABC, Nickelodeon, Apple TV, and Cirque du Soleil. Credits: Sunset Boulevard, Kennedy Center; Evita, New York City Center; Carmen, Rose Hall, Lincoln Center; Endlings, New York Theatre Workshop; How to Dance in Ohio, Syracuse Stage; Ragtime on Ellis Island. Additional: A.R.T. Artistic Fellow, member of Cirque du Soleil’s Creative Cognoscenti, Sundance Institute Fellow. Education/Training: BA, Stanford University; MA, Harvard University. @sammi.cannold, sammicannold.com

A.R.T.: Debut. Emily is a NYC-based theater director, choreographer, and writer. Recent: The Music Man, Toho Theater Tokyo; Sunset Boulevard, The Kennedy Center; A Christmas Carol, McCarter Theatre Center; For You Paige, TikTok; Evita, New York City Center; Penelope, York Theatre Company; Allegory, La Jolla Playhouse WOW Festival. As Associate: First Daughter Suite, Public Theater; The Lion, Manhattan Theatre Club. Upcoming projects include new musicals and a commission to adapt and direct a new play. She has also served as a dramaturg for NYMF, as well as the script supervisor for Anastasia. In addition to her creative work, Emily has guest taught at Princeton University, Emerson College, New Rochelle High School, and the Institute for American Musical Theater. Education/Training: BA,  Northwestern University. @emilymaltby, emilymaltby.com

A.R.T.: Debut. Valeria is an Argentine choreographer based in New York, who received multiple ACE Awards and Nominations as well as two HOLA Awards for Choreography and Direction. She is the inaugural recipient of the Lucy Bowen Prize for Inclusive Choreography by Mark Morris Dance for P.D.; a Resident Fellow at Center for Ballet and The Arts at New York University; and a Research Associate at Partnering Lab at Harvard University. Valeria is the director of Valetango and was the founder and co-director of the first all women tango company in the world, TangoMujer. She teaches in the drama departments at NYU and Juilliard.

Michael Patrick Walker is a music director, conductor, musician and composer/lyricist who has performed extensively On and Off-Broadway and around the world. Musical Supervision: UnMasked: The Music of Andrew Lloyd Webber. Broadway: Aladdin (Musician), Some Like It Hot (Musician), Frozen (Musician), Sunset Boulevard (Assistant Conductor, 2017 revival starring Glenn Close), Avenue Q (Conductor), Cats. Concert Performances: Carnegie Hall, Jazz at Lincoln Center, PBS’ Great Performances, and ten amazing years as Chita Rivera’s Associate Musical Director/Pianist.

A.R.T.: Debut. Mona is an Iranian-American Conductor, Music Director, Pianist and Orchestrator/Arranger based in New York City. Her work encompasses numerous genres including Musical Theatre, Classical Music, and World Music. She is a frequent developer of new works. Her orchestration work has been performed by artists including Kristin Chenoweth, Lena Hall, and Michael Feinstein at venues including the Met Opera, Carnegie Hall, and more. Recent: National Tours: Come From Away (Associate Music Director), Annie (Music Consultant). Broadway (Sub): Kimberly Akimbo, Come From Away, Company, Mean Girls. Off-Broadway: Oratorio for Living Things. Education/Training: Berklee College of Music (Classical Composition and Conducting).

A.R.T.: Endlings, ExtraOrdinary.  Off-Broadway: Endlings, Sojourners, Her Portmanteau, NYTW; This Ain’t No Disco, Atlantic; Sojourners, Playwrights Realm; Songbird, 59E59, The View UpStairs, Culture Project. Regional: Old Globe, Signature, Denver Center, Shakespeare Theatre, Goodspeed Musicals, Alliance Theatre, Guthrie Theatre. Music: Tours for Sam Smith, the Spice Girls, and Sara Bareilles, performances for Camila Cabello, Elton John, Eminem, Cynthia Erivo, Janelle Monae. TV: “The Oscars” 2020, ABC; “Rent! Live,” Fox. Two Emmy Awards. Drama Desk, Lucille Lortel, and Henry Hewes Design Award nominations. Education/Training: NYU. @JasonSherwoodDesign

A.R.T.: Debut. Alejo is a Costume designer from Argentina based in New York City. Broadway: Allegiance (Drama Desk nomination); Beautiful: The Carole King Musical, also West End (Olivier nomination), National Tour, Australia and Japan tours; Irving Berlin’s Holiday Inn. Off-Broadway: Titanique (Lucille Lortel Award); Manhattan Theatre Club, Roundabout, New York City Center Encores!, Atlantic Theatre, The New Group. Opera/Dance: Radio City Rockettes, New York City Opera, Lyric Opera of Chicago, Donetsk Opera (Ukraine), Colorado Ballet. International: Disney’s The Hunchback of Notre Dame, Japan, Germany, and Austria; West Side Story World Tour. @alejo_vietti_costume_design.

A.R.T.: Moby-Dick, We Live in Cairo, Endlings, Burn All Night, Natasha, Pierre & The Great Comet of 1812, O.P.C. Broadway: Fat Ham, Hadestown (Tony, Drama Desk, OCC Awards), Flying Over Sunset (Drama Desk Award, Tony Nomination), The Great Comet(Tony, Drama Desk, OCC awards), Bernhardt/Hamlet. Numerous shows Off-Broadway, regionally, and around the world. Upcoming musicals: Water For Elephants, Alliance; Buena Vista Social Club, Atlantic; Lempicka; Goddess; How to Dance in Ohio. bradleykingld.com

A.R.T.: Debut. Recent: Sorry For Your Loss, Audible/Minetta Lane; How to Dance in Ohio, Syracuse Stage; The Hot Wing King, Alliance Theatre; Kim’s Convenience, TheatreSquared; The Ripple, The Wave That Carried Me Home, KC Rep. In addition to his work in design, Connor is a mix engineer for The Disney Princess Concert and Disney’s premier a cappella group, DCappella. connorwangdesigns.com

A.R.T.: Debut. Ashley Rae Callahan is an Emmy-nominated Hairstylist. Design: Annie, Broadway National Tour; Sweeney Todd, MUNY; Evita, New York City Center. Associate/Assistant Design for Broadway/TV: New York New York, Ain’t Too Proud, Beetlejuice, NBC’s Jesus Christ Superstar Live!, Summer, Six Degrees of Separation, The Color Purple (Revival), Holiday Inn, Beautiful: The Carole King Musical and Allegiance. TV/Film Hairstyling: “Stranger Things,””The Marvelous Mrs. Maisel,” Ghosted, Eileen, “The Crowded Room,” “The Gilded Age.”

A.R.T.: The Black Clown, Jagged Little Pill, The White Card, Arrabal, Fingersmith, Notes from the Field: Doing Time in Education, Waitress, O.P.C., Finding Neverland, The Gershwins’ Porgy & Bess, The Lily’s Revenge, The Donkey Show. Film/TV: Challengers, MGM; Madame Web, I Wanna Dance with Somebody, Little Women, Sony; “Julia” (Seasons 1 and 2), “The Gilded Age,” HBO; The Tender Bar, Amazon Prime; Godmothered, Disney+; “NOS4RA2,” AMC.

A.R.T.: Debut. Claire is an intimacy director, fight director, teacher, and actress and has worked in theatre, TV, and film across America, Europe, and the UK. As Director of Advanced Training at Intimacy Director and Coordinators, she is part of the community helming the intimacy direction movement across America and the world. Claire made history as the first intimacy director on Broadway with Frankie and Johnny in the Clair de Lune. Other Broadway (as Intimacy Director): Slave Play, The Inheritance, Death of a Salesman, Jagged Little Pill, Company, West Side Story, Waitress. National Tour: Les Misérables. She was awarded Variety’s 2019 “10 Broadway Players to Watch” as well a special Drama Desk Award for “pioneering work as an intimacy choreographer… and her leadership in the rapidly emerging movement of intimacy direction”. IDCprofessionals.com, clairewarden.com

A.R.T.: Life of Pi, WILD, Moby-Dick, The Black Clown, Great Comet of 1812, The Tempest, Pippin. Broadway/NY: Hadestown (Artios Award), Life of Pi, Chicago the Musical, Paradise Square, Rock of Ages, Lightning Thief, Great Comet of 1812, Elf, On the Town, Pippin, La Cage aux Folles, Radio City Christmas Spectacular. TV/Film: Netflix, 20th Century Fox, NBC, Lionsgate, Disney Channel. West End/UK: Hadestown, Thriller Live, Menier Chocolate Factory. Tours: Hadestown, Hairspray, Waitress, Charlie & the Chocolate Factory, Finding Neverland, Into the Woods, We Will Rock You. Regional: Berkeley Rep, Alley, Bay Street, For The Record, TUTS, Hollywood Bowl, McCarter, Signature. Follow: @whitleytheatrical and whitleytheatrical.com.

(she/ella) A.R.T.: Jack and The Beanstalk (Director), Gloria: A Life (Assistant Director), Endlings (Assistant Director). Rebecca Aparicio is a New York-based bilingual director and writer. Recent: Karen Zacarias’ Jardin Salvaje, GALA Hispanic Theatre (world premiere adaptation, Helen Hayes recommended), Beastgirl (based on the chapbook by Elizabeth Acevedo, book by C. Quintana and music by Janelle Lawrence), Kennedy Center (world premiere, Helen Hayes nominated); Caridad Svich’s The House on the Lagoon, GALA Hispanic Theatre (world premiere; Best Direction, DC Broadway World), Maria Irene Fornes’ Sarita, Roundabout Refocus Series. Rebecca is a member of the Latinx Playwrights Circle, Latinx Theatre Commons, Board Member of The Flea Theatre, and a founding member of Magic Forest Theatre, dedicated to creating new musicals for young audiences. RebeccaAparicio.com.

A.R.T.: Debut. Broadway: Jagged Little Pill, The Lion King, The Color Purple. Off-Broadway: The Unsinkable Molly Brown. Regional: The Notebook, Benny and Joon, Holiday Inn. National Tours: Matilda, Annie, Seussical. Teaching: MSU, NYU.

(he/him) A.R.T.: Evita, 1776, SIX, Endlings, Arrabal. Broadway: Bad Cinderella, 1776, Trouble in Mind, The Play That Goes Wrong. Off-Broadway: On Sugarland, Endlings, An Ordinary Muslim, NYTW; The Winter’s Tale, The Odyssey, Twelfth Night, Public Theater; F*cking A, Fires in the Mirror, Signature Theatre; The Way She Spoke, Audible Theatre; Nice Fish, St. Ann’s Warehouse. Regional: Born For This, ArtsEmerson; Miss You Like Hell, La Jolla Playhouse, Evita (STC).

A.R.T.: Debut. Dance: Tango Dance World Cup (finalist), Metropolitan Tango Dance championship (finalist). A tango, folklore and contemporary dancer and choreographer, Martin has danced around the world at major theaters including New York City Center, Jazz at Lincoln Center, the John F. Kennedy Center for the Performing Arts, the Juilliard School, and Théâtre du Châtelet, among others. He produced and directed El Argentino, El Espectáculo on Corrientes Avenue in Argentina. Education: National University of the Arts, Argentina.

A.R.T.: Debut. Regional: Evita, Bucks County Playhouse; West Side Story, Flat Rock Playhouse; Holiday Spectacular, Transcendence Theater Co. Development Workshops: Pasión, SHE. Education: BS, Georgetown University.

A.R.T.: Debut. West End: West Side Story (Chino), Sadler’s Wells. Regional: Rent (Angel), The Pirates of Penzance (Sergeant of Police), Bristol Riverside Theater; Jesus Christ Superstar (Simon), Annie, North Carolina Theater; Evita, Bay Street Theater; West Side Story, Pennsylvania Shakespeare Festival; Miss Saigon. TV/Film: “Poker Face,” “FBI: Most Wanted.” Video Games: Grand Theft Auto V, Red Dead Redemption II. Education: AMDA.

A.R.T. Debut. Broadway: West Side Story, Amazing Grace. Off-Broadway: AMERICANO! (Tony Valdovinos); Fanny, Zorba, New York City Center Encores!. Regional: West Side Story (Bernardo, Helen Hayes nominee, Berkshire Theatre Critics Association Award); Joseph and the Amazing Technicolor Dreamcoat, Jerome Robbins Broadway, Matilda, Chicago, MUNY. TV/Film: Company in concert with the New York Philharmonic, David Geffen Hall/PBS.

A.R.T. Debut. Film/TV: Mean Girls: The Musical (Sonja Aquino). Educational: If/Then (Kate), Fugitive Songs (Karen), Pace University.

A.R.T. Debut. Broadway: Moulin Rouge! (Original Broadway Cast, Santiago 1^st replacement). Opera: La Traviata, Metropolitan Opera. Regional: Evita, Asolo Rep; West Side Story (Bernardo), Nashville Symphony; Gypsy, Studio Tenn (Tulsa); A Crossing (Quetzalcoatl), Barrington Stage. Film: Places, Please (short). Big love to my family. Elise, Loren, Mom, Dad, Jaimie, JB, and Emmalyn. Y’all are my rock. And to the dance community of New York. I became the artist I am today in that community. IG: @calebmarshallv.

A.R.T.: Debut. Julieta Ortiz, age 10, is from Winthrop, MA. Previous credits include: The Wizard of Oz (The Coroner). She is a proud member of Voices Boston, which has fostered her love of singing and acting under the Artistic Direction of Dan Ryan. Julieta has trained and performed with Boston Ballet and Coastline Ballet under the instruction of Jennifer Scott, Jessica Kreyer and Pavel Gurevich. She plays the violin and has performed with Four Strings Academy. She loves to read, and imagine.

A.R.T.: Debut. Maria Cristina is a proud Cuban American woman and a daughter of an immigrant. She is honored to be a part of this story alongside this incredible team! Endless gratitude to the doctors, nurses, front line workers, first responders, ushers, maintenance staff and science for helping us get to where we are today. Honor to God and thanks to the most supportive family imaginable! Thank you to Brian at Hell’s Kitchen Agency. All Black lives matter! iPatria y Vida! IG: @m_c_posada_slye, mariacristinaposadaslye.com

A.R.T.: Debut. Opera: Stonewall (Patron 5, Carlos cover), NYCO Jazz at Lincoln Center; X: The Life and Times of Malcolm X (Garvey Preacher; Grammy nomination), BMOP & Odyssey Opera; The Mother of Us All (A.A./Ensemble), NY Philharmonic, Met Museum. Regional: Side Show (Jake), WPPAC; Beauty and the Beast (Beast), NBFT; Ragtime (Coalhouse u/s), Pennsylvania Shakespeare Festival. International: Don Giovanni (Masetto/ Don G. cover), Festival of the Aegean, Greece. Workshops: Food Fighters (Javier Del Rio), Jerry Orbach Theater, Harlem Hellfighters (Rafael Duchesne), PRTT/ Roundabout. Education: BM, Classical Vocal Performance, Hartt School.

A.R.T.: Debut. Mona is an Iranian-American Conductor, Music Director, Pianist and Orchestrator/Arranger based in New York City. Her work encompasses numerous genres including Musical Theatre, Classical Music, and World Music. She is a frequent developer of new works. Her orchestration work has been performed by artists including Kristin Chenoweth, Lena Hall, and Michael Feinstein at venues including the Met Opera, Carnegie Hall, and more. Recent: National Tours: Come From Away (Associate Music Director), Annie (Music Consultant). Broadway (Sub): Kimberly Akimbo, Come From Away, Company, Mean Girls. Off-Broadway: Oratorio for Living Things. Education/Training: Berklee College of Music (Classical Composition and Conducting).

Nancy O’Connor (she/her) is thrilled to be the Associate Music Director for Evita. Nancy is a New York-based music director, pianist, and arranger. She was the Associate Conductor/Keys 2 player for the Lulu National Tour of Waitress in 2022 and recently returned from playing Keys for Máiréad Nesbitt’s “Celtic Spells” tour. She has also served as a Keys 2 sub on Titaníque Off-Broadway. nancyoconnor.org

A.R.T.: Debut. DeShaun Gordon-King, artistically known as Díjí Kay, is quickly becoming a flutist of note. Known for his soulful tone and mesmerizing phrasing, he has given performances throughout Europe, Asia, and the United States, earning him recognition as a Trevor James Alto Flute artist. Díjí Kay grew up surrounded by jazz and gospel music and began his classical studies while at Duke University. A recent graduate of the Longy School of Music, Díjí Kay has made appearances with the Boston Celebrity Series, Castle of Our Skins, Juventas New Music Ensemble, and Shelter Music Boston and was a featured artist of the National Flute Association 2020 National Flute Convention. His primary teachers include Sergio Pallottelli, Rebecca Troxler, Keith Underwood, and Kaori Fujii.

A.R.T.: Natasha, Pierre & The Great Comet of 1812; Evita. Performances with Boston Symphony, Boston Symphony Chamber Players, Boston Pops, Boston Lyric Opera, Boston Ballet, Rhode Island Philharmonic, Rochester Philharmonic, Albany Symphony, Portland Symphony, Vermont Symphony, Hartford Symphony, New World Symphony. Education/Training: MM, New England Conservatory; BM, Boston University; Tanglewood Music Center.

A.R.T.: 1776, Evita. Member: Iris Ochestra, New Bedford Symphony, Boston Philharmonic, Triton Brass Quintet. Performances with Boston Symphony, Boston Ballet, Boston Modern Orchestra Project, Odyssey Opera, Rhode Island Philharmonic, Portland Symphony Orchestra. Education/Training: GPD and BM, Boston Conservatory; Tanglewood Music Center.

(she/her) A.R.T.: Evita, 1776, Moby-Dick. Broadway: 1776. Performances with Spoleto Festival USA, Rhode Island Philharmonic, Vermont Symphony, New Bedford Symphony, Richmond Symphony (VA), South Dakota Symphony, Audra MacDonald, “62nd Grammy Awards” with Lizzo. Education: MM, Boston University; BM, University of Michigan.

A.R.T.: 1776. One of Boston’s most in-demand musicians, Nick enjoys a varied and robust musical life. Orchestra: The Boston Festival Orchestra (Principal Horn), Phoenix Orchestra of Boston (Principal Horn), New Bedford Symphony Orchestra (Third Horn), The Vista Philharmonic at Groton Hill (Third Horn), appearances with the Kansas City Symphony, Jacksonville Symphony (guest Principal Horn), Atlanta Symphony (guest Principal Horn). Education/Training: New England Conservatory of Music (studied with Eli Epstein and Gus Sebring).

A.R.T.: Debut. Vice President, Local 9-535. Assistant Principal of Boston Pops Esplanade Orchestra, Boston Modern Orchestra Project, New Bedford Symphony, Odyssey Opera. Member of Boston Landmarks Orchestra, Boston Festival Orchestra, Austin Symphony (TX). Performances with Boston Symphony Orchestra, Boston Pops Orchestra, Boston Lyric Opera, Boston Ballet, Portland Symphony, Cape Symphony, Cantata Singers, Back Bay Chorale. Professor of Music and Anthropology at Bridgewater State; Faculty at Longy School of Music and Killington Music Festival (VT). Education: Doctor of Musical Arts & Master of Music, Boston University; Bachelor of Music, Baylor University.

A.R.T: Debut. Performances with the Berklee Motion Picture Orchestra, Berklee presents “The 40th Anniversary of Carole King’s Tapestry,” The Berklee 2023 Commencement House Band tributes to Roberta Flack and Usher. Appears on Beloved King: A Queer Bible Musical EP. Education: Bachelor of Music, Berklee College of Music.

(he/him) A.R.T.: Evita. Member, Boston Festival Orchestra (principal timpani), Atlantic Symphony Orchestra (principal percussion). Performances with Boston Modern Orchestra Project, Collage New Music, Emmanuel Music, Firebird Ensemble, Cantata Singers, Florida Grand Opera, Hawaii Symphony, Kansas City Symphony, So Percussion Quartet, Matmos electronic music duo. Music theory faculty, Bridgewater State University. Education/Training: DMA, Boston University; MM and AD, Yale School of Music; BM, Peabody Conservatory; fellowship with The Academy (Juilliard/Carnegie Hall)

Nancy O’Connor (she/her) is thrilled to be the Associate Music Director for Evita. Nancy is a New York-based music director, pianist, and arranger. She was the Associate Conductor/Keys 2 player for the Lulu National Tour of Waitress in 2022 and recently returned from playing Keys for Máiréad Nesbitt’s “Celtic Spells” tour. She has also served as a Keys 2 sub on Titaníque Off-Broadway. nancyoconnor.org

A.R.T.: Debut. Educational: The Rising Star Project, The 5^th Avenue Theatre; Seussical, Boston University; The Wild Party, Emerson College; Ragtime, Southeastern Summer Theatre Institute; The Little Mermaid, Boston University. Music Supervisor for Berklee’s Broadway Band. Education: pursuing a Bachelor’s of Music (anticipated December ’25), Berklee College of Music.

(they/them) A.R.T.: Debut. Violin and viola, Ensemble Dal Niente; first violin section, New Bedford Symphony. Performances with The Knights, Alarm Will Sound, Boston Lyric Opera. Education: Violin Fellow, New World Symphony; Violin Fellow and Co-Concertmaster, Civic Orchestra of Chicago; Violin Fellow, Tanglewood Music Center; Master of Music, Cleveland Institute of Music; Bachelor of Music, Northwestern University.

A.R.T.: Debut. Chilean violist Dr. Sergio Muñoz Leiva is dedicated to dialogue, collaboration, chamber music, and education. He has performed at Carnegie Hall, Lincoln Center, and The Metropolitan Museum (New York); Symphony Hall and Jordan Hall (Boston); National Opera House of Chile (Santiago); Guangzhou and Shenzhen Opera Houses (China). Musical mentors: Penelope Knuth, Kim Kashkashian, Carol Rodland. Education/Training: Interlochen Arts Academy ’10; New England Conservatory, BM ’14; Eastman School of Music, MM ’16; The Juilliard School, DMA ’22.

A.R.T.: Real Women Have Curves, Evita, 1776. Broadway: 1776. Performances with Handel and Haydn Society, Juventas New Music Ensemble, Glissando Concert Series, A Far Cry, Emmanuel Music, Boston Baroque, Skylark Vocal Ensemble, Palaver Strings, Boston Festival Orchestra, and ChamberQUEER. Frequent contributor for PARMA Recordings. Education: MM, New England Conservatory; BM, University of Michigan.

A.R.T.: Evita; 1776; Moby-Dick; We Live in Cairo; Jagged Little Pill; The Black Clown; Natasha, Pierre & The Great Comet of 1812; Crossing. Founding Member, A Far Cry; Principal Viola, Boston Baroque; period viola with Handel and Haydn Society, Trinity Baroque Orchestra, The English Concert, ACRONYM Ensemble, The Thirteen, Seattle and Portland Baroque Orchestras, Teatro Nuovo, Opera Lafayette, Relic, Sarasa Ensemble. Carnegie Hall Fellow and Peabody Singapore Fellow. Tours of Europe, Asia, Kazakhstan, and the Kyrgyz Republic. Performances with Pink Martini, Jake Shimabukuro, Itzhak Perlman, Yo-Yo Ma, Renée Fleming, Kiri Te Kanawa, members of the Florestan Trio, and Æolus, Brentano, Cleveland, Emerson, Mendelssohn and St. Lawrence String Quartets. Concerts at Vienna Musikverein, Singapore Esplanade, the Kennedy Center, and Carnegie Hall. Awards: Grammy nominee (Best Chamber Music/Small Ensemble Performance). Director of Chamber Music Lab, Rivers School Conservatory.

A.R.T.: Real Women Have Curves, Evita, The Donkey Show. Regional: K-I-S-S-I-N-G, Huntington Theatre Company/The Front Porch Arts Collective; The Inheritance, The View Upstairs, Once, SpeakEasy Stage; Queens Girl in The World, Central Square Theater/The Front Porch Arts Collective/Hangar Theatre; Pipeline, Central Square Theater/WAM Theatre; Bright Half Life, Macbeth, Equivocation, Hamlet, The Winter’s Tale, Actors’ Shakespeare Project; La Cage Aux Folles, The Sound of Music, The Music Man, Reagle Music Theatre; The Wolves, Orlando, Lyric Stage; A Christmas Carol, Saturday Night Fever, North Shore Music Theatre. Ballet: The Nutcracker, Boston Ballet.

A.R.T.: Debut. Broadway: The Book of Mormon, Tina: The Tina Turner Musical, The Prom, Beautiful: The Carole King Musical, Bullets Over Broadway, Annie, Evita. North American Tours: Hadestown, The Book of Mormon. Off-Broadway: Rock of Ages, Avenue Q, Rent. Regional: Paper Mill Playhouse (Millburn, NJ), Kennedy Center (DC), Porthouse Theatre (Cuyahoga Falls, OH). Thanks to Vicky and A.R.T. for this opportunity!

A.R.T.: Twilight: Los Angeles, 1992; Macbeth In Stride. Regional: Macbeth, Merrimack Repertory Theater; Julius Caesar, Hanover Theatre Repertory; Crossing Borders Festival, Two River Theater; Vanity Fair, A Christmas Carol, Journey to the West, Central Square Theater; Keyping, Lonely Planet, Statements After an Arrest…, New Repertory Theatre; King Lear, Actors’ Shakespeare Project; Three Musketeers, The Salonnieres, Greater Boston Stage Company; The Music Man, Anything Goes, Reagle Music Theatre. Opera: Urban Nutcracker, City Ballet of Boston.

A.R.T.: Debut. Based in NYC, Kelsey is a dancer, choreographer, and movement director. Dance: Movement of the People Dance Company (Company Dancer), NYC; Niko8 (Rehearsal Director), Chicago. Theater: Romeo & Juliet (Choreographer), Hudson Valley Shakespeare Festival). Film: The Coronation. Education/Training: BA, NYU Gallatin. @kelsinmotion.

Nancy O’Connor (she/her) is thrilled to be the Associate Music Director for Evita. Nancy is a New York-based music director, pianist, and arranger. She was the Associate Conductor/Keys 2 player for the Lulu National Tour of Waitress in 2022 and recently returned from playing Keys for Máiréad Nesbitt’s “Celtic Spells” tour. She has also served as a Keys 2 sub on Titaníque Off-Broadway. nancyoconnor.org

A.R.T.: Debut. Claire is an intimacy director, fight director, teacher, and actress and has worked in theatre, TV, and film across America, Europe, and the UK. As Director of Advanced Training at Intimacy Director and Coordinators, she is part of the community helming the intimacy direction movement across America and the world. Claire made history as the first intimacy director on Broadway with Frankie and Johnny in the Clair de Lune. Other Broadway (as Intimacy Director): Slave Play, The Inheritance, Death of a Salesman, Jagged Little Pill, Company, West Side Story, Waitress. National Tour: Les Misérables. She was awarded Variety’s 2019 “10 Broadway Players to Watch” as well a special Drama Desk Award for “pioneering work as an intimacy choreographer… and her leadership in the rapidly emerging movement of intimacy direction”. IDCprofessionals.com, clairewarden.com

A.R.T.: Debut. Director and founder of NJYA, a youth theatre company created to provide performance and production opportunities to young artists in New Jersey. Directing: Into the Woods, The Secret Garden, Sondheim on Sondheim. Dramaturgy: Blue Stockings (Production Dramaturg), Candide (Script Supervisor). Other Educational Projects: Awakenings, Guys & Dolls, A Midsummer Night’s Dream, A Christmas Carol. Education: Student at Boston College; BA in Theatre.