Riccardo Hernandez

A.R.T.: 20 productions at A.R.T., including most recently Notes from the Field: Doing Time in Education, The Gershwins’ Porgy and Bess, Prometheus Bound, Best of Both Worlds, The Seagull, Julius Caesar, Britannicus, and Marat/Sade. Broadway credits include The Gin Game; The Gershwins’ Porgy and Bess; The People in the Picture; Caroline, or Change (National Theater London); Elaine Stritch: At Liberty (Old Vic); Topdog/Underdog (Royal Court); Bells Are Ringing; Parade (directed by Hal Prince, Tony, Drama Desk nominations); Bring in ‘da Noise, Bring in ‘da Funk and The Tempest. Recent productions include: The Skin of Our Teeth (TFANA); The Invisible Hand (Henry Hewes Design Award); Red Speedo (Drama Desk Nomination); Grounded (directed by Julie Taymor). Hernandez has designed over 250 US and International productions (Chatelet, Avignon: Cour d’honneur Palais des Papes; Oslo National, Abbey). Hernandez is on the faculty at Yale School of Drama.

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